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Valley of the Dolls
In New York City, bright but naive New Englander Anne Welles becomes a secretary at a theatrical law firm, where she falls in love with attorney Lyon Burke. Anne befriends up-and-coming singer Neely O'Hara, whose dynamic talent threatens aging star Helen Lawson and beautiful but talentless actress Jennifer North. The women experience success and failure in love and work, leading to heartbreak, addiction and tragedy.
Release : | 1967 |
Rating : | 6 |
Studio : | 20th Century Fox, Red Lion, |
Crew : | Art Direction, Art Direction, |
Cast : | Barbara Parkins Patty Duke Paul Burke Sharon Tate Martin Milner |
Genre : | Drama Romance |
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I love this movie so much
Too much of everything
Simply A Masterpiece
Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
Sweet and naïve college grad Anne Welles (an appealing portrayal by Barbara Parkins), ruthlessly driven and ambitious singer Neely O'Hara (a gloriously histrionic Patty Duke), and the gorgeous, but untalented Jennifer North (the stunning Sharon Tate in an especially poignant role) all seek fame and fortune in show business only to be chewed up and spit out by the decadent fast line lifestyle they find themselves caught up in.Director Mark Robson treats the trashy material with admirably misguided sincerity and seriousness, thereby ensuring that this movie delivers a plethora of unintentional belly laughs, with Neely's training/climbing-up-that-ladder montage, the supposedly racy, but actually quite ridiculously tame French "art" film screening, and O'Hara's incarceration flashbacks at an asylum rating as the definite gut-busting highlights. Moreover, the shamelessly lurid script by Helen Deutsch and Dorothy Kingsley leaves no sleazy stone unturned: We've got everything from abortion to suicide to alcoholism and homosexuality to copious amounts of excessive pill-popping all present and accounted for in the delightfully lurid narrative. The game cast give it their proverbial all: Duke overemotes to the point where you swear that she's going to implode, Susan Hayward attacks her juicy role as bitter and aging Broadway veteran Helen Lawson with deliciously venomous gusto, Tony Scotti makes a likeable impression as dashing hunk Tony Polar, and Lee Grant lends sturdy support as Tony's protective sister Miriam. William H. Daniels' glossy widescreen cinematography provides an impressive vibrant and polished look. The lovably cruddy songs hit the catchy spot, too. A complete kitschy hoot and a half.
And very current, in 2018, after 51 years. Patty Duke is giving a great performance in this. Extremely beautiful Barbara Parkins and Sharon Tate, they are not even inferior. Under the subtle direction of Mark Robson, Paul Burke, Tony Scotti, Martin Milner, Charles Drake, Alexander Davion, Lee Grant, Susan Hayward, they are shining too. A successful film in the 1960s, which resists until today.
Fire up Netflix. C'mon, you have nothing better to do, right? Look for The Valley of the Dolls, easily one of the 2 or 3 worst movies I've ever seen. It's the story of three women who find out that show business is mean and nasty.There, that's it. The rest of the movie is a compendium of some of the worst acting and dialogue I've ever witnessed. I use the word witnessed with the idea that watching The Valley of the Dolls is very much like watching a film of that ocean liner that sank off the southern end of Chile about 25 years ago. It lost power in heavy seas, and it seemed like a week before the waves and the flooding just made the big hunk of steel go under. Nauseating, but fascinating to watch.Almost like The Valley of the Dolls, only without the "fascinating to watch" part.
Valley of the Dolls A lot less people would be inclined to take antidepressants if they only came in the form of suppositories.Since they don't, the girlfriends in this drama pop'em by the handful.At different points in their careers, fashion model Anne (Barbara Parkins), movie star Neely (Patty Duke), and girl next door Jennifer (Sharon Tate) each become addicted to polychromatic prescription pills colloquially referred to as "dolls".Anne takes her dolls to cope with her cheating husband (Paul Burke); Neely needs them for her ego and; Jennifer pops them for depression.But the highs don't last and soon all three women must face an array of consequences, from breast cancer to suicidal to psychotic breakdown.Based on the best seller by Jacqueline Susann, this salacious cautionary tale relies on gratuitous sex and sentimental twaddle to compensate for a flaccid script.Furthermore, the real pills corrupting young women in the 1960s were the contraceptive kind.Yellow Light vidiotreviews.blogspot.com