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Land and Freedom
David Carr is a British Communist who is unemployed. In 1936, when the Spanish Civil War begins, he decides to fight for the Republican side, a coalition of liberals, communists and anarchists, so he joins the POUM militia and witnesses firsthand the betrayal of the Spanish revolution by Stalin's followers and Moscow's orders.
Release : | 1995 |
Rating : | 7.5 |
Studio : | Road Movies, BIM Distribuzione, Filmstiftung Nordrhein-Westfalen, |
Crew : | Art Department Coordinator, Production Design, |
Cast : | Ian Hart Rosana Pastor Frédéric Pierrot Icíar Bollaín Tom Gilroy |
Genre : | Drama History War |
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Simply Perfect
Best movie of this year hands down!
This is a must-see and one of the best documentaries - and films - of this year.
Ken Loach's 'Land and Freedom' borrows heavily from Orwell's 'Homage to Catalonia' in telling us the story of the Spannish civil war. It's nicely executed, although, telling the story from a foreign perspective, it's relatively brief in its depiction of how the country fell into war. But it doesn't shy from exploring the "revolution or order" debates that ultimately split the Republican side (and which ended with the Stalinists settling the issue in blood on the side of order). There's less romanticism here than in some Loach movies and the film is better for it, but the structure is perhaps too simple, the hero's varying feelings for a woman serving as a stand in for his whole emotional involvement in what's happening around him. It's a good film, but it's less interesting than reading Orwell, who had the fortune (if that is the word) to be able to tell history without hindsight, and from experience first hand.
This is a very powerful film, but it helps if the viewer has some background knowledge of the subject. The film is very serious and very political, and the Spanish Civil War was inextricably bound up with politics, both national and international.This is not an easy film to watch, because the subject is a painful one for the Loyalist supporter, as the original spirit of the working class people fighting fascism gives way to internal power struggles and hopeless division. As the young leftist hero writes to his girlfriend back in England, " The Fascists must be having a bloody good laugh at us".There is some welcome relief in the form of bawdy humor and tender romance, but the sense of tragedy forever linked to the war in Spain is unavoidable. The movie ends on a note of recognition of heroism and sacrifice that is quietly effective. Well worth seeing, for anyone interested in the history, or just a good drama of love and war.
I also love this film.It's a wonderful, intense, realistic and insightful look at the Spanish Civil War with the highly naturalistic cinematography and committed performances characteristic of Loach.The reviews and debate concentrate on the action in Spain, which, for me, is only half the story that Loach is telling. I grew up in Liverpool in the 50's and 60's and knew quite a few David Carrs. Men then in their own fifties and sixties, often alone, keeping themselves to themselves in quiet corners of pubs and working men's clubs. They never told their own stories, never wanted credit, never wanted to relive their experiences in the Battle of the Atlantic, on the Baltic convoys, in North Africa. Someone who knew them would sometimes say "he was torpedoed four times" or "he was two years in Spain fighting Franco" and that would be that.So I am delighted that David Carr, played by the incomparable Ian Hart, and this movie is such a fabulous testament to all of them. I love the way his life expands onto the screen, from the small remainder in a Liverpool council flat, from the letters uncovered by his death, into the light and air of Spain, enabling us to share in his buried idealism, its betrayal, then to witness the love of his life and the loss of it. Incredibly beautiful and truly heartbreaking. Unsuspected by all but his best mates and his newly enlightened granddaughter, David is surely off to Valhalla to be reunited with Blanca and his warrior friends of the past. I cannot think of anything in film so unsentimental yet so poignantly moving as her last salute.This isn't Don Quixote, though. Nor is it Orwell, who is magnificent in an entirely different way, nor is it Hemingway's brash heroism or Saving Private Ryan's gung-ho bullet-for-bullet style of "historical verisimilitude". It doesn't matter at all whether the events are being portrayed with strict accuracy or not. This is the authentic texture of twentieth century history in perfect context, portrayed through the lens of one man's experience.And there is hardly anything else like it on film.A true masterpiece of the art which deserves a much bigger reputation and a place in the British Movie Pantheon alongside the very best.
Just a great film, it gives a glance of how horrifying and absurd a civil war can be, any war is it, but a civil one is absolutely worst, neighbors, friends and relatives fighting each other not only with bullets but also with words, secrets, confidences and more. Loach shows how big he can be as director, he give us a very complete film, quite historic, funny, but above all, a story of just people trying to live a normal life in abnormal circumstances. The film shows a very good casting playing great characters, Ian Hart and Rosana Pastor (as Blanca) are both in their best works. If you like to see good war films, not only spectacular high budgeted epic sagas (I like them too), Land and freedom is a must see film.