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it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

This movie is very good in its production and in impressing the viewer with deepness of things and mystery and tantalizing emotions and so on... just, like some other reviewers wrote, like Akira. However, there are some things so wrong with it, I could not agree less with the praise in total. For me, this movie was a waste of time. This is why: - It's sci-fi, but it doesn't apply to its own rules of reality. For example: whenever there is no solution for the good guys to win, something miraculous happens around which the story clearly put boundaries before (like sudden loss of enemy abilities without reason), just to make the good guys win. Actually not even miraculous at all, right? Clearly an example of lack of imagination or time put in the movie. - It's the typical movie where shooting goes on in all directions and everyone is shot except the main characters (good and bad), which could happen with super-strong powers, but suddenly when the main characters fight, they need to protect their faces and weak spots, some even get killed with weapons from the "weak troops" before, only now held by the hero. These sacrificial troops obviously couldn't even shoot a target with 50 to 1 men ratio... Wow, they must have hired the worst soldiers ever! Wait, maybe that was also in the plot and all planned by the bad guys? Yeah, right.). - The story and the ethics don't make any sense if you pay attention. It's as if the writers forgot how good they were and just copied their former stories, only without consistency. Well, maybe the target audience are children, but still..

Spriggan is one of the worst types of anime movies one can watch. The characters are undeveloped, the plot is ridiculous and the plausibility impossible.The main character, Yu, for example, recovers multiple times after being a hair breadths away from death. Likewise, his partner Jean survives every major catastrophe from being run over by a giant snowmobile, falling off a cliff, being torn to shreds by dinosaurs and even being shot by accident by Yu.The plot of Noah's ark as a climate control and human creating device has absolutely no relevance to the movie. That ark's purpose is to merely serve as an object in which two competing forces - the Pentagon and AROAM, the unit Yu serves - are fighting for.Many times the duologue goes into ridiculous, incomprehensible speech such as third dimensions, and whatnot.Other random crap: 1) Only one woman in the entire movie - Maragaret, who plays no significant role - only serves to pull a professor from death by the antagonist, a wire wielding genetically modified toddler 2) Random enemies who were once Yu's partners but whom he seems to enjoy killing mercilessly 3) Jumping from scene to scene with no smooth transition or logical connection at all, such as traveling from Istanbul to Mt. Arrarat In Conclusion: This warped, disconnected plot and unaffable characters make this movie a sure miss. Don't watch it. You'll pity yourself afterwards.

Spriggan is very pretty. You can easily see that a large amount of money has been invested into making this anime shine, even down to the dubbing of solid voice actors and near perfect lip synching. Spriggan also has all the necessary parts of a great anime, with an incredible hero, a powerful villain and enough nonsensical metaphysics to make some of the dialogue come out sounding intelligent (provided you don't think about it, of course). The superpowers that each of the main characters possess are interesting enough and the action doesn't pause for long.But something is missing. The bad guy is evil for no particular reason, which is pretty standard in anime but in Spriggan he appears to be just following the manual: "Use powers to take over powerful artifact. Use artifact for own ends". A little bit of dialogue to give him some purpose would have been nice. The fact that two world class organisations are fighting each other for the fate of the world means very little as the narrative never really bothers to outline the ethics of either group. Which one is the evil? Oh, the one that the protagonist fights against. Of course. Both seemed as bad as each other to me, but I recognise that the movie comes from a much longer series of manga comics so I'm probably not getting the whole Spriggan story.Overall, Spriggan hits all of the anime action cliches with a higher production value than most. Switch your brain off and enjoy the ride.

Spriggan is an animé action film of extreme proportion. With production supervised by Katsuhiro Ôtomo (director of Akira), this is not surprising. Our main character is Yu Ominae, a 17 year old special operative, code named Spriggan. The story is one of warring covert government factions as they race to take possession of "Noah's Ark", an ancient artifact with immense power.All this seems simple enough. Yu is the stereotypical action hero; he catches swords with his bare hands, dispatches "bad guys" without flinching, sustains near mortal injuries and still manages to hurl abuse at his oppressors, and yet, still swerves to avoid hitting innocent pedestrians. Our bad guys include a big guy with body armour and replacement cybernetics with a very, very large gun, a small guy who is fast and also cybernetically enhanced, and a mysterious, small boy.Spriggan is based on a comic that ran in Shonen Magazine in Japan between 1989 and 1996. As such it has a following in Japan, but in the west (where it was known by the title "Striker") it has very few fans, as distribution of Japanese manga and animé is only now beginning to pick up.As far as production values are concerned, Spriggan is a showcase of modern cinematic animé. Huge rotoscoped panoramas form gorgeous backdrops for scenes such as a car chase through the streets of Turkey and you feel a true sense of immersion in flurries of mountaintop snow. What little CG there is, is integrated fluidly and adds to the film, unlike in many other productions where it may distract the viewer. The score is brilliant and the 5.1 surround mix caught me off guard. A couple of times I caught myself turning to see if there was someone behind me.I am generally a fan of subtitled animé, so I watched it in this form first. It is interesting to note that in most animé the character animation is done before the voices are added. However, in this production (as it was a cinema release), the voices for the Japanese tracks were recorded first and then the animation was made around those tracks, much in the same way Disney movies are made. Now this may bode poorly for the English dub, as the mouths instead of flapping open and closed are actually forming the shapes of words, yet great care and attention has been put into the English dub. In places the English track is a lot more plausible than the Japanese... it makes more sense that folks at the Pentagon sound like Americans. Had I my way I would change languages tracks part way through so that the English stuff is in English and the scenes set in Japan were in Japanese (more like in Blood: The Last Vampire) but that is just me being finicky. (If you get a chance to see the DVD you may want to check out the ADR team's commentary.)I feel that Spriggan is a film that has used mythology from other cultures and Christianity (in much the same way as Neon Genesis: Evangelion) to make the plot seem more interesting and arcane to a Japanese audience. The word Spriggan describes a faerie from Cornish mythology, with an ugly visage, large head and small body, and a penchant for stealing babies and replacing them. This draws some symbolic similarities to the main character as he is a character of power in a small body who was "adopted" by his organisation at a young age. I don't know how readily Americans will receive this film, as it portrays the American government in a bad light and says blatantly that the Christian Bible is wrong.Spriggan has a running time of 90 minutes. The first 60 of those play pretty much as a stereotypical action/adventure flick, but at about 60 minutes it starts getting weird. All of a sudden the plot moves from high action to metaphysical stuff and that may leave the viewer behind or feeling a little disjointed. During this section are some pretty cool visuals but to my mind the plot falls flat on its face. It seems that the film has fallen into the old animé trap of freaky villains and blood-spattered heroes yelling at each other for a bit, having their final confrontation, barely tying up the loose ends of the plot and then the bad guy threatens that there will be a sequel.In overview, I'd say that this is a technical film enthusiast's dream, not for kids, a good film for action buffs and a poor one for people who like good drama. So, to quote Douglas Adams: "Ten out of ten for style, but minus several million for good thinking".