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Brilliant and touching

This story has more twists and turns than a second-rate soap opera.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Even if the movie was OK as in an good production, good camera work, OK actors, the story heads to a point that you will not believe. I mean whoever wrote the script either gave up or simply had a deadline that clearly he could never hit properly so the last pages were written just for a "full" script.This is my main complaint about the movie and whoever saw it, will understand, I mean what where they thinking?!? How could they move on with such a plot, a story used by so many before only this one ending like a train wreck. Anyway, there are far more better European horrors out there, go take a look, especially in the North. You'll find something worth your while.Cheers!

For a country that hasn't made a lot of horror movies this movie sure is a huge improvement. But it still needs a lot of work. The slow buildup was pretty good and provided just enough tension to make it interesting. However there were not enough scary moments to qualify as a real horror. As a drama this also fails since most of the characters don't act as they would in real life. It was very hard for me to have sympathy for the mother. Since it was obvious she wasn't exactly right in the head from the start. If this fact wasn't entirely clear than some events would have worked better. A lot of events in the movie also relied too much on coincidence and convenience. The cousin is pretty vague throughout the movie until the end. Christine and her odd behavior towards her husband and her daughter should have at least made the husband curious to find out what is going on. But he makes no attempt whatsoever. Another example is the fact that both parents suddenly have to work when previously only one did. Logically it doesn't even make sense since they didn't have to pay rent and had more to spare. Plot wise it is understandable since they had to create the opportunity for the daughter Lisa to experience the things she does. Of course these are all tactics to build up the tension even more but to me it had quite the opposite effect. These superficial tactics would have worked better if the movie had other things to offer. Like really scary scenes or imagery that would suggest or give another perspective on the events. The lack of actual plot or character development made it a predictable affair to the experienced horror fan. And that really is a bloody shame since this movie had the potential to become a classic.

Two Eyes Staring is billed as 'the scariest Dutch horror film since The Vanishing.' This, it transpires in the introductory session with director Elbert van Strien, is not that hard, as it's very nearly the only Dutch horror film made since.Nine-year-old Lisa (Isabelle Stokkel) is a solemn, thoughtful little girl with a big imagination; a quiet, watchful little body who sees and hears more than she should. Not the kind of child best suited to living in a vast, creepy mansion in the middle of nowhere, plagued by spook, unexplained creaks and groans. But when her estranged grandmother dies, leaving her mother just such a property, guess what happens… But are the eerie and disturbing events that unfold the consequence of Lisa's fertile fantasy life, fuelled by her unnerving surroundings and the mysteries shrouding her mother's hidden past, or are there, in fact, supernatural forces at work, feeding on the sins of the past and revisiting them on the next generation? But there's more to this film than hollow-eyed ghost girls, perilous forays into the cellar and things that go bump in the night. Like Rosemary's Baby or previous EIFF showing Joshua, Two Eyes Staring is a fascinating and uncomfortable expose of the sometimes uneasy relationships that exist between parent and child. Lisa's father Paul (Barry Atsma) is by turns best buddy and stern disciplinarian, while mother Christine (Hadewych Minis) struggles to balance her career ambitions with bringing up a child who reminds her uncomfortably of demons from her past, and is in turn resentful, doting and unnerved by her quietly staring offspring.Okay, so there isn't a lot here you haven't seen before. Spooky houses, dark pasts and creepy children are hardly novel. But unexpected twists in the plot, a fantastic use of music and sound effects to create an atmosphere of unease and some solid central performances all serve to make Two Eyes Staring well worth seeing.But is it scary? Perhaps better ask the two girls sitting next to me, who leapt out of their skins on regular intervals. For them it was less Two Eyes Staring, more like Two Eyes Shut

The Dutch haven't made many horror films. When asked to list the ones he knew of, director Elbert van Strien said there were only five, although he could only recall the names of two of them. In other words, Holland is not well represented in this genre. The only other significant film in this area was the 1988 film The Vanishing; although not a bona fide horror film, it certainly was disturbing enough. Two Eyes Staring is, however, an unashamed horror film, seeing as its subject matter concerns ghosts and malevolent secrets from the past. And although it may not contain anything that exactly breaks the mould, it does succeed in providing some very effective and memorable scare scenes.The story is basically about a couple and their little girl, Lisa, who move into a large house left by a recently deceased grandmother. The said grandparent was decidedly distant from her daughter and once in the stately home all manner of dark secrets begin to surface via Lisa, who continually sees a ghost of a tragic little girl. These events lead to a serious breakdown in the family with tragic consequences.Elbert van Strien has put together a very good ghost story here. He is helped ably by a small but good cast of actors. Especially fine were Isabelle Stokkel as Lisa, who puts in a great performance for such a young actress, but Hadewych Minis possibly steals the show as Christine, the mother; the two standout fright scenes in the film directly involve her. The first one sees Lisa awake in the night to see her mother staring down at her in a highly sinister way, while the second, and best, standout scene has Lisa witness her mother in the dead of night rabidly destroying her own artwork with a large kitchen knife, she then turns on her daughter with an extremely malevolent look on her face and attacks. In both of these simple but very well-executed sequences Hadewych Minis is truly terrifying. Alongside these well-crafted scenes, Two Eyes Staring also has a number of definite jump moments and the overall atmosphere is decidedly off-kilter. Although this is a ghost story it is also as much as anything about psychologically damaged people. This of course means that it is disturbing on two levels.This is a fine blend of both supernatural and psychological horror. As I said earlier, it doesn't really deliver anything especially new to the genre. Nevertheless, it actually works as a horror film in that it frightens and occasionally surprises. And this is much more than most films of its type achieve. Apparently, but sadly unsurprisingly, this Dutch movie is going to be remade in America, despite not even having been released beyond the festival circuit yet, so all I can say is see it before this happens.