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Perfect cast and a good story

Pretty good movie overall. First half was nothing special but it got better as it went along.

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

..a woman playing the mind of a male... we're not totally sure till the very end.. then the look and the smiles..... it's a film cannot be watched just once.. especially since you're reading subtitles and jumping back to watch..... the flow being chopped up every few seconds, so more gets filled in once knowing the dialogue, then being able to more easily watch....the actors and performances keep it together.. yet don't go beyond.. ..how many times you watch it, and the rating you give it, are probably both to change..

A whole new version of a french romance. I loved the translation from romantic European balconies to salty freighter balconies. I also appreciate a lot the 'woman empowerment' factor. I find it really important that cinema worries about representing other types of femininity. Romance has been idealized for so many years and I think this one explains very well a type of love that has always existed but not everybody likes to admit. It kind of helped me understand it without freaking out about my own experiences. Photography was gorgeous! The casting was amazing, it's so inclusive and diverse. The music caught me.

Alice (Ariane Labed 'The Lobster') is an engineer on a cargo ship. She has a handsome and doting boyfriend who is Norwegian – Felix (Andres Danielsen Lie 'Oslo 31 August') and after returning from a voyage she hops into 'the sack' with him before going off to replace a dead engineer on the 'Fedelio'. Only this is a ship which has been renamed and is actually the ship she apprenticed on, and worse still the sultry captain with matinée idol good looks who was her first love is now her boss and married.Well soon they are all at sea – in more ways than one and she reveals that as a woman 'she has needs' and knows how to fulfil them. So begins her 'odyssey'. She also indulges in the belongings of the dead engineer piecing together his wayfaring life through diary entries and pictures. However what this really develops into is a voyage of self discovery.Now this has a lot of bedroom gymnastics in it and to put it mildly she 'arrives' faster than an Uber cab. Now I am all fine with that sort of thing but the story – like the journey – meanders in places and at times it is hard to know why a scene was included. That too is fine as the relevance of all reveals itself in the final denouement. All in all a very accomplished film but not one that is an entry to French films but more for those who really like a bit of Gallic difference.

Lucie Borleteau's first feature-length movie is a strange one. It has an interesting premise (few are the movies that revolve around a woman... working as an engineer on a freighter) but its development is - to say the least - surprising. You might expect a documentary on the theme : 'the everyday life and working conditions of a female worker on a merchant ship' or a sociological study dealing with the point 'how does an insert element manage to fit into an a priori unfriendly universe?' And - to be fair - there are elements of the response to both questions. On the documentary side, the cargo ship Fidélio on which most scenes take place is a real one and it shows. As a consequence everything rings true, from the sorry state of the antiquated freighter to the engine room operations to the superstitious Filipino crew members, to the wild sprees ashore. As for the study of what it is like to be a woman in a male-dominated environment, the result is only fairly convincing : this is probably due to the fact that Alice is seen in too many scenes in which she thinks of love, yearns for sex or actually makes love and in not enough where she carries out her engineer's job. And when she IS doing so, she appears too beautiful, too well-groomed and her hands are just about greasy enough. Of course it is Lucie Borleteau's choice to show that a woman, whether working in an engine room or not, will be a woman (which I perfectly understand), but it seems to me her film would have been better if she had found a more adapted balance between the intimate and the documentary sequences. On the whole, though, "Fidelio, l'odyssée d'Alice" remains quite a watchable film. First of all because it may be the first (or if is not, one of the first) fiction movies on its theme - and this is no small thing. In addition, even if more could have been shown about Alice's trade, the relationships between the various member of the crew are well observed and well captured in this aptly-made drama. Another asset of 'Fidélio' is its fine cast consisting either of professionals (in particular the classy Ariane Labed as Alice the free woman and the sensitive Anders Danielsen Lie as Felix, the young lover she has left behind) or of real-life seamen who play themselves in a very realistic way. All in all, a voyage you can embark on provided you don't mind a significant part of its running time being devoted to its main character's sentimental pangs or graphic lovemaking.