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Kamui
A rebellious ninja in 17th century Japan takes refuge with a fisherman and his family.
Release : | 2009 |
Rating : | 5.6 |
Studio : | |
Crew : | Director of Photography, Assistant Director, |
Cast : | Kenichi Matsuyama Koyuki Kaoru Kobayashi Koichi Sato Hideaki Ito |
Genre : | Drama Action |
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Thanks for the memories!
Overrated
Exactly the movie you think it is, but not the movie you want it to be.
The movie really just wants to entertain people.
Based on a comic by Sanpei Shirato, Kamui is about a tale of ninja fugitive that survives because of his exceptional ninpo skills. The movie was made with Shirato and Kamui fans in mind and although synopsis of Kamui saga is given at the beginning of the movie, the movie in my opinion is not a true stand alone piece, and the audience would benefit from the knowledge of the original story.Unlike other ninja, Kamui was born into an untouchable class, and then became ninja to gain the ability to survive. A long running series that has history of almost 50 years, Kamui is an unusual tale of a lone ninja who is an escapee from his ninja clan (which was act of treason punishable by death). For this reason he is perpetually being targeted by the members of his ninja clan.Kamui's skill as ninja comes from his ability to invent his original method of combat tactics. Two famous tactics of his - "Izuna Otoshi" and "Heni Battou Kasumi Giri" is featured in this movie.Sanpei Shirato has a very dark mood to his art and story, and this movie succeeds in capturing Shirato's style. CG of this movie has dynamics to it like never seen elsewhere. Especially the scenes with the sharks were superb. Details are vivid, and interactions between characters that was vague in the original comic is shown with new vigor. The character of Kamui also has more "human" aspect compared to the comic. Overall the movie succeeds in showing Kamui saga in a new light. Watch the movie as cultural artifact from Japan. It's an uniquely original story where an outcast ninja while being tossed in the hands of fate, tries to find a place of peace in his life.
Its rare to find a good ninja movie lately this one I recommend to skip because you're not missing anything. The story is utterly nonsense, usually ninja movies have the basic ninja fights and silliness but this is beyond that. Think of the stupidness thing you can think of because that is pretty much what the movie is.Anyone can think of a better story than this. The beginning has a horse's leg cut off while it was still alive and it was made into a fishing lure and of course that upsets the owner who was a Lord. So why cut off a leg and what was the point of making it for fishing? There are some flying great white sharks which doesn't make sense and at the end it gets more stupid every person Kamui knew ended up poisoned and during his duel a flock of seagulls kept flying around. This is one movie that makes you say what the? I wouldn't consider this a ninja movie there's barely any action scenes it was supposed to be about a rogue ninja but it was mostly on how to fish.
Epic in scope, aesthetically pleasing, gloriously violent, and just a little bonkers at times, Kamui The Lone Ninja possesses many of the attributes that would usually qualify a film as a classic in my book. Sadly, despite these positives, the film fails to achieve 'must-see' status thanks to an overlong running time and its god-awful CGI effects, which frequently and mercilessly shatter the illusion of fantasy. It's extremely frustrating to suspend disbelief and immerse oneself in a mythical cinematic realm, only to be regularly jolted back to reality by the glaringly obvious use of horrendous digital trickery, and it makes the overall experience less than satisfying.Rarely do I place so much importance on seemingly trifling technical matters—after all, I've thoroughly enjoyed many a film with worse special effects—but against Kamui's sublime, natural scenery and its visually-arresting, heavily saturated seascapes, the crappy CGI is just too jarring to forgive. Kamui's advanced ninja moves performed during a treetop battle are simply abysmal; the scaling of a sheer cliff-face by Kamui sees the ninja move in the manner of a Looney Tunes cartoon character; and the less said about the dreadful shark hunting scenes, the better.I do, admittedly, feel a little mean for berating Kamui so much for its shoddy effects—I actually liked many of the more dramatic scenes—so by way of recompense, I hereby award it the title of 'Second Best Martial Arts Movie to Feature a Scene of Gratuitous Horse Dismemberment' (the equine decapitation in Ringo Lam's Burning Paradise narrowly beating Kamui's severed horse leg to first place).
This is a film about a ninja called Kamui who decides he doesn't want to be a ninja anymore, problem is, you're not allowed to leave. So death in all it's forms is going to come for Kamui throughout this film. This spawns the familiar trope of the hero who stays alive but gets everyone around him, including his loved ones, killed (like the hardboiled American cop who goes through a fistful of partners as if they were dimes for the telephone). Kamui reminds me of a deciduous tree, the trunk of which remains strong and constant, but whose leaves eventually wilt and abscice. The bounteous autumnal melange of colours preceding the winter barrenness.It's chambara here all the way, and as it's very ambitious, it's often CGId - wire work can only take you so far in the arena of awesome stunts. The fighters here have really pretty much supernatural skills that make Crouching Tiger look positively undercooked. There's some fun stuff that Kamui fights with, including a knuckleduster with triangular ridges, that can be used for parrying sword blows (though you'd better be pretty accurate with those parries...)As Kamui (Ken'ichi Matsuyama) is a really rather sullen character, who has appeal more as a heartthrob to potential androphile members of the audience, much of the ready humour in the film is delegated to supporting actors including Kaoru Kobayashi (as Hanbei the fisherman), and Hideaki Ito (as Lord Fudoh, the incredibly appealing and roguish pirate captain).There's a side story in the movie about a gaily apparelled and brutally petulant daimyo lord. The stories do crossover, but I think the daimyo strand is more there for contrast, the kind of easy god-like existence of the highly undeserving daimyo, with the bleak struggle to survive of Kamui. After all the main threat for Kamui is the ninja fraternity, he's not even a speck on the daimyo's radar.There's this thing in Japanese movies where they like to confront characters with a personal hell (one of the few Japanese words I regularly recognise in Japanese movies is jigoku - hell). There's a quite effective example of that in this movie.All in all I would tend to say this movie overdoes the CGI, you can see stuff like waves that leave no filmy coating on surfaces after they recede, and you think hang on why are they using CGI for ... water. It is however highly enjoyable. One last note is that someone behind the movie should learn a little bit more about shark behaviour maybe, the scenes with them in are funny, but they behave so stupidly and atypically here that it is a little bewildering, even within the encapsulated cinematic world of reduced realism.