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So much average

Purely Joyful Movie!

Excellent, Without a doubt!!

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

When I came across this film my first thought was "Ok, another Deathstalker knock off fantasy". But after watching the entire film I realized that this film did set its own pace and by pace I mean lots of BOOBS! It was the 80s and Fantasy Sci-fi films were being published by just about every production company at the time. Rating system back in the 80s was pretty much anything goes. And I mean anything! This film follows two twin sisters that have magical and physical powers given to them by a ancient wizard/god at birth to assist them on there journey. The two sisters meet a Goatboy and punch him square in the FACE! But later realize that the Goatboy and viking are both there to help them on there journey to defeat Traigon the evil wizard. Over all the movie is pretty fun to watch and gave me some good chuckles. I would recommend to anyone that enjoys low budget 80s fantasy films. I have to admit that this movie does have a lot of boobies scenes in it so that is always a plus for me.

There's so many bottom-barrel, schlock and obscurely minor sword and sorcery efforts that were being pump out after the success that was 'Conan the Barbarian (1982)'. This bargain basement production only caught my eye because of exploitation filmmaker Jack Hill ('The Big Bird Cage', The Big Doll House', 'Coffy' and 'Switchblade Sisters') being credited as producer. As for everything else, what else do you expect from something you just can't help but marvel at how bad and scrappy it is. Well bad films can still entertain, and 'Sorceress' fulfils that promise even if it's in an unintentional manner. Amateurish, crude and juvenile sums it up. But this kitsch quality amuses even with such stiff performances and a terribly dodgy script. That's the fun, as you got to make it up in some shape to cover up your restrictions. Just look at the out-of-this-world special effects. Primitive, but authentically animated… ah what a light-show of colours (the glowing eyes were pure magic) and walking corpses. Actually the latter isn't badly done. However some of the murky night sequences had you rubbing your eyes. But your vision soon comes back with the constant topless shots and a hilarious organism sequence courtesy of the fetchingly gorgeous twins Leigh Harris and Lynette Harris. Their acting left a lot to desire, but you can see why they were picked. The story (by Jim Wynorski) moves along, but doesn't really grip or leave a mark. As for the action, it's quite a stop and go affair with director Jack Hill's sloppy, but spirited execution. You'll find yourself snickering at it than anything else.

If there were any justice in the universe, the creators of this movie would be rounded up and burned alive on top of all existing copies of this incredibly stupid waste of celluloid.The ONLY good thing in the movie is seeing the twins topless, but even that couldn't make me watch this movie again.

I initially purchased this movie, along with two others, in a used bookstore's `Our Owner Is Dead Sale,' for the hefty price of one dollar. One must beg the question, of whether perhaps I got ripped off.Sorceress is bad. Astronomically bad. Not the kind of bad that we're used to. No, not mediocre Hollywood bad. It's so bad, it's almost a religious experience.The plot boils down to this: King/wizard Traigon promises his goddess, Kalgara (a big floating head that hisses and spits green lasers) to sacrifice his first-born child, for no apparent reason. However, he is quite bemused when his wife bears twins, making it difficult to discern which is the first-born. Deciding to resolve the question of their hierarchy later, he is about to seize the two infants, when he is killed by a Moses resembling, kung-fu fighter named Chronos or Chrona or some such. Chronos drops the twins off with some peasants and leaves. Years later, the FEMALE twins, named Mira and Mara, have been raised to believe themselves boys. A falsehood that is neither seen through by themselves OR the other characters in the movie, presumably because they wear hats. Anyhow, Traigon comes back from the dead (again, for no apparent reason) and orders his minions to find the `two who are one' (the twins.) An order which they fulfil almost instantaneously. After murdering the twins' adoptive family, the minions are made short work of by the plucky Mira and Mara, who are armed with big sticks. They also glow blue (once again, for no apparent reason.) After the evil minions are defeated, Baldar the big red Viking emerges from his hiding place behind the bushes to compliment the two young `men' on their fighting prowess. Then Chronos shows up and immolates himself in a bonfire (say it with me now `for no apparent reason'.) Anyhow, the remaining characters go on a quest of some sort, and are joined by Erlich the half-naked, befroed imbecile and the horribly perverse Pando the goat-boy (perhaps the most hateable character of all time.) Memorable scenes include: Mira and Mara emerging naked from the lake, to discover Pando the goat-boy grinning and "bah"ing at them in an entirely unwholesome way. (`What's that?' asks Mira or Mara `Which he carries there. Hanging between his legs. Is it a horn?' `A weapon perhaps?' adds Mara or Mira. `But how would he use such a weapon?' Then they beat the crap out of Pando and he runs crying.) Erlich's witty repertoire with the big, hairy, gravel-voiced gambler. (`Well, barbarian,' scoffs the semi-shaven wookie, in a dubbed on voice resembling a broken radiator, `don't dogs have ears? Don't they speak?' `We have ears,' replies Erlich, grinning like a lobotomy patient and holding two fingers on the sides of his head, `And we speak. Arf! Arf!') Mira and Mara's discovery of their actual gender. (`You're girls,' gasps Erlich as he sees the naked twins. `What do you mean?' asks Mira or Mara, confusedly. `I mean, you're not boys,' explains Erlich. `We're not?' wonders Mara or Mira. `Not boys? Are you sure?') Krakinon, the soldier who needs to cut down on the coffee, screaming with his eyes bugging out. (You really have to see it. It's a riot.) A butt-naked Erlich, sliding down a greased poll, where a sharpened stick waits for him in a VERY bad position below. (I… cannot describe the horror of this scene in mere words.) Mira or Mara feeling the effects of Erlich and Mara or Mira's `love boogey' miles away and reacting to it, causing Pando to become `excited.' (`Now I KNOW its Erlich,' comments Baldar as he stares at the moaning Mira or Mara, leaving us with the question of just HOW he knows. Suddenly, Pando rushes towards her and is stopped by Baldar. `She's under my protection,' warns Baldar. Frustrated, Pando begins to jump up and down and `bah' as he… as he… AAAAH! MUST GET THE MENTAL PICTURE OUT OF MY HEAD! NOOOOO!) A "battle between the gods' that consists of a poorly constructed winged lion and a floating head growling and hissing at each other, until one blows up. Two words: horny undead. And Pando leading an army of goats and goat herders into Traigon's palace, where they… just kinda mill around for, you guessed it, no apparent reason.There are so many more memorable scenes, but I don't think I have the stomach to convey them to you. However, I will add that the movie ends on a pro-polygamist note, as Erlich rationalizes, `Hey, these two ARE one.'I heartily recommend this film to masochists, as well as perverts who might find Pando's `antics' arousing.Did I mention that this film declines to feature any kind of `sorceress' whatsoever?