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I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

The film makes a home in your brain and the only cure is to see it again.

The first must-see film of the year.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Director Brad Silberling isn't the greatest director to ever come out of American film but given that he was trained by working in television and then was even chosen by producer Steven Spielberg to direct his first film says that he is a worthy talent. After 10 years of working in television, Brad Silberling began a friendship with Steven Spielberg, who felt he was the right choice to direct a film which he was producing. The result was the 1995 blockbuster, Casper. While not the greatest film ever made, Silberling proved that he could handle a big budget special effects production and he didn't even have one film to his credit before then but also he showed how he could work well with actors and bring out solid performances. While I'm not defending Casper as a masterpiece, I think it has some inspired moments of comedy and drama in it that dealt with loss of a loved one and how to carry on from such a tragedy. The only thing I could have done without was the last minute of the film where the cast dance along to a Little Richard cover of the popular Casper theme song. Other then that, the movie works well.Silberling then decided to make a more grown up film but still dealt with the same themes of his first feature, the result was City Of Angels (1998) which was an American remake of the popular art house film Wings Of Desire from 1987. Again, not what most would consider a masterpiece but it still showed Silberling's talent with working with actors and it was also a well made film if you ask me. The heavily emotional scenes with Nicholas Cage and Meg Ryan caught the attention of acting legend Dustin Hoffman and then Silberling was able to make his dream project for his third film.Moonlight Mile (2002) is loosely based on a real experience. Silberling was dating actress Rebecca Schaeffer in 1989, who was killed by an obsessed fan. This unfortunate event inspired the idea for his most personal and best film to date. I won't give away too much in this review but I felt that this was a unique film about following your own heart and not focus on what is expected of you. Many films have done this in the past but Moonlight Mile has a different take on it because it is also about grief, keeping secrets and not opening up to people which I think makes it even more thought provoking and inspiring which I feel are the two most important elements to a film.So check this one out when you have the chance. Again, not the greatest movie I have seen in my life but it's still an interesting twist on subjects that have been repeated many times. Unfortunately, Silberling has made some weak choices as a director. I will not be defending his latest film Land Of The Lost with Will Ferrell but other then that, the rest of his work is rather impressive and while he hasn't reached the same heights as Steven Spielberg or many other directors who work in the genre he works in, he almost got there with this film. Let's hope if he does make another film, it will take us completely by surprise. We can only hope.

People grieve in different ways. In the case of 'Moonlight Mile,' the way people don't grieve may even come into question. There is a crassness involved when people assume they would act different. How do you know unless you're in that exact situation? Brad Silberling writes and directs 'Moonlight Mile,' a film as touching and heartfelt as it is off the cuff and quirky. As in Silberling's other efforts, 'City of Angels' and 'Casper', he has created a film that perhaps overloads on the whim and fanciful but lands as an entirely engrossing experience.Jake Gyllenhaal stars as the fiancée of a woman who is murdered in a small town eatery. We meet him as well as the woman's parents, played by Susan Sarandon and Dustin Hoffman, at the funeral and we are surprised by the lack of emotion of any kind. But what does not surprise us is the undertones of pain. Sarandon's mother hides under a blanket of sarcasm and calloused annoyance of the clichéd behavior shown by family friends and well-wishers. Hoffman's father copes by staying busy. Busy with the funeral, busy with the business, busy with the sick dog, and ultimately busy with the murder trial.If there is a section of the film that can be pointed to as being not on par with the rest of the film it would be the preparation for the trial. Though it makes sense this would be included in this type of story, the tone does not ring true with the rest of the film. There is a strong performance by Holly Hunter as the prosecuting attorney, as she attempts to put the murderer behind bars, or worse.It should be said the film is based in part on the murder of Silberling's own fiancée, actress Rebecca Schaeffer. I feel that real life instance helped with the tone which is somber, yet whimsical. In fact there is a scene that involves a dog puking on the shoes of a hand-wringing relative at the funeral. So how depressing can it possibly be? The very best section of the film encompasses newcomer Ellen Pompeo who plays Bertie. She works at the post office and is enlisted by Gyllenhaal to retrieve the wedding invitations which were never halted. She also tends the local bar where she patiently awaits her boyfriend, who is MIA in Vietnam. She carries her scenes with a veracity that keeps her quirky lovability intertwined with a grievous glow of sadness just aching to get out. She is, of course, Gyllenhaal's moral dilemma. How can he care for his fiancée's family if he is suddenly in love with another girl? There is a subset of people who didn't like this film simply because it allowed it's characters to be human. Not all people grieve like your supposed to on TV. Maybe there isn't a lot of wallowing and screaming. Maybe the emotions are kept within and bubble to the top only momentarily. It is almost always more interesting what emotions an actor can hide rather than an over the top burst.It is also true there is no easy way to swallow 'Moonlight Mile.' There isn't a way in to it's core that is accessible without accepting these people for who they are. It can be hard to accept the whimsy or the humor when we are supposed to be sad that a person has died. It is hard to shift gears into a courtroom drama when we are also put in a position of watching a budding romance. But isn't that true of all of us? Can any of us be compartmentalized as sad or angry or distraught without having to also apply other labels of varying truth? In 'Moonlight Mile' we are not asked to rely on our own senses to complete the story, we need to rely on accepting someone else's. ***.5 out of ****

Moonlight Mile is a gentle unhurried story of love, loss,death, guilt and cowardice,manipulation,betrayal,faith and hope 'Emotional Olympics' it could have been but was saved by thoughtful portrayals from all the characters.I loved the barman ! Jake G is the young man who has lost his fiancé to murder though they had just called off their engagement prior to her death The victim's parents unaware of this, embrace Jake as their son in law make a place for him at work and home sleeping in girlfriend's which fuels his agony. Ellen Pompeo depicts the lovely postal clerk who brings relief humour and new love just at the right time (very Grey's Anatomy) They meet when he is asked by Hoffman to go to the PO and collect wedding invitations ready for dispatch. I enjoyed the honest grief bitchy anger of author mother Susan Sarandon ripping the phone off the wall and snarling at those creepy well meaning folk whose condolences are empty words. Dustin Hoffman is a brewing volcano passive aggressive people pleasing pain just holding it together It finally takes the court case for Jake to come clean and be true to the memory of his lost love and tell it how it is Not overtly 70s though Vietnam War is referenced Did anybody else love the barman? Hollywood with the speedy hookup soon after the funeral and happy ever after ending Good soundtrack Holly Hunter is sharp as the lawyer Dabney Coleman is the manipulative property shark Standout performance by Nixon the dog his projectile vomit tops ! For other movies check out the short LIVSHJULET (circle of life) stunning in it's simplicity also ELSER DIG FOR EVIGT which is realistic and heartrending Moonlight Mile is worthwhile viewing 7/10 Cathy Cromwell, New Zealand

While this review is generally negative, I want to make a positive point first. Another poster here noted that 'Moonlight Mile' is so much better than, for example, the trite cartoons of Quentin Tarantino. I agree. This film attempts to deal honestly with the human condition.But the film doesn't work. To see why, I suggest comparing it with 'In the Bedroom' or 'Summer of 42' or 'Passion Fish' which all deal more or less with similar subject matter. 'Moonlight Mile' attempts to be a Robert Mulligan movie but without Robert Mulligan. In a similar vein, the story is set in Massachusetts but in actual fact, the characters are from Hollywood.I don't regret having rented it. The mostly B-side, late 1960s, early 1970s music is omnipresent, and I was always waiting for the next tune to come along. The movie is slow, usually serious but sometimes funny. It held my interest, but there were too many false notes.