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Passion of Mind
When Marie, a widow in Provence with two daughters, locks her bedroom door and goes to sleep, she dreams about Marty, a literary agent in Manhattan who dreams equally vividly about Marie. The women look alike. Marie meets William who begins to court her. Marty meets Aaron, an accountant, becomes his friend and then his lover. Both women tell their lovers about their dream life. William is jealous, Aaron is accepting. Even though they've become lovers, Marie won't fall asleep next to William. Marie goes on holiday with William to Paris, and Marty wakes up with an ashtray from the hotel on her night stand. Are they the same person? What will unlock reality?
Release : | 2000 |
Rating : | 5.5 |
Studio : | Lakeshore Entertainment, Paramount Classics, Ron Bass Productions, |
Crew : | Production Design, Set Decoration, |
Cast : | William Fichtner Demi Moore Eloise Eonnet Julianne Nicholson Sinéad Cusack |
Genre : | Drama Romance |
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Very very predictable, including the post credit scene !!!
Just so...so bad
everything you have heard about this movie is true.
Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?
Before I speak my piece, I would like to make a few things clear: 1)I am a chick who's not into chick flicks ("Kate&Leopold" and "Someone Like You" are EXTREME exceptions- Hugh Jackman's ass). 2)I only picked this one up because I am a Fichtner fangirl who looked forward to see him in a bathtub. 3)I am not a Demi fan, though I think her performances in "Immortal" and "A Few Good Men" were sublime and have earned places in my vid library- also I think she's a little crazy (no way is she NOT still sleeping w/Brucie).If this is a character study of an unfulfilled woman living dual lives of independence and happiness, then I'd say we have one narcoleptic melodrama. Marty: Literary agent. Makes 6-figure salary. Lives in an upscale Manhattan penthouse. Easy for her to read several hundred manuscripts and fall asleep at her desk for some highly suggested nocturnal escapism. Or perhaps stepping through an interdiemsional portal? She has the career, the looks, a cool car, a great pad, now where are the man and kids? In steps our boy Aaron- some real escapism. What are architects? They're artists who can do math, dreamers that make real money. Aaron gives Marty the dream of security and fills a void where she, obviously has no self confidence.On the other side of the coin, there's Marie, still living out her schoolgirl fantasies while she muddles through motherhood. Her children are her career and life. But what about Marie, does she only exist through her children? In waltzes William, a Parisian stranger who helps her focus on the one thing she has lost touch with: herself.A supposed journey of self-discovery and late a coming of age thrown in some with angst and some resentment to Marty/Marie's own mother. This gets a 3/10. All I could say is thank God for the BPL multimedia division, I wouldn't waste my $2.99 at Blockbuster on this, put it toward a Harlequin Blaze title.
O boy, I didn't know about this film. And it was a nice surprise from me. Demie Moore gave a wonderful interpretation and her facial expression was beautiful. It could be better if the two persons were different as characters. But still like it is, it's a well worth movie.
Demi Moore is a very beautiful woman, and once again she proves that beauty alone cannot carry a movie. I've seen many of her movies, and only one of them really stands out to me as one that's worth watching more than once, and that's "A Few Good Men" - but it's worth watching for Tom Cruise and Jack Nicholson. Demi is basically window-dressing there."Passion of Mind" is typical Demi stuff. She has a troubled life as Marie/Marty - troubled because she isn't sure which one she really is; one life is a dream, the other reality. As Marie, she's a mother of two in France, as Marty she's a high powered literary agent in New York. Then in both lives she falls in love: in France with William (Stellan Skarsgård) and in New York with Aaron (William Fichtner.) The movie at times is confusing as she shifts from one life to another (which is all right, because it surely points to the confusion she has herself in trying to sort out reality from fantasy) and although there are hints from the very beginning as to which life is real (I took a guess that turned out to be right almost right away, but it was a guess) it does remain a mystery until the end. The last fifteen minutes or so of the movie add the needed emotional heart-wrencher as she says good-bye to those in her fantasy world and prepares for life in reality.All fine. The primary problem with the movie is that Demi is living out two lives, neither one of which - quite honestly - are all that interesting, and which, as a result, don't make for particularly interesting viewing. In the end, this is a pretty standard Demi Moore movie. She doesn't offer a particularly energetic performance, but she's OK, and the movie isn't particularly good, but it isn't awful either.5/10
This movie is not about thrills and chills. It is about self discovery, self nurturing, settling of one's past, I think. The pace is slow and gentle.There are quite a few cues in the movie that are confusing as one tries to figure out the real world versus the dream world. However, the chemistry between Demi Moore's character (Marty) and William Fichtner's character (Aaron) seems more substantial, although initially, less romantic.In trying to figure out what is really going on, as I viewed the movie, I felt a little off balance. The dialogue is really good. There is a lot of truth about relationships revealed here.This movie is worth checking out especially if you want a change of pace.