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I wanted to but couldn't!

Although it has its amusing moments, in eneral the plot does not convince.

After playing with our expectations, this turns out to be a very different sort of film.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

I really enjoyed the tempo and pacing of this movie. Felt like a dance all the way through. Parents and kids revealing bits of themselves to each other, then pulling back, then being vulnerable, then teasing. All with a rhythm that felt natural to me. Not all that familiar in terms of my own family, but recognizably real. Yes, the parents are disappointed in their kids -- and they have a right to be -- but that's life. And they still love them. Yes, the parents are in the last chapter of their lives, and they know it, and they're dealing with it the best they can. One false note all the way through was the number of beautiful women available to the younger son. Oh well. It's a movie and that pays for the tickets, I know. Overall, a well told story I will recommend to family and friends.

I'm not sure what to make of this movie. It was on the edge of being really good, but it never quite made it. That's not to say there weren't some really good things going on. The actors and their characters were good - some quite good. I really enjoyed Linda Lavin, Harris Yulin, and Kathleen Rose Perkins roles in this. The characters were well done and they actors did very credible jobs. Greenberg's character was on the weaker side - it felt like some depth would eventually come out, but nope. King as the brother was fair. Chriqui as the ex-girlfriend did a credible job, and the character was good in the beginning, and quite believable, but at the end lost any semblance of interest - and what did she do anyway? We heard law, then she appeared to be an admin, then she's writing novels? The worst character was Alex (played by Rebecca Dayan - the actress was fine, but the character was pointless). What was the point? I understood where she could have fit in, but in a movie where the plot never materialized, another subplot that went nowhere even faster was not helpful. Kind of like the artist with the painting. There was a sense that that was somehow important, but it never went anywhere.The real drawback was the story. It never really went anywhere. Of course, it appears that it never really planned to, but the viewer is left a bit let down that nothing ever happened. At least it could have let us see Greenberg's character start writing, or doing anything to justify watching him for this long. In reality, the story just showed a lot of metaphorical decays. The obvious ones were the mother and father, literally every character's life (except maybe the Irish nurse...), the car, Greenberg's relationship, King's family, Perkins career (it seems the assumption is that she gave up her education and career to take over her dying aunt's salon), Greenberg's writing career, etc. But, within the decay, there were signs of recovery - but these seemed accidental rather than planned, and there weren't enough.Each of these bits was well done, but there wasn't a coalescence into anything specific. Maybe that was the plan for the story. It just kind of has everything there in existence as the viewer passes through. I guess the message is that everything decays, and some things recover and some don't.I enjoyed it, and wanted it to do more. In the end it's hard to get emotionally invested. OK to spend 90 minutes, but don't expect too much and you may have a good time.

I thoroughly enjoyed this film. The actors are excellent and inhabited their characters plausibly. Harris Yulin, the father, is pitch perfect. Linda Lavin, the mother, is good but not great. My highest praise though, is for Michael Maren for writing a good story with genuine characters and pitch perfect dialogue, no tricks, and for directing in a smooth, well paced and confident style. The turning points are organic and not contrived; if we see them coming it's because we have thoroughly bought into the story and empathize with the characters, and the story goes where we would take it. It's not easy to make such a touching film without being saccharine -- Maren succeeds with grace. This is a really good film.

Yes, this is a tear jerker, but it is also the way couples should view their marriage commitment. A wonderful film depicting a glimpse into the world of Alzheimer's. And it doesn't only show the terrible side. The firm maintains the dignity of all the characters in a way you don't often find in this "throw away" society. What do I mean by that? There was no talk about having a poorer quality of life resulting from the Alzheimer's--the main character was still a much-loved member of the family, all the way down to her grandchildren. I think the political musings on the one brother's job could have been avoided and not taken away anything from them movie. I don't think it was the proper background for such disagreements.I really enjoyed this film and plan in seeing it again when it plays locals. I hope many more people take my suggestion.