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I like the storyline of this show,it attract me so much

From my favorite movies..

Am i the only one who thinks........Average?

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Hands of Orlac once again gets a treatment, this time by writer/director Eric Red, starring Jeff Fahey (back when he still had his matinée idol looks) as a professor of psychology and often visits criminals in prison to study what makes them commit evil. When he suffers a horrible traffic accident thanks to a car losing its tire, it takes his right arm. A breakthrough arm surgery through a "grafting procedure" sees that Fahey will not be without the missing limb...it comes with a price. The arm, he soon discovers, was taken from a serial killer eventually executed. Two other men also received body parts from the killer in surgeries by Dr. Agatha Webb (Lindsay Duncan), a painter named Remo Lacey (Brad Dourif) and a young man named Mark Draper (Peter Murnik) who had both legs applied after spending time in a wheelchair without them. Eventually, though, someone is "coming to collect".I found some of the plot rather fascinating, as Fahey's Bill Crushank truly dedicates himself to understanding where evil comes from, and how the arm attached to him is ruining his life. The arm is violent, smacking his son and nearly choking his wife while he was sleeping in bed. He can see the murders in his dreams committed by the killer, and Bill increasingly has that gnawing feeling the murder's influence is taking hold of him. Reaching out to the others (Mark's legs cause him to nearly wreck into ongoing traffic), he finds that both men are suitably pleased with their new body parts (Remo's painting reflects what the killer sees; he claims the images just "come from the air" and that he's making far more money since he got his new arm than before when he was creating work for the walls of hotel rooms).The film left me a bit unsatisfied because I think Red has something here that eventually goes off the rails at the end when someone returns to take back the grafted body parts "given away". It is really quite bloody and graphically violent (legs gone, a victim going out a window, losing his grip once one of his arms is pulled right from the torso it belongs), but the reasoning is rather loony. A head actually being transplanted and kept from dying, body parts hooked to "life support", being pumped with a blood supply and machines, and limbs being "confiscated" from "their rightful owner", with Webb's eventual approval (taking a turn towards mad science) leaves Body Parts deteriorating into camp. It left me rather awestruck after following Bill through the travails of this arm causing him much grief that the film decides to turn loose a serial killer towards the end seemingly for shock value. Kim Delaney is the wife of Fahey, just unable to tolerate her husband's danger to her and the children. I had forgotten just how beautiful Kim was or that she was in this movie. The car crash that caused Fahey to need the arm is horrific, the crime scene with the missing legs is gruesome, and Dourif's character is totally enthusiastic about what the arm has done for his life (for the better), not discouraged by Fahey's misery and forewarning about what the body parts might have wrong with them. Dourif's performance is lively and energetic, I'll give him that. I have seen him better, though. I guess his performance fits the character he's provided: a lease on life anew, Bill's concerns pale in comparison to the profit afforded to him. Webb's attitude towards Bill regarding his desire to have the arm removed, not concealing her staggering apathy and disregard for his well being and hope to get rid of it so he can get his life back provides the film quite a cold and remoresless sociopath. Webb's devotion to her work, even if it is harmful to the recipients of the parts she grafts to patients presents her as quite the villain, deserved of her eventual fate.

