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Fresh and Exciting

Clever, believable, and super fun to watch. It totally has replay value.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

This should probably be the worst movie I've ever seen. I guess luckily for the filmmakers, it's not. It's not really a horror film, and it's not really an art film. It's just kind of dumb and scatological. It made me laugh a few times, but I really don't feel like it was trying to be funny.I'm going to forget everything about this movie, save for a particularly out of place impression of a balloon squeaking out its air, which is genuinely hilarious.

Wish I could say it wasn't that bad, I like it, or rather parts of it.When I saw the poster at a local theater I was thinking this was going to be a Si-Fi horror film. Even the synopsis gave me this ideal, and it was horrifying but more in a human way rather than super natural.So two kids end up in a place were they meet a man whose out of his mind and the three have bizarre sexual encounters with one another.I did like the crazy dude in the film, he was disturbing in that horrific sort of way.Plus, I can't give a movie to low of a score considering it had so much awesome nudity and strong sexual content in it (Just being honesty).But what I was expecting from the small paragraph that help me get interested in seeing the movie was not what I ended up seeing. I felt the ad campaign was met to be a metaphor of something. We Are the Flesh is very similar to M. Night Shyamalan's the Village in that all it's not what it seems, but with far less story (Or no story at all cause I really have no idea what this movie is about or trying to say).When the movie starts and I realizes that it's a very small indi film in a foreign language I was expecting far more talking, but a lot of what I got was interpretive movement and in your face nudity (Which is where I think the actual name of the film was met to be about).So I'm into hard core sex in mainstream movies but whatever the filmmakers wanted me to feel by watching this experimental feature I did not feel (Unless they wanted me to feel horny).

Filmmaker Emiliano Rocha Minter has certainly cemented his name in the annals of art house horror and sexual fantasy cinema with his Spanish film 'We Are The Flesh'. Standing in the same room with films of Gaspar Noe ('Irreversible', 'Enter The Void'), John Waters ('Pink Flamingos'), and dare I even say Pier Paolo Pasolini ('Salo: 120 Days of Sodom'), 'We Are The Flesh' takes a very violent and sexual look into a surreal apocalyptic scenario in something that you've never really seen before. For all of its taboo subjects that it has no problems or apologies for showing on screen, sometimes which is up close and personal, Minter gives a very Kubrick-esque look at this bizarre story.It's fairly hard to find the plot here, as we focus on an older man (Noé Hernández) who would give the boogeyman the creeps. This man is obsessed with building something out of cardboard and tape, when two teenage siblings enter the dilapidated building he's residing in. He agrees to let them stay in turn for helping him build what looks like to be a cave to hell. Also, he has them act out explicits sexual acts on each other. There is no real idea as to what's happening outside this building, but it's alluded that there is a war or apocalypse of some sort and that this old man is providing his own version of a perverted salvation, which delves deeper into a sadistic abyss of torture, death, and sex.The teenagers are great here, but Noé Hernández is unbelievably scary and excellent on film. I've never seen anything like it before in a performance. People who are looking for something soft and kind or if they feel like they are seasoned gore hounds might even find this film a bit disturbing. However, Minter doesn't mess about with the super gory shots or quick cuts. Instead, he takes his camera into an unflinching and unescapable place where we the audience are forced to watch everything that happens on screen in a sort of filter-colored hypnotic nightmare that only gets worse as time goes on.'We Are The Flesh' is a slow burn film. It's one that pushes the bounds of taste and art, but in that good way in that you want to see more from this filmmaker. People in the independent film industry should take note of Emiliano Rocha Minter, because he has a beautiful eye for film and has something to say.RECOMMENDED!

Was there even a script for this film? It feels like a three-year-old's version of "shocking," when it's boring, pretentious, and so on. We're treated to a crazy homeless guy who lets a brother and sister squat with him, but in exchange, they must do whatever he wants. He wants incest, torture, and murder. In the hands of a better filmmaker, this might be something, but it's one of the worst films I've ever seen, and I rather enjoy bad movies --- the so bad they're good kind. It takes a hell of a lot to make me actively hate a film. The most astonishing thing about this movie is why so many film festivals saw it as "art" and choose to screen it.