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Fulltime Killer
Professional assassin O has resided in an isolated world of killing and loneliness. But his life begins to change once he meets the innocent Chin; hired to clean O's apartment. However, soon the flamboyent and reckless Tok enters Chin's life with a mission to unveil O's identity and usurp his place as the number one sharp-shooting assassin in the game.
Release : | 2001 |
Rating : | 6.8 |
Studio : | Milkyway Image Company, |
Crew : | Art Direction, Director of Photography, |
Cast : | Andy Lau Takashi Sorimachi Simon Yam Kelly Lin Cherrie Ying Choi-Yi |
Genre : | Drama Action Thriller Crime |
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disgusting, overrated, pointless
A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.
This is a must-see and one of the best documentaries - and films - of this year.
Easily the biggest piece of Right wing non sense propaganda I ever saw.
I'm a fan of Asian gangster/noir films, so I maybe biased somewhat in giving this movie thumbs up. I can totally see why this movie might come across as totally lame; it has half- baked plot with a rather strange pace, underdeveloped characters, and a little substance overall. The movies feels like some Japanese manga comic. But I guess that's the whole Asian gangster/noir genre in general(actually many are pretty bad, I think). Even then, Fulltime Killer was pretty memorable for me. Maybe it is because some of its cool and innovative cinematography? Maybe because the movie had some strange but strong feel, an atmosphere to it. Maybe it's because I thought Kelly Lin was such a hotty. I can't really say. But Fulltime Killer got under my skin. I saw it over and over again.
There seem to be a lot of Japanese movies that are pure exercises in style. I tend to like highly cinematic movies, so I usually enjoy myself, but somewhere along the way I always seem to go from thinking, this is just so cool to thinking, is there some point here. Fulltime Killer is lots of fun. It is very stylish, looks nice and has some very striking scenes. But it has about as much depth as a piece of typing paper. There's not much in the way of character development, and the movie feels increasingly unconvincing as it progresses. So while there is stuff I love, like the scene with the grenades, the movie as a whole failed to connect with me on any sort of intellectual or emotional level. Still, it is lots of fun, and I was torn between giving it a 7 or an 8 (which is usually the quandary I face when rating stylish, empty movies). Well worth watching, but not worth remembering.
I would call this a playful mix of different influences. Of course there is always a downside to making a mix between already existing movies, you get the feeling you have seen all of it before. But this is still entertaining."O" (Takashi Sorimachi) is the coolest hit-man in Asia. If you need a professional hit done you call him for a clean and professional execution. Tok (Any Lau) is the new kid on the block fighting to become the best hit-man. He is becoming more and more irritated always hearing about how great O is. Soon the two assassins have a vendetta going.There are many obvious references and nods to other movies in "Fulltime Killer". And much of the movie is more or less stolen from already existing movies. But it's always done tongue-in-cheek and Tok even comments on what movies he like and how much he wants to be like a movie star. That's why this feels so playful, the film-makers never try to hide that they are inspired by existing movies.The action-scenes are well made and most of the time beautifully shot. The two main actors are both good and the assassinations are well thought-out and entertaining. Also the climax of the movie is quite original. So this is recommended for people who don't mind influences and are hooked on movies about hit men. I rate it 6/10.
"Fulltime Killer" is not quite as good as John Woo's (just plain) "Killer". The super-stylish direction catches your attention, and the flashbacks and changes of focus among the four main characters are confidently and successfully integrated into the narrative. Also all the performances are good. But if you're looking for any qualities like originality, substance or realism you've come to the wrong place. (**1/2)