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Simply A Masterpiece

Nice effects though.

A lot more amusing than I thought it would be.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

I may have heard of the two star rappers focused in this film, but I can't be sure. Anyway, this documentary by Nick Broomfield focuses on (for a while) friend rappers Tupac Shakur, murdered in 1997, and Biggie Smalls (Christopher Wallace, the Notorious B.I.G.), murdered in 1996. Both murders could have been connected by a shop called Death Row Records, as they were both involved with them. Or it could have been something to do with a rivalry that started after many death threats between the two stars. Nick Broomfield found some footage of the two stars past, but there is still the questions of who really committed the two murders, and were they connected? I actually went to LA where one of them was a murdered. Adequate!

Biggie and Tupac is a chronology of Broomfield's complete failure to unearth any interesting material on his subjects, totally overshadowed by his blandiose, wooden narration.I found his attitude and treatment of his subjects to be insufferable, from his attempts at pidgin English (akin to reading Dick and Jane novels aloud) to his unprepared, incompetent interviews (showing up and ambushing people, losing sound files, etc.) Broomfield has a unique talent for getting in the way of the story he is purporting to tell. He was more interested in hearing himself talk, and following his own blundering, as he put up increasing barriers between himself and his subjects.In addition, how does the director expect us to be engaged by the story, when it is clear he has no interest in hearing what people have to say? Ambush journalism fails when you are being aggressive without asking anything of import. He can't ask an interesting question, how can one expect him to spin a compelling narrative?This movie was a pathetic attempt by a director worth ignoring.

Filmmaker Nick Broomfield decides to take up the investigation into the murders of Biggie and Tupac in 1996/97. Taking his starting point to be an officer who claims he was discouraged from his investigation and forced off the job due to the involvement of other officers. His investigation leads him to uncover links to the FBI and fingers of suspicion that point all the way to the imprisoned head of Death Row Records, Suge Knight himself.Broomfield has had good documentaries and bad documentaries, this is one of his best efforts and is actually very good work and may help the actual investigation. The basic story sees Broomfield stumbling into various interviews as a sort of wide-eyed innocent. His style can be a little annoying at times and also his voice is quite monotonous but his material is griping.From the one officer that starts his trail, Broomfield uncovers lot of insightful stuff that shows a much bigger picture that has not been publically seen before. For example the FBI were trailing Biggie and Puffy hours before they got killed and had been for quite some time – so where were they when they got shot? Asks Lil' Caese – why didn't they at least catch the gunman? The conspiracy Broomfield puts forward is quite extreme but the evidence and the witnesses are there at every stage to back it up. By the time Knight is interviewed the case is pretty much made.The film makes very good use of old footage including the East/West kick-off at an awards ceremony and old footage of Tupac in the studio and Biggie rapping live at outdoor shows. The atcual interviews are all good and mostly very illuminating. Knight is quite intimidating but is clearly putting on a face. Lil' Caese is helpful as are many of the bodyguards and cops but the best interviews are with Biggie's mum – she doesn't have many facts but she really helps Biggie be a real person rather than just a larger than life rapper. The gaps are as prominent as the people – why no Puffy, why no Snoop, why no Faith Evans etc. However those that are involved all provide a lot of information.The music is good throughout (if you're into hip-hop) but can someone tell me why Gangstarr were used several times in favour of the artist's own stuff?Overall this is a must see for all hip-hop fans, but it is also a good view for those who like conspiracy theories. Broomfield's style is a little annoying but the pace and depth of the material is gripping and makes for very, very interesting viewing.

Anyone expecting a tawdry,shoddy sleazefest along the lines of "Kurt and Courtney" should be pleasantly surprised here- this is an excellent film.For a start, the conspiracy theory explored here is a far more credible one, and the evidence Broomfield turns up is very convincing in places. One has to wonder how genuine Broomfield's "camera on at all times" approach is, how much was created at the editing stage- he appears to get away with some very transgressive behaviour here on the basis of sheer amateurism, though it is clear the man has balls of iron. he thoughtlessly wanders through some of the worst neighbourhoods in LA and New York- in one classic scene his cameraman deserts him out of sheer fear, leaving him to manage a ludicrous prison interview with despotic Death Row records overlord Suge Knight alone. Irony being lost on Americans for the most part, Broomfield also manages to get away with some outrageous cheek- for instance asking Knight to deliver his "message for the kids" in a tone of smirking condescension.For the heads, there is some great, rare footage on offer- a teenage Biggie ripping up a street corner freestyle battle, hoods dancing on their cars at his funeral, an electrifying Snoop Dog calling out New York at the notorious 95 source awards....plenty in there for the hip hop fan, along with some vintage Biggie and (for some reason) Gang Starr on the soundtrack. Broomfield manages to talk to every major player in the drama, with the notable exception of Afeni Shakur- which also explains the lack of 2Pacs' music on the soundtrack.Despite its grim subject matter, there is much humour on offer here. In short, this is the best "rockumentary" in a very long time, and one that lingers in the mind for some time afterwards.Something of a triumph.