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The Manual of Love
Four intertwined stories on the joys and sorrows of love.
Release : | 2005 |
Rating : | 6.3 |
Studio : | Filmauro, |
Crew : | Director of Photography, Director, |
Cast : | Carlo Verdone Silvio Muccino Luciana Littizzetto Sergio Rubini Margherita Buy |
Genre : | Drama Comedy Romance |
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Reviews
To me, this movie is perfection.
Admirable film.
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
An old-fashioned movie made with new-fashioned finesse.
Saw this film during a class, it's surprise to see Carlo Verdone and Silvio Muccino again, last time I saw them together in "Il Mio Miglior Nemico" (2006), so I guess both are marquee actors in Italy (actually Carlo Verdone is a director too and the cast includes a dozen of the most famous Italian contemporary actors/actresses). Actually I heard of this series before, the "Manuela D' Amore 2" also has become a huge success in Italy (with Monica Bellucci, a current sexy symbol of Italy), and rumor says the 3rd installment will invite Robert De Niro to join a star-studded cast, which shows its ambition to conquer a more international terrain. The film has been a successful domestic box-office bomb in 2005 and also met with mainly positive feedbacks. It consists of four stories of love, from "falling in love", "the crisis", "the betrayal" to "the abandoned", four different sets of protagonists interpret their own chapter with a previous one educes a latter story and finally the fourth chapter encircles with the first one to make everything looks so perfect. It is an innocuous comedic film with predictable farce and generally it is quite enjoyable. Although each chapter seems nothing particularly outstanding (when we talk about love, I think we have already seen ALMOST everything on screen), the advantage is that with four different stories altogether and each lasts for only 30 mins, the film shrewdly changes to a new chapter as soon as the previous one shows a sign of burning out, which at least will not annoy the audience (critics are not included). The film got 10 nomination of David di Donatell Awards (Italian Oscar) and won several of them (including Best Supporting Actor and Actress, Carlo Verdone and Margherita Buy), which cruelly shows the truth that now we are in a world starving for great comedies, it is not only in Italy, but the whole earth as well.
the funniest scenes are in the second story when the couple having difficulties go to visit relatives who have a new baby. The admiration the baby receives is so exaggerated, the disgust . . . well no point in spoiling it. Most of the audience when I went were young Mexicans who were identifying with the characters in the first story but I didn't get hooked until the second one. The problems with parking guards who give fines, arrange for cars to be hauled off etc was probably funnier to the Italian audience but traveled well across the border. The "moral" of the last story was one I wish I'd learned sooner. All in all a very enjoyable evening's entertainment.
I really enjoyed the first novel. Jasmine Trinca is absolutely sexy and smart there. Although, I would not find Tomasa a perfect match to her, he did played very well. I am surprised that this movie has not received much of attention of critics and media. I am big fan of Jasmine after this movie. She is the best! Next novels were not so interesting for me, although I did find amusing one scene about pregnancy and the way everybody watched mother delivering a baby in a hospital.I would recommend watching Manuale Di Amore to everyone.
It's a very well-made light-hearted, romantic comedy consisting of several small stories sorted out by the different stages of relationships. The stories were told in such a fluid way that you don't feel disturbed by the director's chronically linear view on relationships, although the figures in different stories were connected in a way or another.The outstanding performances from every actor in this film also makes the everyday love stories naturally telling. Although the audience can share lots of jokes about relationships in this film, I also like that sometimes the actors talked to the audience directly through the camera. This is a skillful technique to get the audience's empathy and involvement.Brava & carina - this film is surely very entertaining.