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i must have seen a different film!!

Don't listen to the negative reviews

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

("BaadAssss Cinema" movie-quote) - "Don't jive me, you lousy, black mother-fukker!!" For the most part - This 60-minute documentary was a pretty entertaining look back at the movie genre known as "Blaxploitation" which came into its own in the USA during the early-to-mid 1970s (and, then, like disco, it faded away into obscurity).Believe me - It was really quite a hoot looking back at the hilarious, bad-boy/bad-girl fashion trends that prevailed amongst blacks during those turbulent days in pop culture. It was all platform shoes, big "Afro" hairdos, and skintight outfits, non-stop.Through a continual parade of blaxploitation film clips, along with interviews from actors, film historians, and directors - The viewer gets a golden opportunity to enjoy a real slice of bad-ass cinema at its absolute baddest.*Final note* - I think that Quentin Tarantino (and his limp-wristed hand contortions) should be christened "The Countess of Flatulence". He really should.

With one exception, this film was an exceptional look at a genre of films overlooked today...the so-called 'blacksploitation' film. Using lots of clips from many of the most important movies as well as a lot of interviews, it's a very nice homage to the pictures.The film begins, well, at the beginning. "Sweet Sweetback's Badasssss Song" was the first film and the experts talk about it...and completely ignore that the film was among the worst films in Hollywood history...worse than "Plan 9 From Outer Space"!! Its lack of criticism of the film is odd. Sure, it was the first, but it was also the worst and features child pornography and practically no plot. Fortunately, after this rocky start the film does a much better job and goes from "Shaft" to "Superfly" to the films of Pam Grier and Fred Williamson among others. This is very interesting and worth your time....and is a GREAT introduction for folks who are unfamiliar with the genre and want to know where to start...as well as learning what killed these exciting films. Well worth seeing...just wish they's spent less time on "Sweet Sweetback" and perhaps had mentioned some other great films such as "Truck Turner" and "Bucktown" or, perhaps, a discussion of the horrible blacksploitation films! Still, well made and well worth seeing.

Cold-blooded balance of entertainment and academic perspectives on the so-called blaxploitation urban films of the seventies. This is not only useful as a seminal film rundown, but also for its educative industry participant interviews. Two, of Pam Grier and Quentin Tarrantino, are respectively honest and energetic. Others, of Fred Williamson and Gloria Hendry, reek of bitter, unfounded entitlement. BAADASSSS also delves into the debates on the responsibilities, or lack thereof, this genre had to the broader socio-political context. Here, reviewer Elvis Mitchell provides especially introspective guidance. AfroPixFlix throws down 9 sho-nuff greasy cake-cutters for this Isaac Julien reel deel.

A very entertaining doc that gives a good overview of a unique side of 70's cinema. It great to see some of the people who worked in this influential genre get a chance to reflect and talk. The collected critics are interesting too. Where this doc is of sort of a disservice is when it tries to explain the end of the genre. Nobody here is really able to step back and admit that the majority of black action films from the 70's were extremely bad. Even the great ones are poorly made from a technical standpoint but have become classics due to the energy and talent of the main cast. Many of the lesser films were impossible to watch and not feel ripped off. After a sitting thru a bunch of duds, people would naturally stop supporting them. Also by 1975, the neighborhood independent movie theaters were closing and the start of the major chain cinema was beginning to take hold. This killed all independent exploitation film making eventually. No kung-fu films, women in prison films, spaghetti westerns or monster films like in the sixties and early 70's. This has to be taken into account including whatever "racist" conspiracy that squelched the black cinema of the 70's. That's my historical comment.There was about 5 minutes too much time spent discussing the "Jackie Brown" controversy. But anything that creates more screen time for Pam Grier makes up for it.