Watch Lammbock For Free

Touches You

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

An old-fashioned movie made with new-fashioned finesse.

This movie is by far one of the best Independent-ish ones I have seen in a long time. Very fresh, original look at a genre where you would think that they've just about done it all.So there are these two potheads who grow their own weed (...and lots of it - all in all a field of well over 250 square feet, well hidden somewhere in the woods). They operate a run-down, back-alley pizza delivery service which really just serves as a cover for selling their weed to customers. You order a "Gourmet" pizza and they will put some weed on it, wrapped in aluminum foil and carefully hidden under a big sausage slice. Business goes well until they're in for some bad luck... one of their newly-acquainted friends turns out to be an undercover cop, and one day while they're at the field, they get caught by a forester. From there on, it's all just hilarious mayhem.What makes this movie so refreshing are the dialogues, for one thing, and the storytelling in itself. As can be seen in an interview on the DVD with one of the main actors, the idea with the dialogues in the film was to a great extent to improvise rather than clinging to some script word-by-word. Moritz Bleibtreu (Kai) and Lukas Gregorowicz (Stefan) are REALLY good at this in their two lead roles- they are hilarious together and make it look more like real-life buddy talk. And especially Kai talks a lot of nonsense while "under the influence" ;-)The storytelling with its numerous sub-plots is very well done. Just a bunch of things that most "twentysomethings" can relate to in one way or another. Stefan is almost out of law school and is worried that all the dope will keep him from studying hard enough for his finals. And then his ex-girlfriend walks back into his life and he really wonders if he should leave his current girlfriend for her. Kai on the other hand has trouble dealing with Stefan's little sister who is coming on to him... and so on.Rent or buy the movie, watch it, watch it over and over, and you will probably never get tired of it!!!I don't know if this movie will ever be available on the Anglo-Saxon market, but if not, you'll definitely be missing out.****1/2 out of *****

A friend of mine and myself find new Tarantino (he's a Tarantino expert, i only like Kill Bill II) Hommages, in the dialogues, as well as in the non-dialogue scenes. The trashtalk at the beginning reminds of the "Like a virgin" discussion from Reservoir Dogs, the (violent?) part of getting rid of the hunter could be an imitation of the PF scene where Vinces blows his hostage's head off by mistake. The "thought behind" could have been making a Tarantino-lookalike movie, just without (or less) violence and strong language (what I personally dislike about his movies. Cutting ears off, come on!).Of course the humor is not everyone's taste. If you like drug-influenced trashtalk, this is your film. the single episodes seem pieced together without the "red line" between them (except the characters like Frank and Schöngeist. I love those guys - "Halt's maul du Scheißf..." - "Frank. Contenance!"). Actors do imo a pretty good job - W. W. Möhring always playing with his hair, and, one of my favorite scenes, the headshop scene, where L. Gregorowicz stand still looks impressed.I personally love the movie, for I'm quite in this kind of twisted humour (I love The Big Lebowski as well).stay tunedDK Lord Marshmallow

I have to admit, guiltily, that I quite liked Lammbock, even though it manages to serve up cinematic gaffes faster than McDonald's soggy hamburgers: plenty of silly dope-induced jokes aimed at a very immature audience, cheap rip-offs from Kevin Smith, Roger Avery and Quentin Tarantino (... etc.) 's oeuvres, totally improbable subplots that lead nowhere fast, pointless and -- even worse -- unentertaining violence, underdeveloped characters; in short, a movie that doesn't quite gel. Still, the director Christian Zübert seems to know how to handle actors and consequently there are some great performances (notably from Lukas Gregorowicz, Marie Zielcke, Julian Weigend, the ever- dependable Moritz Bleibtreu, and the underrated Elmar Wepper) despite the somewhat deficient script. Heck, there are some great, memorable scenes as well, only they are outweighed by others that that are born dead. I would suspect that the film's problems are mainly due to the directors lack of experience, which in turn would have required an experienced producer, who should have known when to step in and call the shots.I will be on the lookout for Christian Zübert's next film, and overall I enjoyed watching his film -- on the telly. Had I seen it in the theatres I probably would have been disappointed.

