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Thanks for the memories!

As Good As It Gets

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

This is set in the future where global warming has caused the seas to rise or something and in Canada the 'haves' now live in a fab city surrounded by a wall which keeps the 'have nots', riff raff out. Aaron is a 'second sector' cop who gets promoted to the city and real cop work. The whole of the city is run on a helix system of intel which solves crimes as fast as they are committed.Aaron discovers that the system is not what it seems and then he gets framed for a crime he did not commit etc, etc.Now there are some very good ideas here and the acting is OK to terrible. The sound levels vary and the direction is at best patchy. The sets are actually not too bad and the CGI is mostly very good, so what is the real problem? Well it just does not hang together, there is next to no chemistry for the 'love interest' and the plot is a bit all over the place and I am sure there is either been an editing mistake or there have been scenes cut. This has received a lot of panning and most of it is justified but this is far from being a terrible film it is just not a very good one – if in doubt go for an inexpensive rental or streaming option as you will not be wanting to see this twice.

Good performances (with one exception*, noted below), good story, good staging, good photography, and good dialogue (again with one exception*, noted below), this could have been a 7/10 or 8/10 movie but for that one exception: *Marc Petey (as Aiden Magnusson) and his (lack) of dialogue. It would be reasonable (I think) to expect Eric Petey to write some decent dialogue for Marc, and get him to deliver, but no. He mostly has none, and what he does have is mostly unremarkable. It's a shame, because that single performance (by the main character) drags down the entire movie.

I like bad films. Films that are 'so bad it's good', but this? It's just bad. So awful that I stopped watching after 25 minutes and I can't remember ever doing that before. The acting is wooden, which I can overlook in films because they're entertainingly bad and have redeeming features, but this was just painful to watch. The main character is uninteresting, there are too many irrelevant characters and interactions, and it seems in this futuristic vision everyone is an *sshole. For a city sector that is crumbling the pavements are surprisingly clean, but this film is a mess. The UK DVD cover looks like it should be an action movie, the synopsis read like it had potential, so for £3 in ASDA I took a chance on it but it's going straight to the charity shop.

This is truly an appalling movie: there is nothing to recommend or redeem it in the slightest. The acting is so wooden it makes Pinocchio look like an Oscar- winning character actor, the plot is so confusing that you don't know what the main character is doing, or why, and even understand how it ends and the scenes are basic to say the least. It's set in a future where a presumably dangerous city (devoid of any transport) is policed by unarmed cops, and all the criminals are equally unarmed. Characters appear and disappear throughout the 98 mins of cinematic torture without rhyme nor reason: distinctive clothing or characteristics make no difference to whether they stay or not and if they make any impact on the story. I've no idea how anyone can score it anything better than awful: it's certainly the worst movie I've actually sit through as opposed to walking out before the end, though I should have done to save my time.