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Best movie of this year hands down!

Excellent but underrated film

best movie i've ever seen.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

As an ash sea. Love and errors, ivory towers and theoretically escapes. Social chains and sandy expectations. A young man - axis of small society. A sentimental adventure, the sick and the good ways. A french novel about values and sentimental windows. Scarfs of past and future as Persian carpet. Emmanuelle Beart in skin of reed-character. A film about AIDS and decisions. About search of life sense and answers behind the words. Death as scrub. And the sound of things who makes measure of feelings. Fresco of a world, it is interesting for the art of director and for interesting cast. And, more that, for the final taste. For the traces of its parts - mirrors in fact.

This script is perfection. The directing is awesome. The actors are---every single one---sexy. The plot is surprising. The climax is heartbreaking. The depth of these stories is revelatory. The dialogue is witty. The characters are cherishable. The editing is astonishing. In summation, this brilliant film is revealing, true, brutal, funny. Sexy are the actors. Sad is the plot. True is the reflection of these lives in these times. Sexy are the actors. Sad is the story. True is the movie. Perfection is the movie. Bravo to all. I don't get this minimum of 1,000 words. I loved this movie. I will say it again and again. And it's sexy.

I recently saw this at the 2008 Palm Springs International Film Festival. This is the story of Maunu (Johan Libéreau), a young gay man from the country who is past high school but is not attending a university and instead arrives at his sister Julie's (Julie Depardieu) in Paris who is a struggling but talented opera singer and living in a dilapidated hotel where only hookers live. Cruising the city parks, Manhu befriends an older gay doctor Adrien (Michel Blanc) and develops a platonic relationship with him although Adrien is enamored with Manu. Adrien is best friends with Sarah (Emmanuelle Béart) who is a struggling writer and a new mother. Sarah's husband is Medhi (Sami Bouajila) who is a vice cop and the principal parent of their child who Sarah prefers to ignore and doesn't even want to be a mother. Mehi and Manu begin a surprising and unlikely relationship. This is a good movie but seems kind of sliced together in it's storyline. One good character is the streetwalker Sandra (Constance Pollé) who seems like is going to be a central character but then disappears from the film. Manu who has a wealthy benefactor in Adrien impossibly wears the same clothes throughout the film. Medhi and Manu and Medhi and Sarah have absolutely no on screen chemistry. AIDS is treated in 1984 as being so new that no one except the doctor Adrien has ever heard of it before and it's brand new on all the television newscasts yet AIDS was at that new phenomenon point in 1982 not 1984. The relationships between Manu and Adrien, Manu and Medhi, Manu and Julie are never properly developed because there is too much going on in this film. We never really understand how Adrien and Sarah became lifelong friends and it doesn't seem like they really care for each other anyway. Satah and Manu never have any kind of established friendship. Veteran filmmaker, director, writer André Téchiné directs and co-wrote the screenplay with Laurent Guyot and Viviane Zingg. Nice cinematography from Julien Hirsh. Michel Blanc is the commanding acting presence in this film. I would give this a 6.5 out of 10.

Overall, this movie was OK. The male lead actors all were very good and believable in their parts. The homosexuality was presented in a natural, matter-of-fact manner, instead of pedantic or problematic. The way the start of the aids era was captured was disturbing, but it seemed very realistic. There were some things in this movie that annoyed me however. First of all, the female characters. Depardieu is your typical withdrawn, a-sexual, artistic, female French cinema archetype. I can live with that though. Far more irritating was the presence of Beart, who was totally miscast. What is a blown-up plastic Barbie doll doing in a movie that is situated in the early eighties, when plastic surgery was not even properly born yet?? Her acting is (partly due to her renovated face) very flat and expressionless and it would have been better if she had been altogether left out. An other revealing mistake is the American guy/gay, who shows up in the last part of the movie; quite confusing when a character who is so proud of his multi-lingual talents has such a strong foreign accent when he speaks his mother tongue...