Yeah, what did I expect? I thought this would be a film about young adults at their turning-point in life, something like "Sonnenallee" or "American Pie", which I liked a lot. I wanted to see a funny film, perhaps with an ironic look on idyllic Wuerzburg. And what did I get? Attention, spoilers ahead! This film starts with a lengthy dialogue which gives you a good hint of what will inevitably follow: more lengthy dialogues. Sometimes I thought Moritz Bleibtreu might have forgotten his text and trying to hide that fact by improvising and just repeating what he was saying before. But as I think of Bleibtreu as one of the better german actors, I believe that this effect really was intended. I think the author wanted to show how boring talking to close friends can be - especially when they are stoned. But really, I don't need cinema to be bored by stoned friends' talk. Boring dialogues make up most of this film.But okay, that's one thing. I can cope with that, I have seen nice films with abominable dialogues, just think of Schwarzenegger's life's work. But the next thing is that characters are cheap and flat and that the storyline is as foreseeable as anything. Just one example (SPOILER!!): Why, do you think, does someone take a garden hose to his hemp-plants deep in the forest? To water them? Of course not, usually you don't find water-pipes deep in forests, do you? The only reason this water-hose is there is that a hunter who happens to come by while the two protagonists are harvesting their dope can be drugged, maltreated and finally filled up with three bottles of Jaegermeister. I truly hated this scene, because it's really violent. Usually, I don't mind violence in films - slapstick-comedies are full of it. But in that sort of comedy there is a silent agreement between the film and you that people don't get hurt if they fall on their faces or get beaten with chairs or things like that. But if that happens in a film which is otherwise realistic enough, slapstick-scenes also seem real. In this particular scene in "Lammbock" I really thought that this hunter must be badly injured, if not dead - the final scene really invoked in me the impression that he is left to die there, totally filled up with more booze anyone could handle. And the protagonists just walk away. It would have been otherwise if the author had consistently followed one style; the scene could have been quite funny.Talking about being consistently - that's what I missed most about this film. The whole film seems to be a listing of small episodes that came to the author's mind. Things just happen without a apparent reason - yeah, I know, that's life, but that's not cinema, because cinema is meant to tell a story, not to show boring episodes without any significance. I found myself asking "Where's the point?" all the time. Characters besides the two main ones are not elaborated, you never get to know why the protagonist's sister wants to sleep with his best friend Kai, in fact, she tells you but I could not buy it, not at all. I think she just was there to give Kai an opportunity to act this childish AIDS-test sketch, which you sure have seen a thousand times before, and mostly better. The protagonist's girlfriend you meet once, then she leaves Germany (what you don't even see and the guy doesn't seem to care) and finally it is mentioned in one sentence that she has met someone else in America and splits up with the protagonist. It seemed to me that the author wanted to tie up a few loose ends. He actually didn't, you never really get to know what's so bad about studying law, being daddy's son (daddy fixes everything in the end and serves coffee in the middle of the night, which to my mind made him one of the nicer characters in the whole film) and living in beautiful Wuerzburg. Even the dinner with daddy's layer-friend, which maybe was intended to show how horrible it is to have to live up to dad's expectations, seemed flat, just another nice dinner with the family's friends (except for the trip the guy is on later, but I think showing that eating dope before you dine with parents isn't healthy was not the point of this scene, if there was any). I have experienced far worse dinners in my life than this one and still finished my exams. I couldn't understand one single character in the whole film, they just seemed flat and implausible.All this made it a not-so-good film, but not one I wouldn't watch again on television. It really had a few good scenes (most of them were not new, though, like the one with the nice and understanding policemen), some were really funny, some dialogues were nice and I like Bleibtreu's play, although he repeated his well-known stereotypes again this time. Not good, not abominable, that's what I thought after the film was half over.But then came this incest scene and this I really found repulsive. Incest simply isn't funny. I don't even know if this was intended to be funny, some people in the audience laughed, so it could have been meant this way. This scene spoiled the whole film for me, I couldn't feel sympathy for the protagonist any more - I can't feel sympathy for anyone who f**** a helpless person, to me, this is rape and rape isn't funny. So it might have been a hint of drama or so, but the incest is never again mentioned (although we thought this could have been one reason for the protagonist to leave Germany in the end, but as it is never mentioned again, we don't know.), it is even totally unnecessary. I almost expected the sister to become pregnant in the end, which would just have added the finishing touch to this tasteless story, but not even this final cliche is fulfilled, just as nothing is really solved or thought through to the end in this film. It isn't really funny, it isn't really a drama, it isn't at all a road movie a la Tarantino despite desperate tries on violence, it is definitely not enjoyable.Skip this film. Watch "Final Fantasy", that's also bad, but at least with beautiful pictures and not that tasteless.