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That was an excellent one.

Fantastic!

By the time the dramatic fireworks start popping off, each one feels earned.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Somnolent tale of a low voltage heist plot that offers potential for excitement in an unusual twist but sputters to a limp conclusion still born. Rutger Hauer as Maciste. an aged hulk of a washed up body builder/B movie actor who now lives alone in a suitably rundown mansion. Enter Bianca and Tomas, lately orphaned by their parents traffic death, sleepwalking through life until Tomas hooks up with a couple of body builders who move in with the siblings and amazingly turn out to be excellent cooks and housekeepers in contrast to Tomas and his sister. The plot then unfolds (finally) as the guests have a plan to rob Maciste of his money stash with Bianca the interloper who is to locate the goods. But Bianca turns out to have a soft spot in her heart for the old geezer and bails on the deal. The would be thieves then meekly move out without a fuss. The anticipated sexuality never really jells as Maciste is blind and gets his kicks by rubbing down Bianca with oil--all over. Bianca does make herself available to one of the house guests in a strictly physical affair and in a brief moment sizes up her handsome brother as he lies asleep in his jockey shorts One interesting angle are the film clips of a younger Maciste playing the role of Hercules or Samson which Bianca watches and then dreams about as the film attempts to make some kind of psychological connection. What sinks the film is utter detachment all display and even the usual historical monuments of Rome are not enough to make the film worthwhile.

This movie is about a Chilean teenager (Manuela Martell) who is orphaned in Italy after her ex-pat parents are killed in a traffic accident. She tries to care for her slightly younger brother, but is frustrated trying to find legitimate employment (she works in a hair salon, but is not allowed to cut anyone's hair). She gets sexually involved with some older friends of her brother who are both "personal trainers" and small-time thugs, and they enlist her as the sexual "bait" in a plot to rob a supposedly wealthy, blind American (Rutger Hauer) who is a former "muscleman" star of Italian peplums (60's sword and sandal films). But she begins to form sympathy for her intended target.This isn't a great film, but it is a GOOD film and the kind of film they need to make more of. I think it is an Italian-Chilean co-production, but it has a genuine international feel to it since it features Rutger Hauer, a cult legend in both American films ("Blade Runner", "The Hitcher") and Dutch films before that ("Turkish Delight", "Soldier of Orange"). It's appropriate that he's a peplum actor here because the peplums were some of the first films the once vaunted Italian film industry was able to export internationally on their way to eventually becoming a more low-rent but legitimate competitor to Hollywood in 60's and 70's (before the bottom completely fell out by the mid-80's). Rutger Hauer is good in this as a tragi-comic, lonely blind man (certainly a lot better than he is in Dario Argento's "Dracula", which may have been what brought him to Rome). But even if he weren't, he's become a truly iconic presence by this point.Manuela Martelli is one of the best young actresses in Chile. She was is "Machuca", perhaps the best Chilean film in recent memory, and a more obscure adult-oriented teen film called "B-Happy". There just aren't many films made though in a country of only 15 million, or many opportunities for film actresses, so it's good to see her in this. She really goes toe-to-toe with Rutger Hauer (sometimes literally since his character likes to strip her naked, rub oil all over her beautiful body, and "wrestle" in the bed with her). She might not be considered a "hot" actress if you stood her next to someone like Megan Fox or Alexandra Daddario, but not only wouldn't any of the "hot" Hollywood actresses like that ever take on a role like this, they'd never be able to pull off if they did. A lot of young Hollywood actresses today won't do extensive nudity or erotic roles because they seem to think it would make them porn actresses, but that might be because they don't have much more talent than porn actresses to begin with. It actually takes a lot of talent to play a truly erotic, sensual role like this, let alone all the other dramatic paces Martelli has to do in this film.Of course, the reason America doesn't have many actresses that can do roles like this is because they very rarely make movies like this. And that is a shame really. There isn't even much left of American "Indiewood" today to even justify the "indie" part. So it's nice to see a small but up-and-coming national film industry (Chile) combine with a once great one (Italy) to give a role to an iconic older actor and an opportunity to a sexy AND genuinely talented young actress. Maybe the movie itself is no great shakes, but it doesn't really need to be.

A surprisingly compelling movie. Two Chilean teenagers living in Rome (Bianca and Tomas) became orphans when their parents die in a car accident. Living now alone in an apartment, they soon drop school and find some jobs to sustain themselves: she in a hair salon, he in a gym. Soon, Tomas brings two dubious friends from the gym to live with them in their apartment. These friends, who seem to easily manipulate Tomas, eventually engage Bianca in a seemingly harebrained plot: she has to seduce a former bodybuilder and sword and sandals star named Maciste (played by the veteran Dutch actor Rutger Hauer), who is blind and lives as a recluse in an old mansion in Rome, so she can find the safe in his house where he presumably keeps his fortune. So the rest of the movie is about how the strange relationship between Bianca and Maciste develops. Only the ending is unsatisfying. Playing Bianca, the pretty, petite Manuela Martelli looks a bit sour and expressionless, but is compelling as she appears about half the running time in the nude along the much older Hauer. Based on a novel by the prestigious Chilean novelist Roberto Bolaño.

4.5 of 10. Something like a outsider/emo teen film, but in Italy. Lots of style and flair around lots of propaganda, product placement, and a big story hole, possibly admitted to at the end by a guilty director. It's the type of teen/young adult formula story I'm surprised isn't more frequently used in USA films. Apparently we're not as empty as Italy when it comes to film.While the cast does a lot to carry the film, the direction and story is little more than a slice of life film. It makes for an impressive acting exercise for all involved.Given that's it's apparently based on a book, and books usually can't get by purely on words describing hot naked chicks, melodrama, and cigarette smoke, maybe something got left out.