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I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

An excellent combination of martial arts, comedy and horror, this outstanding film helped pave the way for the comedy/horror genre that filled Hong Kong production studios in the '80s and '90s. All of the clichés and fun elements of the genre are present and correct in this nicely-budgeted romp, which doesn't let up from the word go. Our guide and hero through the film is the one and only Sammo Hung, here on top form as both star and director. As the star, Hung puts in a great and funny performance, his comedy skills (mostly acting terrified of the dead) matched by his superior martial arts abilities, ably demonstrated in lots of cool fight scenes. As a director, Hung is in his element and delivers a colourful, exciting, never-lets-up comic book style romp.The plot takes in all kinds of bizarre characters and situations, there's even a guy with a huge hairy mole on his cheek which seems to be the stand for every '70s kung fu flick. Intense set-pieces include nights spent in a haunted temple, jailbreaks, plus the rip-roaring climax which involves the classic duel of wizards and tons of non-stop action. The martial arts sequences are fantastic, especially a fight scene in a restaurant where Hung uses a bench to protect him from razor-sharp swords, and the finale, where Hung and his opponents are possessed by gods and perform superhuman techniques (anyone who doesn't chuckle at Hung's "monkey god" style has to be dead, or possessed).As well as the action, ENCOUNTERS OF THE SPOOKY KIND fulfils its horror quota by including lots of bizarre situations and horrific moments. From the opening shots of zombies tearing open Hung's leg to the spectacular duel between the wizards, this is extreme stuff. Ghosts come out of mirrors and kill people and Sammo's own arm is possessed by evil (two ideas later borrowed by Sam Raimi in his EVIL DEAD II). Elsewhere we have bizarre and complex magic rituals complete with on-screen chicken death (shocking) and some hilarious mumbo-jumbo gobbledegook that the evil magician chants. It doesn't make sense but it sounds great. The film features a great slapstick sequence involving a zombie who copies Sammo's every move, and a hopping corpse which is raised from the dead to attack our hero. It's just like KUGN FU ZOMBIE, but with a decent budget.The main strength of the movie is through the sheer dynamism of Hung and his cohorts and the inventiveness of the scenes. Something new and original is happening in every shot, you sit spellbound watching the events play out and it's one of those films you have to sit through in one go, no time for tea breaks or snacks in between. Possession, zombies, magic duels, and even a few voodoo dolls thrown into the mix make this a killer of a film. Check out the final shot, a real adrenaline burst that will make you stand up out of your chair and cheer our hero on. A great slice of Hong Kong escapism and one of the best out there.

This film deals with the persecuted character of "Bold Cheung", played by Sammo Hung, as he simultaneously battles to find those who framed him for murder and also escaping a pursuing detective. It is a mostly kung-fu comedy film, and really defined the genre of kung-fu horror, (from which titles such as "Mr. Vampire" capitalised off greatly).The brilliance of this film lies in it's great mix of excellent choreography, and interesting and exotic characters - the horror themes are like an extra background setting that improve the film even further. Not only is it a first in it's (sub)genre, but it happens to be one of the best - and this is due to Sammo's awesome talent.The development of the plot really does centre around Cheung, as he uses his wits and savage kung-fu to overcome various set-pieces of action such as a resurrected corpse (Chinese vampire), a voodoo-doll, a band of policemen, yet another undead corpse, ghosts, specters, and men possessed with summoned Gods.His slapstick style is present again, as well as his unique ability for weapon choreography. The ending sequence rivals "Odd Couple" as the best weapon skills caught on film - (watch those spear techniques closely!). Cinematography in this film is superb, and the restored version I own has not dated in the slightest. In fact, the film looks better than those brought out much later, (I did notice a wash of blue across the entire print, though).Hang in there for the end - one of the most vindictive and vengeful endings I have ever seen. It has a strange satisfaction though!

This influential film introduced the hopping vampires in kung fu films, called gyonsies. This was the first film to accurately depict chinese vampires (Legend of the 7 Golden Vampires was the first kung fu film to show vampires, but with European vamp influence.) Sammo Hung is funny in this film, but for a fat man, he is no joke. He can do stunts that would shame any fit athletic man. The kung fu choreography is spectacular and humorus. And the ending is one of the most satisfying ending any man can hope for when your wife not only cheats on you, but plots your murder. EOTSK helped pave the way for chinese horror films as we know them today, but this is easily the best as far as entertainment all over. 9 out of 10.

I rented this movie after hearing a lot of good things about as far as action, comedy, and inventiveness was concerned. I must say I wasn't disappointed. This movie is off the wall; anyone who isn't used to Hong Kong cinema, their heads will explode by the finale. The movie has vampires, ghosts, possession, kung fu, comedy, monkey talk, random acts of violence against poultry, Lam Ching Ying, and then some. The martial arts choreography is good and the acrobatics are great, esp. for Sammo. Overall, a movie that needs to be seen to be believed.