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I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

The best films of this genre always show a path and provide a takeaway for being a better person.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Randolph Scott (John Stewart), Jocelyn Brando (Corinne Michaels), Richard Boone (Wick Campbell), Alfonso Bedoya (Hernando), Donna Martell (Maria Segura), Skip Homeier (Howie Stewart), Clem Bevans (Tod Grinnel), Leo Gordon (Frank Scavo), Minor Watson (Jason Carr), Lester Matthews (Adam Stewart), Tom Powers (Green), Dennis Weave (Sheiff Clyde Gibbons), Lee Van Cleef (Al Drucker), Louis Jean Heydt (Tom Baines), Kathleen Croiwley (Marva Gibbons), Boyd "Red" Morgan (Red Dawes), Denver Pyle (Dave Weed), Francis McDonald (Warner), Pat Collins (bartender), Robert Ivers (John Stewart acolyte), Paul Maxey (cattle buyer), and George Boyce, Franklyn Farnum, Terry Frost, Edna Holland, Reed Howes, Jack Perrin, Carlos Vera, Julian Rivero.Director: BRUCE HUMBERSTONE. Screenplay: Kenneth Gamet. Story: Irving Ravetch, Harriet Frank, junior. Photographed in Color by Technicolor by Wilfrid M. Cline. Film editor: Gene Havlick. Art director: Edward Ilou. Set decorator: Frank Tuttle. Music: Paul Sawtell. Technicolor color consultant: Francis Cugat. Special effects supervisor: Barney Wolff. Stunts: Red Morgan, Boyd Stockman. Set continuity: Dolores Rubin. Assistant director: Wilbur McGaugh. Assistant to the producer: David Breen. Sound recording supervisor: John Livadary. Sound recording: Jack Goodrich. Associate producer: Randolph Scott. Producer: Harry Joe Brown. A Scott-Brown Production. A Columbia Picture. Copyright 1955. U.S. release: 1 February 1955. No recorded New York opening. Australian release: 15 July 1955. 7,187 feet. 79 minutes. SYNOPSIS: John Stewart has carved out a cattle empire in Arizona. He is forced to defend himself against killers imported by Wick Campbell. COMMENT: The story may be routine, and it's also true that the plot has some gaping holes, as many previous reviewers have suggested, but nevertheless I quite enjoyed this entry, thanks to the vigorous direction of "Lucky" Humberstone, the pleasing Technicolor hues caught by cinematographer Wilfrid M. Cline, and the efforts of an outstanding support cast led by the lovely and talented Jocelyn Brando (Marlon's sister).

This film is an entertaining look at the Billy the Kid legend. Homeier, who was usually cast as a creep, is the Kid, but on the side of justice. Scott is the Chisum part. Instead of the Tunstall part being the Kid's father, it's his father. Boone (as always) wonderful plays the L.G. Murphy role. There are also events that were semi-changed (The fight at the McSween store is still in town, but at a different location. The murder of Tunstall is done, and the Kid was a favorite of the Mexican people, who attempt to warn Homeier away from the battle.) Of course, it's always a pleasure to see Scott out West, and Boone was one of those who could play any part.

Exceptionally fine cast from top to bottom, from Boone and Gordon at the top to Pyle and Louis-Jean Heydt in support, and of course in the starring role, the great Randolph Scott. Then too, the color photography is unusually pleasing and picturesque. And the fact that Harry Joe Brown produced suggests that this is a 1955 warm-up for the classic Boetticher-Ranown Western cycle that was soon to follow.So, with these kinds of ingredients, why isn't the movie better than I think it is. For one thing, the direction appears pretty slack. The scenes simply follow one another without building into the kind of intensities expected from the rivalries involved. It's like Humberstone shot each scene without considering its dramatic significance to the narrative as a whole. So, for example, when gunsel Gordon takes over the town from Boone, there's no real sense of displacement, no real dramatic impact. Similarly, the dynamite sticks that act like grenades simply appear and also produce little dramatic impact. Yet both episodes are clever plot wrinkles, and with the right development could have helped lift the movie beyond the merely routine. Also, too many times-- especially in standing conversation-- the actors speak their lines with perfect enunciation, as if they're performing from center stage. I expect that's also Humberstone's doing, but it comes across as stagey and inappropriate for a Western. And, of course, there's poor Donna Martell who looks great but is rather painfully no actress. Still and all, it's an interesting, if somewhat convoluted, story and a treat for the eyes. And seeing all those familiar faces from other films almost looks like a reunion of sorts. I expect some good-hearted soul in production decided on a payday for a number of veteran performers. Also, it's a good chance to catch Skip Homeier in a rare sympathetic role, and Dennis Weaver shortly before his slow-talking, slow thinking deputy on the classic series Gunsmoke. Anyway, disappointing or not, no Western starring the granite-jawed Scott can afford to be overlooked.

I have been a fan of Randolph Scott westerns since childhood and enjoy most of his work, but this movie plods along so slowly that you wish that everyone would shoot each other early and end the misery.The good guys & gals are too noble and self-righteous and the villains are obviously rotten, evil and stupid.The best thing about the film is the color scenery.1 * out of 5.