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Such a frustrating disappointment

Simply A Masterpiece

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

The acting in this movie is really good.

I'll put a disclaimer right at the top here that states that I do think 1979's The Passage is not a good film. It's a nasty watch, full of drawn out, sadistic situations and a bleak plot that elicits the hollow response of "why" to anyone who spends their time on it. And yet, it's interesting, if only to see the completely bonkers, untethered performance by Malcolm McDowell as a maniacally evil SS nazi officer. It's like they gave him a bunch of coke and liquor before the cameras were rolling, dressed him up in gestapo digs and set him loose on the other cast members. The story is about a German scientist (James Mason) being led across a treacherous mountain range by a rugged guide (Anthony Quinn). Hot on their heels is McDowell's Captain Von Berkow, who will stop at nothing, as well as kill, maim and intimidate everyone along the way to capture them. That's about all the plot goes for, and aside from some gorgeous Swedish locations, it's a very unpleasant affair to put yourself through, unless, like me, you're a die hard McDowell fan. His performance is something to bear witness to though, like a particularly bad car crash, so messed up and terrible that you can't take your eyes off it. Whether he's terrorizing and murdering a poor gypsy village led by Christopher Lee, shedding his uniform down to his outlandish SS issue jockstrap and raping Mason's daughter, or jovially playing chef as he chops off Michael Lonsdale's fingers with kitchen knives, he's a devilishly disgusting monster and one wonders how a performance so brash and obviously over the top slipped through the producer's net. An off putting, ugly, gratuitous flick that's worth a watch for pure morbid curiosity, and to see McDowell truly push boundaries into zones of extreme discomfort.

Not a particularly good WWII yarn, but worthwhile for Anthony Quinn's commanding performance as a bitter sheepherder who is asked by the French Resistance to smuggle scientist James Mason and family across the Pyrenees. Nazi Maclolm McDowell is on their trail. It's violent but hardly exciting with one scene of brutality after another (Mason's daughter is raped by McDowell, an uncooperative Gypsy is set afire). As good as Quinn is, Mason is given little to do. Patricia Neal has almost no dialog as his infirm wife and Kay Lenz is oddly cast as his resourceful daughter. McDowell is outrageous, acting as if he just stepped out of CABARET's Kit Kat club (as one of the dancers!) He's perks up the film, but only to propel it to campy heights. Michael Lonsdale and Christopher Lee appear in small roles. Directed, very blandly, by J. Lee Thompson, who seems to have lost any ability to mount suspense. This from the director of THE GUNS OF NAVARONE and the original CAPE FEAR?

I saw this film years ago and am very disappointed to find that it is not available on VHS or DVD. Strange that any film my Malcolm should be unavailable as so much other dross is.This film is very violent with some humour attached. Not the most cerebral piece of work but neither is 'The Hills Have Eyes' or 'Nightmere on Elm Street' but they are cult movies.If this was released again, I am sure it would get an appreciable following for those with 'Bad Taste' and 'Brain Damage' - even Peter Jackson started with over the top violence & humour!Try and get a copy and see for yourself - don't be put off by these other 'critics'.Mark

United Artist must have lost a bundle back then, when this film only lasted a week in all screens in Seattle when they released this film. The film is "R" rated, violent and brutal! McDowell plays a psychotic WW2 Nazi Captain who is in pursuit of a doctor (Mason) and his family (Neal, Lenz, Clement) who is on the run from the Nazi's, and is helped by a Basque guide (Quinn) and two agents (Lonsadale/Bouzuffi) to take them across the mountain to safetly. McDowell turns into a Nazi Caligula as he do sick things and plays it almost in a camp like fashion like wear a chef hat and chops off Lonsndale fingers while cooking and saying "chop chop, chop chop!", Burn a gypsy (Christopher Lee) alive saying "I'm send him exactly where he told me to go....HELL", and rapes Kay Lenz as he wears a Nazi symbol on his underwear! McDowall also places a black comb under his nose to look like Hitler in one scene! This film is beyond what McDowall did in CLOCKWORK ORANGE! This is a performance that Mike Myers should look into remaking! The ending is incredible, but I can't give it away, but the bad guy's death doesn't involve a gun. Not recommended if you hate this sort of entertainment, despite the fact this is one of those all star cast international co productions, but the TV print cut out of most of the nasty stuff, so check out the TV print instead if you are a fan of the 70's interantional all star cast epics! Others beware! Great score by Michael J Lewis though!