Watch Stage Beauty For Free

Good concept, poorly executed.

Blistering performances.

An old-fashioned movie made with new-fashioned finesse.

This is a gorgeous movie made by a gorgeous spirit.

Ned Kynaston is the most beautiful "woman" of the London stage. This is the kind of role that I've always admired Billy Crudup for. He plays an actor in a time period (1600s) when only men were allowed to act on stage, even if the character portrayed is female. Kynaston is an actor so dedicated to his work that he has taught himself the graces of mime and can alter his masculine voice to sound like the most elegant and refined woman in the world. In his private life, he has a lover in the Duke of Buckingham (Ben Chaplin) who insists Kynaston don his wig when they "make a beast with 2 backs" in bed on the stage. On the sly, Kynaston's dressing assistant, Maria (Claire Danes) has been watching Kynaston's acting career and wishing she herself could not only be legally allowed to perform, but could do it with the same natural grace as Kynaston. She practices his mime, steals his beautiful frocks and wigs, and begins performing the very same role of Desdemona from Othello in a small nightspot in town. Things begin to go awry when it is discovered that Maria is acting illegally, but the King (Rupert Everett) is so moved by Maria's acting that he decides to reverse the ban on females acting on the stage. Kynaston, both jealous and angry that she has been stealing his thunder, screams in rage at Maria in front of the King's mistress, and suddenly is a disgraced man out of work. He gets beaten up by what I believe are 17th century bigots (I might be mistaken though.) After he recovers from his injuries, he tries to audition for a "male" role, but is unable to shake the habit of moving and speaking in feminine mannerisms. He flees in tears, and ends up being looked after in a boarding house by Maria. I really loved the "almost" love scene and the discussion that lead up to it. That's all I'll say for now. The movie never stops being entertaining, nor interesting to look upon, with its lavish costumes and production design. There is a scary moment towards the end that almost made me throw my laptop on the floor because I'd thought the movie was ruined, but luckily, I loved the film from beginning to end. Bravo!

"Welcome to the 17th century stage, where Ned Kynaston's (Billy Crudup) performance of 'Desdemona' in Shakespeare's 'Othello' brings the house down nightly. Ned is the 'most beautiful woman on the London stage.' That is, until the King renounces the royal edict that only men can play women on stage. Enter Maria (Claire Danes), Ned's seemingly loyal dresser, who becomes an instant star, leaving Ned to suppress his ardent feminine traits and make a man of himself," according to the DVD sleeve description.Hundreds of years ago, boys played the female parts on the English stage. This film supposes that Mr. Crudup, decades after his boyhood, still commanded the attention away from any "Othello". Well, yeah, but as a bad female impersonator. You must also believe his "training" included sex with men as a side effect. You see, when Crudup essays more manly roles, his gay goes away. Good to know. With the exception of a "who's on top" scene with Crudup and Ms. Danes, this is done with a straight face.The costumes are nice.**** Stage Beauty (5/8/04) Richard Eyre ~ Billy Crudup, Claire Danes, Rupert Everett, Richard Griffiths

"It is not a question of acting a man. I can act a man. There's no artistry in that. There are things that I can be as a woman that I cannot be as a man." Billy Crudup, as Ned Kynaston.Set against the English Reformation period of the 1660, as led by King Charles the II, Stage Beauty is a saucy romp of a film beautifully directed by Richard Eyre and scripted by Jeffrey Hatcher, from his original play, Compleat Female Stage Beauty. This marvel boasts an accomplished cast, led by Billy Crudup and Claire Danes, through this gender-bender of a costume comedy-drama.Director Richard Eyre (Notes On A Scandel) does a fine job counter-pointing couples Claire Danes/Billy Crudup and Rupert Everett/Zoe Tapper. Tapper's Nell Gwynn is priceless as the king's sexy paramour, shrilly romping about the palace with King Charles, her cross-dressing monarch.Billy Crudup plays Ned Kynaston, a classically trained actor of women's roles during the 17th century, when female roles were forbidden to be played by – well, females. A popular star, he lounges seductively with the Duke of Buckingham, George Villiars, his upper-crust lover, between rehearsals and stage performances.Claire Danes plays Mrs. Margaret Hughes, a widow who works as Ned's dresser. During his performances, Maria (as she calls herself), watches in the wings, secretly longing to play the roles denied her – especially the coveted role of Desedmona in Shakespeare's popular tragedy, Othello. She takes a chance, breaking the kings' law, by performing – as a woman – on stage, in a vaudeville review (And hence, not subjected to the law of the land, that is stringently enforced on the legitimate stage).Both drag star and star wannabe both end up as special guests at the King's dinner table. A lively exchange takes place concerning the merits of a woman actually acting the part of – well, a woman.King Charles II (Rupert Everett): "Why shouldn't we have women on stage? After all, the French have been doing it for years." Sir Edward Hyde (Edward Fox): "Whenever we're about to do something truly horrible, we always say that the French have been doing it for years." The tables are turned on Kynaston, who now watches aghast as the King overturns the law, opening the floodgates for women's roles to be played – well, only by women. He becomes an object of scorn and ridicule, as a couple of upper-class groupies enact their own brand of revenge against him for past insults.Meanwhile, Mrs. Hughes is suffering her own humiliation of being a one-hit wonder, only to discover that being a woman, playing a woman, means little without acting ability as – well, a woman.Ned and Maria wind up instructing each other on the ways of love and acting, all to a symphony of applause for acting – well, like a man and a woman. Through it all, they tease and snipe at each other to push the boundaries of their manufactured images, not because they care what others think, but because they care about their own sense of themselves.

I bought this movie because of Billy Crudup. I always enjoy his performances. But, once the movie started, I was mesmerized. The entire mood and theme of the movie; its looks, its pacing and its story, take us to a time that most of us knew little about.Theatre people, and theatre students knew about this and tittered over love scenes between two men. But, nobody thought about the moment when all that was over and women took to the stage. I venture to say most of us didn't know it wasn't more than socially incorrect for women to be in theatre at one time, but illegal.The story is beautifully written and transcends the issue of women versus men on stage and instead focuses on the acting ability of two such people. King Charles II, in the movie, states that the leading lady (Clare Danes) is the first and Crudup is the last (male to play a female, legally...at least in HIS time.) If you want a lovely view of post-Reformation England, theatre in general, you can see it all here. All this movie leaves out is the horrid smells theatre treated you to. It is that real.