The somewhat ludicrous idea of a transplant patient being controlled by their new limb dates back as far as F.W. Murnau's 1924 expressionist classic The Hands of Orlac, in which a pianist who loses his hands in an accident is given transplants from the body of a recently executed murderer with disastrous results.In Body Parts, Eric Red's 1991 take on this macabre tale, several people receive replacement limbs from convicted killer Charley Fletcher, but it is prison psychologist Bill Chrushank (Jeff Fahey) who first begins to suspect that there is something not quite right when his new right arm exhibits uncharacteristic behaviour, hitting his son and throttling his wife (Kim Delaney) while she sleeps.Bill is understandably shocked when he eventually discovers the identity of his arm's original owner, and demands that his surgeon Dr. Agatha Webb (Lindsay Duncan) remove the troublesome appendage, but she refuses, unwilling to undo her groundbreaking work. Meanwhile, Fletcher, whose head has been attached to a new body by the clearly deranged Webb, is running around savagely tearing his transplanted extremities from their new owners.The concept might be extremely well worn, providing the basis for more than a handful of horrors over the years, but Eric Red manages to bring new life to the 'evil transplanted limb' idea by acknowledging its sheer silliness and simply running with it. It takes a while to get into the swing of things, but once Fletcher starts to reclaim his lost body parts, the fun really begins, with Red serving up some great gore and outlandish plot developments.The film's most preposterous moment comes as Bill is sitting in a police car: Fletcher drives alongside, slaps handcuffs on Bill's wrist and tries to pull his arm off by quickly accelerating away. Fortunately, Detective Sawchuck (Zakes Mokae) is in the driving seat and miraculously keeps up with Fletcher's vehicle as it careens headlong through oncoming traffic while Bill desperately tries to remove the cuffs. It's an extremely dumb sequence, but well executed and hugely entertaining.In a glorious Grand Guignol-style finale, Bill confronts the mad doctor and Fletcher in a laboratory where the convict's reclaimed severed limbs and bloody torso are now suspended in a tank of liquid. In a marvellously splattery and absurdly grotesque finish, a desperate battle breaks out, during which Bill wrests a shotgun from Fletcher and proceeds to blow the crap out of anything that twitches, finally destroying the killer's connection with his arm in the process.7.5 out of 10, rounded up to 8 for IMDb.

I saw this quite a few years ago when I was younger, and I remembered being fairly unimpressed with it. How do I feel about it now?? I kinda dug it actually, it's got some balls. They really don't make them like this anymore. Not only does it have a car crash scene that makes some of the scenes in a Final Destination movie look weak in comparison. Watching Jeff Fahey go all unruly with everybody is always a treat to watch. I also really dug the family values in this one. Fahey's family really acted like a natural family, and I really felt for Fahey's descent into craziness. There are some things that I questioned, though. I didn't buy how Bill's (Fahey) kids were all nice to Bill, despite the fact that he knocks his son around, and yells a lot. You would think the kids would learn not to go around him. I also felt the finale was overblown. It was entertaining, don't get me wrong, but it was a bit too chaotic for my liking. It also has some pointless characters as well; Zakes Mokae as the detective being one of them. Jeff Fahey is a criminally underrated actor. He has always been one of my favorites, and why this man is stuck in DTV hell right now is beyond me. Stop being stupid Hollywood and recognize this man's talents! His unpredictable show is a main reason why this film is so entertaining. Kim Delaney lends able support as the caring wife, I dug her a lot. She's not too hard to look at either. Brad Douriff plays a likable role for once. That was rather funFinal Thoughts: It has its faults, but I simply cannot deny the entertainment it provides. Go in with low expectations and have a blast with this puppy. If you like gore, Fahey going nuts like nobody else can, I would check this one out. 6/10

An outlandish conclusion mars this otherwise decent little early '90s thriller. Jeff Fahey, he of "Lawnmower Man" fame, stars as Bill Chrushank, a shrink who tragically loses his arm in a brutal car wreck. But through the miracle of science, and with the consent of his wife, Chrushank is given a second chance at an able-bodied life via a groundbreaking transplant. All seems well until the limb, formerly belonging to a murderous death row inmate, seems to take on a life of its own. Is the killer living more than vicariously through Chrushank, or is it all in his head?One of the biggest complaints the big-name critics had with this one was that the story is all too familiar (i.e. "Hands of Orlac"). Yet a borrowed story is no reason to automatically dismiss a picture. Look at how many cop pictures and romantic comedies steal elements from their predecessors. So yes, this basic tale has been told before, but director Eric Red (I've never heard of him, either) makes it all work pretty good. Until, that is, the aforementioned climax rears its ugly head. It's then that Chrushank discovers the sinister origins of his surgery. I won't give it away, but let's just say there are plenty of four-letter words to describe it: lame, poor, nuts, crap. This film just could have been so great with a great finale.