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Last Hurrah for Chivalry
Kao has purchased a new wife, but an enemy has paid her more money to kill him. Kao must recruit a pair of swordsmen to help defend himself and his family from his ruthless enemy. But Kao has his dark side as well.
Release : | 1979 |
Rating : | 7 |
Studio : | Orange Sky Golden Harvest, |
Crew : | Costume Design, Cinematography, |
Cast : | Damian Lau Lau Kong Fung Hak-On Chin Yuet-Sang Cheng Lui |
Genre : | Drama Action |
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I like the storyline of this show,it attract me so much
The Age of Commercialism
Great Film overall
Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
From the opening wedding scene- during which it's revealed that the bride-to-be is a bit of a "loosey goosey"- it's clear that John Woo's LAST HURRAH FOR CHIVALRY isn't going to be your typical kung fu movie. (The infusion of humor had, by this time, become de rigeur for many martial arts movies. Not that that's necessarily a bad thing, but I prefer the more dramatic movies, myself; even the unintentionally hilarious overly melodramatic ones.) When Chang's sister's paramour hesitates tying the knot, Chang takes it upon himself to beat a confession out of the guy. The reluctant Romeo tells him: "Her brother (meaning Chang) has a violent temper!" Throughout the movie, Woo swipes Akira Kurosawa's WIPES when transitioning between scenes; it's a nice little touch that most people probably don't pick up on, but an indication that Woo had an interest in EXPANDING his own repertoire. There is some spectacular swordplay, and the constantly circling camera lends a 3D feel to the action. "Dreams lead you nowhere," says Green at one point: "I don't like to dream." Says Lau Gong: "The making of a hero costs a lot of innocent lives." The Sleeping Wizard is fun, but the deus ex machina of the Sword of Flying Invisibility comes totally out of left field.
The sword fighting was out of this world, the fights scenes spectacular without the flying on a wire techniques (until the end) that are way too common today. The scene with Chan and Pray was probably the highlight of the movie. The characters in the assault on the bad guys mansion were cliché but the movie is comfortable with it. An injection of humour from Woo.The plot with it's twists and turns was unpredictable and exciting and you couldn't tell who was good or bad or which side people were on. A good sense of suspense and well timed surprises. The depth of the story is quite intense for a flighty film of this genre and reaches you in ways most kung-fu flicks don't.
Another Woo's masterpiece!This is a best wuxie film i'm ever seen! Woo - RULEZ forever (except some Hollywood moments...). John Woo - greater director of the century.Maybe hi is not more intellectual than lot of Big Directors... But he is lyrical and spiritual idol of all free-mind people! His movies like the great poetry! Woo is a Movie Sheakspeare! Woo is a Movie Biron! Woo is a Mozart of Bloodshet!!!!IMHO violent in Woo films is not a directors bloodlust, but a instrument of art. Themes of Woo movies is more humanistic that more of the new films.
The first hour is great and full of philosophical material. The relationship between the characters are wonderfully depicted and there's even a few humoristic scenes. Here the story is about betrayal, love and a beautiful friendship. But then story gets confusing and the fighting scenes which in the beginning was down to earth (as much a Hong Kong movie can be)becomes a mess of flying villains, drunken swordsmasters, unbeleviable villains generally. In this part of the movie it is all about fighting and killing.What started out to be a fantastic ruined it totally for itself. I will give it 10/10 for the first hour and 0/10 for the last 40 minutes. So the total score for the entire movie will be 5/10