Watch Sadako 3D 2 For Free

It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

The film makes a home in your brain and the only cure is to see it again.

By the time the dramatic fireworks start popping off, each one feels earned.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

The opening of Sadako 2 is certainly memorable. Silence fills the scene, before an explosion of noise shocks the viewer, the proceeding ambiance being as splendid as it is morbid, the scene concluding with an unexpected deliverance of terror during a moment that is often affiliated with beauty. Although many of the visuals, including a beach side setting, a peculiar basement facility, a spiral staircase and a stadium are exceptionally beautiful, and the effects are just as lavish in their execution, it is the sound that is especially powerful. The themes by Kenji Kawai offers a sense of ancientness and modernity, mystery and suspense, while the sounds of the environment, and those from the ghostly and monstrous aspirations, really accentuate the terror into life, and is of beneficial assistance during the well directed jump scares.Despite their articulation, the scares infrequently appear traditional for a Ringu film, and despite their uniqueness in this particular franchise, viewers would have previously witnessed similar instances in other films, Case 31 and Boogeyman 3 being very obvious comparisons.Despite the original Sadako being rumored to be the last in the Ringu franchise, clearly, much like with other series', producers, writers and directors alike don't enjoy bringing an end to something that still contains some semblance of life. For those of us who have seen Ringu 0 and Ringu 2, we know Sadako is a character who is equally deserving of our sympathy, as well as our fear, though, much like its predecessor, Sadako 2 paints our favorite long haired specter as an antagonist only, refusing to provide new audiences with the opportunity to see Sadako in her entirety. This leads to my next point - Sadako herself. Although characters occasionally talk about her, the screen time that Sadako is provided could be measured in seconds, rather than minutes, the primary focus of the feature being the child that she is believed to have brought into our world.Miori Takimoto portrays Fuko (I wouldn't be surprised if, when translated, Fuko means gorgeous in Japanese, because Ms. Takimoto is a dreamboat on the ocean of purest beauty), a young woman whose charge is her niece, Nagi (Kokoro Hirasawa), a four year old girl who appears as cute as she is creepy. The daughter of Akane (Satomi Ishihara - whose role is unfortunately miniscule) and Fuko's brother, Takanori (Koji Seto), both of whom were the protagonists of the last feature, Akane's bizarre disappearance after Nagi's birth, and Takanori's absence, which is guaranteed not to win him any awards at the father of the year ceremony, leave Fuko alone in a situation that gradually becomes more dangerous.Wherever Nagi goes, strange and violent deaths occur, an obvious question being, is Nagi responsible, or is she just a conduit for another character's rage? Although some of the deaths could be attributed to vengeance, others appear to be randomly selected, and without any obvious incentive or motivational cause, the unjustifiable slaughter seems to make little sense. Investigating these obscure deaths is metropolitan police detective Kakiuchi (Takeshi Onishi), who appears to be sheltering ulterior motives, while characters from the previous Sadako, including former detective Koiso (Ryosei Tayama) and the psychopathic Kiyoshi (Yusuke Yamamoto) provide support to some of the new cast members.Although Fuko's heart is in the right place, on several occasions her character appears ignorant, in that she is provided instructional advice, yet does the opposite of what she is told, which can lead to predictable consequences. Towards the end, the film becomes alarmingly quick - it seems we are only in the middle of the story when the climax is thrust upon us without warning or explanation. Moreover, as the feature continues, some of the scenes defy rational explanation, this, coupled with the unanswered questions at the film's conclusion, will inevitably force audiences to, on more than one occasion, suspend their disbelief. Besides this, the contradictory storyline, which could be perceived as being deliberately orchestrated to provide audiences with multiple twists and turns, is neither well developed or intellectually surprising, viewers often being led to believe one thing, then another, then another, to the point it appears even the film's developers were uncertain of the directionality they wanted the plot to take, this continuing all the way to the film's anti-climatic finish.Despite this, the themes, which include family, suicide and abandonment are well conceived, while the acting is professionally delivered, one scene in particular being emotionally beautiful. Although Sadako 2 is far creepier than its predecessor, some of the film's disturbing moments being sure to impact the audience, the storyline and imagery, that occasionally appears illogical, while adjunctively resembling certain fairy tales, may cause audiences to wonder what hallucinogenic substance Sadako has been smoking in that well of hers.

