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The Age of Commercialism

One of my all time favorites.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

Exactly the movie you think it is, but not the movie you want it to be.

I don't get what is so special about this film - other than the fact that Richard Burton is starring. I was watching a clean copy of the film, nice colors and all, but it the film looked dingy. I guess they wanted to use whatever type of film it is that causes this look. It's not the first time I've seen films looking dingy.All of this crime, police and war stuff going on in the film is not my bag. OK so the guy uses his telekinesis powers and bad things happen when he thinks about it - like blowing up building and such. A real eye-roller for me, I don't get all the hype of it. I guess because it's simply not my cup of tea.I like the telekinesis theme but not this this particular story.1/10

the nuances of story. the nuances of acting. the intensity of Richard Burton look. and an old theme. each as convincing ingredient for a real good movie interesting for atmosphere, original for the tension and large shadows. far to be original, it represents a good job. and that fact defines it. the presence of a remarkable cast - Lee Remick, Richard Burton and Lino Ventura, the short presence of Michael Hordern and Derek Jacobi, the image and the dialog rhythm are perfect bricks for a story about a kind of Raskolnikoff and his new form of justice. sure, it is slice from a large pie of conspiracies and paranormal events but that is only a virtue. because it has a special flavor and the right atmosphere.

This is an engrossing crime investigation film with an unusual format that extensively utilises flashbacks. The flashbacks are seamlessly integrated into the story and soon the audience is almost unaware of the switching back and forth.The main storyline, focusing on the investigation of detective Brunel, is intriguing with the feel of a European gangster film. This is contrasted with the flashbacks to Morlar, many of which have a different, more English tone. Especially interesting are the flashbacks to Morlar's earlier life: the vignettes involving his parents, his school days, his work as a barrister and a domestic argument between his neighbours in London are excellent. The flashbacks, especially some of those to Doctor Zonfeld and the publisher, Townley, are integrated into the main storyline in an ingenious manner.The last part of the film moves away from police intrigue to telekinesis thriller. While the change from gritty police drama to supernatural fantasy is a little jarring the audience is soon gripped by the new threat and goes along for the ride.The cast is excellent. Richard Burton seems chillingly restrained. Lino Ventura is the perfect choice as a world weary detective who essentially carries the main story - it is too bad they chose to overdub his voice with that of another actor as this seems quite distracting. Lee Remick as Doctor Zonfeld and Harry Andrews are also very effective in their roles. The cast is made up of many recognisable actors in cameos who are all extremely interesting and effective.

I just saw this film on cable after 40 years. What would be considered one of Richard's fund raising ventures I find a classic. Along with his creepy presence in the film,(You can't replace fine acting even in an uneven script)the story isn't bad. I found myself not able to leave the screen. That's great writing/acting. Not a fan of remakes, this film could take out the omen and many other remakes of that era hands down. A daring casting person would use Patrick Stewart in the title role.More development on the last act. Going past the films end would be great. Use an American instead of a French detective would update the film. An interesting side note I had a shiver when the plane hit the tower 911 style.Peace brett