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A Swedish Love Story

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A Swedish Love Story

The puppy love of two teenagers is set against a backdrop of adults struggling with their own lives. As a couple in love, they don't care about anything but themselves and seem totally unaware about everything that surrounds them.

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Release : 1970
Rating : 7.3
Studio : Europa Film, 
Crew : Director of Photography,  Director, 
Cast : Rolf Sohlman Ann-Sofie Kylin Bertil Norström Anita Lindblom Margreth Weivers
Genre : Drama Romance

Cast List

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Reviews

Kattiera Nana
2021/05/14

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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VividSimon
2018/08/30

Simply Perfect

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Arianna Moses
2018/08/30

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

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Guillelmina
2018/08/30

The film's masterful storytelling did its job. The message was clear. No need to overdo.

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jm10701
2011/07/26

En kärlekshistoria (A Love Story) is very much better than anything I have read about it would lead me to expect, and the reason it is so much better is something many who otherwise love the movie criticize it for: that it is NOT just a love story. It is NOT just about the two ethereally innocent and lovely pubescent lovers but about the ugly adults who surround them.If this movie HAD been only about Pär and Annika, it would indeed have been an extraordinary and breathtakingly beautiful love story, and it would have fulfilled the promise of its title and the hopes of very many viewers. But it is a Roy Andersson movie, and even as a fresh-out-of-school twenty-something making his very first feature-length movie, his genius for cutting through illusion to the hardness under the surface of life was fully in evidence.Those who see En kärlekshistoria as being radically different from his recent movies - Songs from the Second Floor and You, The Living - and even from Giliap, made only a few years after En kärlekshistoria, are wearing blinders, choosing to see only the loveliness on its surface and denying the hard reality under and all around the loveliness.ALL of Andersson's movies are like this one. ALL of them are beautiful on one level and devastatingly harsh on another. That is what makes him such an extraordinary movie-maker and his movies so extraordinarily rewarding to watch. Without the hardness under the surface, the beauty on the surface would be empty and of only minimal, temporary value. It might entertain and delight us, but it would not teach us anything about our own world or change us in any way. We would have been made to feel good for a few minutes, but we would not have gotten anything of lasting value from the experience.So the ugly adults HAVE to be in this Love Story, because without them this is nothing but a daydream, a fleeting glimpse into the world of young love, a world that is open to us for only a few months as we are making the astounding transition from childhood, like butterflies emerging unsteadily from our cocoons. That innocent, pure and lovely love is not available to adults, or even to adolescents. Once the cocoon has been sloughed and the wings dried and warmed, the butterfly flies off into its "real" life, and our fragile, emerging innocence is gone forever.The adults in En kärlekshistoria give its love story the context it needs, call our attention to and accentuate its purity and loveliness, and show us how transient that loveliness is. The point (only one of many) Andersson is making (and we do not want to see) is that Pär and Annika are going to turn out to be just like their parents and other relatives: hard, selfish, stupid, abusive, and ugly. They cannot turn out any other way, because - like it or not - that is how we adults are.By showing us what Pär and Annika will be like in just a very few months (the bully who beat up Pär is only slightly older but already like the adults), Andersson gives us an invaluable frame for the lovely snapshot he took of them at their loveliest. That moment, that loveliness, is just as real as and certainly more pleasant to look at than the other, adult reality, but the two sharply contrasting realities need each other to make life tolerable. That contrast is what makes En kärlekshistoria a work of genius and power, much more than just a sweet but vapid story of young love.

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alex_50143
2006/03/05

Holy Moly! Watching this movie was like a little nostalgia trip even if you're not from Sweden. The photography is delightful and the film has a very naturally flowing pace giving you the feeling that you've really stepped backwards in time! I thought that the acting was also very modern. I couldn't completely relate to the 'humour', which is very subtle and a bit alien to me but it also didn't get in the way or take away from the main theme threading the film. While watching the main plot unfold - the story of first love between two adolescents - the social climate of that time in Sweden is very strongly conveyed in a continuous backdrop of this film. I got the impression that this movie was really 20 years ahead of its time all round. If the exact same film had been made now (almost, if not impossible, me thinks) it would still be a great success. Maximum Respect!

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frida_sjoborg
2004/10/05

this is a portrayal of the trembling, slightly insecure first love so many recognize from their teenage years. en kärlekshistoria= a love story. but apart from the main plot, it's also about the young couple's parents, adults who are dealing with accepting that dreams don't come true. the story's set in the summer of 1970 in Stockholm, Sweden.I've read the other comments and I must say I'm surprised. I don't know if the fact that I as a Swede can recognize and relate to some key ingredients in the setting, imagery and socializing, but the movie's won my heart (and so many others). my opinion is that the story about annika and per's strong affection for each other can't be witnessed without touching the viewers. it feels so genuine, maybe considering there's not many movies that focus on young love in this pure way. the young couple engage you so much that you feel like the side-line plots aren't necessary to make this film a whole. though it gives a feeling of reality, of a view into these people's lives as both families and as individuals. but I must say, the admirable interpretation of this rare angle of a love story is enough reason to make this movie a must-see.

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Elmer-7
1999/05/13

This is a great little film, describing two teenagers first love experience. It really hits the spot, showing Sweden as it was in the 1970s, complete with dull apartments, the very tough moped gang and, of course, the summer party in the country house. Above all, it shows the joy and agony of teenagers being in love. It´s very easy to relate to the attraction that Per and Annika feels for each other and their shy, clumsy efforts to get together. Anyone who has been a teenager, and most of us have, is reminded of those wonderful years. This is how it really was!

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