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Charlie Chan at Monte Carlo
Although Charlie and Lee are in Monaco for an art exhibit, they become caught up in a feud between rival financiers which involves the Chan's in a web of blackmail and murder.
Release : | 1937 |
Rating : | 6.7 |
Studio : | 20th Century Fox, |
Crew : | Art Direction, Director of Photography, |
Cast : | Warner Oland Keye Luke Virginia Field Sidney Blackmer Harold Huber |
Genre : | Comedy Mystery |
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You won't be disappointed!
Very best movie i ever watch
It is a performances centric movie
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Charlie Chan and "Number One Son" Lee are visiting Monte Carlo when a bank messenger is murdered and some bonds stolen. Sadly, this was Warner Oland's last Charlie Chan film. He's good in this, though he does seem a little 'off.' Whether this is my imagining things because I know about his problems offscreen, I don't know. He just doesn't seem as happy in this one as earlier films. Keye Luke is great, as always. Harold Huber, who appeared in Charlie Chan on Broadway as a different character, is fun here as a French police chief. It's not the best of the series, but still enjoyable. All of the Fox Chan films were at least watchable, whether Warner Oland or Sidney Toler were Chan. After the series moved to Monogram, quality declined greatly. The worst moments of Charlie Chan at Monte Carlo are better than anything in the Monogram series.
Charlie and Enumerated Son Number One visit Monte Carlo in this one. There is a complicated scheme of murder and theft that follows and Charlie solves same with help of the Chief of Police. It's difficult to say much that's new about the movie because the series was so much the same from one episode to another. Any differences were accidents, not due to any change in essence. Warner Oland, as Charlie, doesn't really seem to have much to do here except observe the goings on. And Number One son contributes some humor, as when, for example, the seat of his pants catch fire. Ha ha. Anyway, the series being as repetitive as it was, any comments have to be either discursive or trivial.The Chief of Police in this instance is Harold Huber. He may have a fancy French name -- Jules Etienne Joubert -- but this guy was born in New York. You can tell from his marked American accent when he speaks French. It's even worse than mine, and that's saying a lot. He and the uvular "r" are strangers to one another. And his enactment of the role is out of vaudeville but he does resemble Fernandel a little.Two performances stand out. Edward Raquello is magnetic as the continentally unflappable, self-possessed, untrustworthy gambler. Man, has he got arrogant politesse down pat. His name notwithstanding, he was born in Poland. Can't imagine what happened to his career.Virginia Field is memorable too. Well, not so much for her performance as for her attractiveness -- not quite beautiful but more than just ordinary features. When it's disclosed that she is a former model, it's believable.Sidney Blackmer, as a wealthy suspect, does right by the role. He's pretty unpleasant. He had a long career and, when he tried being affable, as in "Rosemary's Baby", you could hear the agonized creak of joints long unused. In "The High and the Mighty" he was the angry passenger named Humphrey Agnew. That was in 1954 and came to be pretty funny later on. Kids, in the 1960s, Vice President Humphrey was succeeded by Vice President Agnew.One can lose a good deal of money without trying in the casinos of Monte Carlo. The roulette wheels don't have the double zero of American casinos but that's no help. When I was there I squandered almost one fifth of my entire travel budget. Okay. Sneer if you like, but ten dollars was a lot of money in those days.There's some comic bit that Keye Luke does that succeeds. It's not slapstick and it's not some dumb thing like his wearing disguises. I can't remember what it is now. I should have taken notes. But it's there, and worth a smile.
No matter where he goes or what his main plans are...somebody ends up murdered. Oriental detective Charlie Chan(Warner Oland)and son Lee(Keye Luke)are vacationing in Monte Carlo where a casino messenger carrying a million bucks in bonds is murdered on his way to France. Who is the prime suspect, a known gangster from Chicago working as a bartender; or a beautiful woman with a not-so-clean past. Maybe it is just a minion caught up in a blackmail scheme. Murder and robbery are usually an apt combination for mayhem. It is so convenient to have a mastermind like Chan to clear things up. This is by far not one of the better Chan flicks, but will hold your attention. Other players: Virginia Field, Sid Blackmer, Harold Huber, Kay Linaker and Georges Renavent.
Charlie Chan (Warner Oland) and Chief of Police Jules Joubert (Harold Huber) track down theft of metallurgic bonds and murder in Monaco. Huber has a great deal of time on screen and he plays his character with the comedy that mars his department. Supporting character actor Louise Mercier does a great job as a taxi driver whose conveyance gets the best of him and son Lee Chan's misuse of French gets him into trouble.Early theme in movie is repeated use of number `25.' Lee points out that their hotel room is 125, he is 25 years old, this is the 25th of August, this is the Chinese Year 9325 - and therefore the number 25 will be lucky at the roulette wheel. Chan point out that Lee had borrowed $25 the week before. Later we learn that the value of the missing bonds is $25,000, one of the suspects borrows an amount equal to $25,000, and heretofore there had not been a murder in Monaco for 25 years. Poor writing fails to capitalize on this theme and the storyline sounds better in movie reviews than as portrayed on the screen.Lots of misdirection and suspicion but in the end, Chan and the police trap (`Questions are keys to door of truth') the guilty party using knowledge that was known only to police and not the viewer. One clue might have been picked up on by an observant viewer, but the other part of the explanation at the end goes beyond what we could have known. When confronted, the guilty party makes a final error in revealing yet another fact known only to police and murderer (again not to viewer). Not one the best of the Chan series.This is the final appearance of Oland live in a produced film - he died the following year. In this movie, as Chan, he says: `Humble presence of no more importance than one drop of rain in cloudburst.' On the contrary - although the Chan series is not high art, this viewer thinks that we are better for Oland having played the role.