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84C MoPic
An Army cameraman is embedded with a reconnaissance patrol and charts their mission across territory controlled by the North Vietnamese.
Release : | 1989 |
Rating : | 6.8 |
Studio : | The Charlie Mopic Company, Charlie Mopic, |
Crew : | Art Direction, Director of Photography, |
Cast : | Glenn Morshower Sonny Carl Davis Byron Thames Richard Brooks |
Genre : | War |
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A lot more amusing than I thought it would be.
Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.
It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
God! The dialog is awful! Truly terrible!It doesn't feel real, which is the first and last nail in the coffin for a "found-footage" kind of movie. All the characters are badly written. The things they do, like smoke cigarettes while in the jungle on LRRP- which would give any enemy close by notice they were there, are stupid.There is not a single character you care about. The ending is crap, and is just annoying.5 Minutes in and you are begging for these clichéd, awful characters to trip a huge mine and blow everyone to pieces.Badly written. Badly directed. Badly acted.S**t.
When I first watched this film I was in the 82nd at the time. It looked like an Army uncut documentary. My friends and I watched it several times looking for errors. The only error we could find (and it was a stretch) was the helicopter in the final scene had modified landing skids that were not developed till later. That helo also had a red checklist that probably would not have been used.The boots were tied right and worn-out in the right places. The rucks were heavy and carried like people who did that a lot. They wore their equipment right and each had the fitness level of an infantryman. The short-timer caught the spirit of what it meant to be short. Our short timers said the same stupid comments. "I'm so short I could halo off a dime" is funny the first time you hear it, not the 50th.Every squad seems to have the same people in it. This movie captured that to a "T." They talked way to much for a LRRP unit but it makes sense if you put grunts in front of a camera.Hands down one of the most realistic war movies ever made. In subtle ways this captures what it is like to be a grunt.
I have never seen another movie presented in this way. The closest film presentation, similar to this, I can remember seeing before is the "You Are There" series, with Walter Cronkite, that we used to see in school during the 50's and 60's. I liked those and I liked this. I personally think this is a tremendously underrated film. In addition, this movie happens to be about my old unit (An Khe-1969). Many of the experiences presented are similar to what my experiences were at that time. This film paints a realistic picture of one segment of the war in Vietnam, and it is NOT a pretty picture. But, it very effectively demonstrates the closeness that develops among men in combat as well as the fear and drabness we lived with. It would probably be a good demonstration film for new military servicemen. I was cast back to that time. It was effectively presented and very well acted. The technical adviser did well because I saw no errors in techniques and equipment. If you want to see what recon could be like, see this film.
As I recall, this was one of those movies that probably deserved a great deal more exposure than what it really got. It's timing was unfortunate. It came along on the heels of "Platoon" and "Full Metal Jacket" and even "Good Morning, Vietnam," so the various views of the Vietnam conflict had largely been done to death in the space of a few years and by much higher profile and higher budget filmmakers. The U.S. went from ignoring the conflict to a nationwide confession of guilt in the space of a year or so. Anyway, this was a good effort. It's low budget, but worthwhile, and, as the previous poster noted, the technique was the "first person" sort used in "Blair Witch" but done many years before that movie ever appeared.