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Waste of time

Although it has its amusing moments, in eneral the plot does not convince.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

"Unhook the Stars" is a decent attempt at a drama film. It features the supremely talented Gena Rowlands as an elderly woman who has spent her entire life looking after other people. At the departure of her daughter, she soon realises that she has no one left to look after and is lonely. She could turn her attention towards herself and do something just for her for once, but she soon stumbles into a friendship with a young woman (Marisa Tomei) with a child of her own. One is saintly, the other wild. The result is a worthwhile comedy film. I watched this movie for Marisa Tomei and found that I actually liked the plot of the film too. So much so that I might re-watch it one of these days - perhaps once I've gotten through all of Tomei's films. She's fabulous in this film, albeit not as great as Rowlands.

Marisa Tomei has always been one of my favorite actresses. She has a very individual, very strong, not to mention incredibly hot, presence and is one of the major scene thieves of our time. She is by far the best thing about My Cousin Vinny, which would hardly be even close to being as worthwhile without her. She is the only reason to watch Just A Kiss. She is wonderful in Happy Accidents and In the Bedroom. In Unhook the Stars, she is a joy to see, not just for her presence and ability to intrigue even inaminate objects but also for the freedom-emblazoned attitude she fleshes out in her character. She is not at all subtle, but she is a realistically subtle contrast to Gene Rowlands, who plays opposite her. However, in this film, Gena Rowlands serves to be the first person I've ever seen who's stolen any scene from the likes of Marisa Tomei. Tomei's earliest scenes are brilliantly fiery, both hilarious and alarming, one of these great instances involving dialogue with other characters while she is in another room cursing and raving into the phone incidentally during the natural pauses in between the other characters' exchanges. But gradually, Rowlands earns our focus a bit more, because I've hardly felt more deeply for many other characters in many other movies.Gena Rowlands plays a mother on the latter end of middle age whose daughter gives her great disrespect and constantly runs off, leaving her to do her paper route. She has a highly serious and successful son who lives for admiration and objectifies his wife. Rowlands is lonely, riding the gentle winds through the motions of life at home. When Tomei, grungy, aggressive young mother, asks her to babysit her young son while she's at work, a new and beautiful relationship emerges into Rowlands's life, giving her great happiness and fulfillment, but the natural interferences and oncoming decisions of life seem to taper it. The scenes with her and the young boy are so touching and full of emotion. I won't explain further into her character or the story that is driven by her, but I will say that what she is is a touching, very very deeply felt characterization of a common, lonely mother of great selflessness, surrounded by the self-absorption of the people she cares the most for. And you will be surprised at how much you care for such overlooked people, people who rarely come to be the lead character in a movie.Though Nick Cassavettes doesn't quite have the intensity or fluently original technique that his father, John Cassavettes, had, he does carry on in the Cassavettes tradition of plain and direct interpretations of reality. His film is about loneliness, and about the sort of person who takes so little from us in return for so much that she gives, and how she is prompted to live.

I saw this movie about a year before Star Wars: The Phantom Menance came out. It's an enjoyable movie, non-formulaic and with some good acting. I particularly enjoyed Jake Lloyd's performance, which is why I looked forward to seeing him as Anakin Skywalker. Boy, all I can say is that direction must make a huge difference. He was much stiffer and forced in SW:TPM than in this movie, in which he was natural and sweet. Worth a rental just to see how talented this kid actually is.

Targeted to the intelligent, non-adolescent. Character driven story, extraordinarily well written. How did this ever get the green light from a major studio? Marisa Tomei displays her trademark ability to portray hard edged, gritty women.