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Female Yakuza Tale

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Female Yakuza Tale

Ocho is accidentally captured by a drug trafficking cartel who use Chinese women to smuggle drugs into Japan by hiding it in their vaginas. She is tortured, and manages to escape, fighting both the male yakuzas and a gang of female thieves.

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Release : 1973
Rating : 6.4
Studio : Toei Company, 
Crew : Art Direction,  Director of Photography, 
Cast : Reiko Ike Makoto Ashikawa Meika Seri Emi Jo Keiko Aikawa
Genre : Drama Action Crime

Cast List

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Reviews

Marketic
2018/08/30

It's no definitive masterpiece but it's damn close.

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WillSushyMedia
2018/08/30

This movie was so-so. It had it's moments, but wasn't the greatest.

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Salubfoto
2018/08/30

It's an amazing and heartbreaking story.

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AshUnow
2018/08/30

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

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mevmijaumau
2016/08/08

Teruo Ishii's sequel to Norifumi Suzuki's outrageously entertaining Sex and Fury unfortunately isn't anything to write home about, as it is weaker than its predecessor in almost any way. Reiko Ike returns as Ocho Inoshika, and the film starts with an obligatory sequence where she slaughters some thugs while naked, but that's pretty much all these two films have in common.Female Yakuza Tale suffers from a boring, convoluted plot with pointless characters and awful dialogues. Even though the story is about a Yakuza clan that uses a gang of female thieves for them to smuggle drugs in their vaginas, the film fails to properly execute that bizarre concept. There's also Osho's backstory, which sees her getting saved from having to cut off a finger by a Yakuza kingpin, who then gets murdered by the current boss, who also kidnaps his daughter and puts her in a mental hospital with kabuki-practicing mimes. As ridiculous as it all sounds, the film is quite boring and it feels like it lasts much longer than 85 minutes.There's also a supporting character, this guy who, despite throwing bullets into people's nostrils and glasses and shooting their moustache off, is not charismatic at all. He's helped by a female prisoner Scorpion lookalike, some Christian assassin who "prays before she kills", who barely contributes anything and about whom we learn nothing. The visual style is almost ordinary compared to Sex and Fury, the comical scenes mostly miss their mark, and the soundtrack is some kind of a mix between '70s funky music, bouncing springs and Ocho's theme song (?) sung by Reiko Ike in the final scene where she walks off into the Sun (not a sunset, just the sun).The action is scarce and the sex scenes are numerous but poorly executed, except for the one where Ocho has sex with the boss. It's all just an unfocused mess, where you're never sure if the sex scenes are here to serve as filler to the plot or the plot is just jumbled together to string the sex scenes together (okay, it's definitely the second one). However, the climax of the film is so outrageous and hilarious that it makes up for the rest of the film. The gang of naked female thieves fights against the clothed male gangsters in an epic display of playing card blades, bullets, knives, swords, píss, bottles of cocaine, fists and frantic editing. Has to be seen to be believed.

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Coventry
2010/03/15

Like the Italians around that same era, the Japanese exploitation cinema industry didn't waste any time, money or effort during the 1970's. "Female Yakuza Tale", the sequel to "Sex and Fury" was released in the very same year as the original. Reiko Ike, the ravishing and slightly exhibitionist lead actress, even appeared in six different films that same year and – according to her filmography - made a total of twenty films in a span of barely eight years (between 1971 and 1979). That's very impressive, to say the least, especially considering the fact these movie don't feel rushed or unfinished at all, like often the case with their European counterparts. Fortunately enough for us fans, the sequel isn't just a quick and derivative rehash of the original. Like the different entries the righteously acclaimed "Female Prisoner: Scorpion" series, the sequel is a completely new adventure with other themes and – thanks to the change in director from Norifumi Suzuki to Teruo Ishii – there's also another type of stylishness and flamboyance. After extracting vengeance on her father's murderers, and killing a whole bunch of other bastards in the process, you would think our heroine Ochô Inoshika could now finally lead a happy and peaceful life. Think again, because this time around she plots to almost single-handedly bring down a whole network of drugs and prostitution. And these two crimes are really inseparable as the sleazy male gangsters use the prostitutes' gouged vaginae to smuggle the drugs. The modus operandi is integrally and quite graphically illustrated a couple of times and really has to be seen in order to be believed. I swear, only in Japan they can come up with deranged stuff like this and simultaneously find aspiring young actresses to comply. When Ochô is wrongfully mistaken for one of the prostitutes, she's abducted, abused and humiliated. She swears revenge and, with a little help from a mysteriously sexy and praying woman, Ochô gradually mobilizes a whole army (and you make take that literally) of girls to unleash a war. Although I've yet to check out a lot of acclaimed titles, "Female Yakuza Tale: Inquisition and Torture" is bound to be one of the purest and sub- genre defining Pinky Violence movies out there! It's literally chock- full of gratuitous nudity (during the opening title sequence already), mildly stunning "crotch-gouge" absurdity and sword-wielding splatter. The climax in particular is perplexing, with dozens and dozens of girls stripping off their robes before battling against the other sex. And they're bound to lose, of course, because every single man depicted in this film is perverted, abusive and exaggeratedly chauvinist pig! There's only one "good" male character in the film, and he's a bit of a silly loser who makes jokes like "your pussy is going to catch a cold". I love feminism.

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The_Void
2008/02/14

I've really been getting into these pinky flicks recently, and The Female Yakuza Tale is another good example of the genre! The film is highly convoluted and features a number of plot elements, all of which are nasty and sleazy. The film does get difficult to keep up with on more than just a couple of occasions, but since most of what's happening is fun to watch, it's usually easier to just go along with it. The film is only short at about eighty five minutes and that's quite surprising - considering how many ideas there are here, I would have expected it to go on for longer. The plot focuses on Ochô Inoshika, a pick-pocketer and master swordswoman who finds herself kidnapped by drug cartels. After being humiliated by them, she vows vengeance. It turns out that this particular gang are using drug addicted girls to smuggle drugs in their vaginas and some of these girls have become victims in a series of murders going under the title of "Crotch-Gouge". Throw in some bloke helping the leading lady and a mysterious female assassin and you've got one confusing movie! The thing that really makes these films great is undoubtedly the style of them and The Female Yakuza Tale doesn't disappoint in that respect as the entire film is very beautifully shot and director Teruo Ishii manages to create several potent and memorable scenes. The colours are dazzling too, and the fight scenes interesting and well choreographed. I can't say I have great experience with this type of film, but this one is not overly violent by my standards (and probably not by genre standards). There are a few good fight sequences and torture sequences, though nothing overly shocking. There is a real focus on sleaze, however; the way that the drugs gang treats its girls is a particular highlight in this respect. The film has a sort of chaotic feel to it in a way and it often feels like certain things are happening for no apparent reason - a scene towards the end that sees a bunch of girls strip off in unison feels rather random. Overall, however, this is a very well made and interesting film that is well worth seeing for fans of this stuff and I definitely recommend it.

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christopher-underwood
2005/11/17

For me, not quite as delirious as 'Sex and Fury', there are less set pieces and this is a little confusing now and again. Even so with the fabulous Reiko Ike to the fore with her penchant for bare breasted swordfights, this remains a must. The opening credit sequence with the parasols is wonderful and I was surprised not to see it reprised during the body of the film. Super camera-work, splendidly colourful sets and costumes plus an incredible amount of female flesh. So many beautiful naked girls, prancing, dancing and bending over to have phials inserted! The final fight is way over the top with naked flesh and rivers of blood, it just seems a shame there were not a couple more such scenes between the glorious opening and the gratuitous finale. Very enjoyable, nevertheless!

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