Both are brilliant. I love to stories, acting and execution but most of all I truly enjoyed the photography on these movies.Every single scene is like a still photography art by itself. Sometimes I paused to realize more deeply that how wonderful they are. Wide angle shots of landscapes, interiors and architecture; narrow angles shots of the portraits were all wonderful.To me it was a good scary. I don't like gore and slasher nonsense... Sadako movies putting many emotions together. Especially on the second one the little girl's meeting with her mother was beautiful. Atmosphere, lighting and every camera angle used on the scenes were awesome. I truly enjoyed a visually rich, touching and top quality horror experience.I'd wish these exact same cast and crew (from VFX artists to set workers!) filming the Silent Hill movies. I'm pretty sure they would create wonderful atmosphere and imagery on them too. Way better than the Hollywood...Little girl Nagi was SO cute. Lovely tiny actress Kokoro Hirasawa is.People who hated Sadako movies can go watch nonsense like Saw or Teenage Mutant Ninja Turtles sideways. I'm glad I never listen to online know-it-all nitwits who think they are some sort of experts on cinema and preferred to watch these movies myself and then decide that I like them or not, myself. I'm glad I did.

While still nowhere close to the original "Ringu" trilogy, at least "Sadako 3D 2" was a step up from its abysmal predecessor "Sadako 3D" - not much, but still noticeably improved.What made "Sadako 3D 2" better than the previous was a more solid and thought through storyline as there was a red line throughout the movie, whereas the previous movie was messy, confusing and seemed mostly like random clips put together.But still for a Japanese horror movie of this genre "Sadako 3D 2" wasn't particularly scary. Sure, there were some nice scenes here and there throughout the movie, but as a whole there just wasn't enough scares in the movie to match other similar movies.One thing that impressed me was the acting performance put on by child actress Kokoro Hirasawa (playing Nagi). She, and she alone, was carrying this movie without a doubt, and she was genuinely capable of portraying some rather disturbing and spooky scenes with her body language and facial expression. Thumbs up for that! The effects in "Sadako 3D 2" also had a very noticeable improvement from the previous movies and it was more of an enjoyable experience to sit through this movie than it was with part one.Still, the plot had strayed quite far from the original trilogy. And whether or not you like that or not is, of course, a personal preference. Of course it is good with new ideas and new blood, but if why change something that isn't broken? These two additions to the "Ringu" legacy seems to have set out to accomplish a little bit too much or going for a grander and more epic scale, but failed to fully grasp it and deliver where it would impress.It was a good thing that director Tsutomu Hanabusa didn't include those laughable creatures that make their appearance in the first "Sadako 3D" movie. They were just ridiculous.While not fully there yet, "Sadako 3D 2" is a mediocre addition to the "Ringu" legacy, and your overall experience would not be any less if you miss out on this movie (or the previous one).

I was not really looking forward to this, at al.As I hated Sadako 3D (2012). it was one of the worst Ring movies ever, so bad, it was not scary or creepy. it was cheesy!Thankfully this sequel was nothing like the first movie, I really enjoyed it. The start of the movie, opening scene actually made me jump, A little. Fuko Ando who is 24 years old is. She is told to take care of her 4- year-old niece.Then strange things start to happen around the niece, anyone that upset her or she looks at anyone with the her stare, they end up dead, there death, which are made to look like they kiled themself's .First death was really well done and looked really nasty but not gory, some of other death scenes seem a little silly.Fuko Ando seeing the drawing that her niece as done and then start to get scared of her. as all her drawing, seem to be come true. (Fuko is also having trouble with her own pass and she keeps getting nightmares of her mother suicide ,when she was a little girl and she blames her self for that.)I loved train scenes, that one of hell of crazy scenes, loved every second of that scene. Fuko soon discovers what Akane as been hiding form her for last 5 years and she is shocked.There are few surprises here and there, to give you little shocks, Which dose work, I loved it, decent plot. So much better then the first movie, better story, not over of the top with the 3D effects, Not at all cheeses liked the last one. I found one part of the movie, a little creepy at times but not all the time.It felt more like a drama near the end of the but one thing that annoyed me, there were far too many dream scenes. The acting was very decent, the effect were really good! 6 out of 10