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Very very predictable, including the post credit scene !!!

Best movie of this year hands down!

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

The concept is potentially interesting. It is openly attempting to use the Back to the Future idea to take a gay college professor back to his high school days in a world where what's considered "normal" and "abnormal" is reversed. Unfortunately the potential is never realized.The actor playing the central character, Brad, is likable enough. He and the actors who play students do turn in reasonably good performances given the rather lame situations and dialogue they are forced to cope with. Conversely most of the actors playing adult characters seem to suffer from major aren't-we-being-too-silly over-acting syndrome and often sound like they're reading their lines from a teleprompter that isn't keeping up.The story blurb states that Brad "is tired of being different because he is gay" and that when he is transported back in time he becomes "almost normal." Obviously that's not what happens at all. Taking that view would seem to imply that being straight will forever be the preferred norm in any context.In the present day he, and many others, consider him to be different because he is gay. When he goes back to his high school days he becomes straight in a fantasy world where gay is normal. Once again he's different and regarded as "disgusting" & perverted and is the object of the same sort of bullying from his peers and negative reactions from adults that he experienced in the real world.It might have been a more interesting premise if he had retained his sexual orientation and found himself in a world where he was a normal gay kid and the victimized minority in his school were the heterosexuals. Finding himself in the majority and not having to deal with all the guilt and grief dumped on him could have been a genuine role-reversal with real implications as he decided whether the fantasy experience or his real life was preferable.In the end it's still mainly a mediocre high school coming-of-age drama. It's still the same normal kids and the same prejudiced community standards making life miserable for the minority, even if what defines normal and abnormal has changed.

This movie can't decide if its goal is to preach, amuse, sadden, or just plain annoy the viewer. Is this the gay "Peggy Sue Got Married", "Back to the Future", "The Wizard of Oz", or a confused amalgam of all 3, with some PG-13 "Queer as Folk" thrown in??Particularly annoying was the unused opportunity to have the role-reversed world be even an iota better than the current state of right wing homophobia extant in America today.Mediocre acting, poor editing, and an uneven script result in a sub-standard movie watching experience. Thank goodness for Fast Forward.

I liked this film because it brought a unique view to prejudice and misunderstanding. Here being gay is normal and straight (breeders) is not. The length and breadth of this perspective makes it quite persuasive. You get a chance to see life from the other side. Brad is 40, gay and not partnered. On his way home to attend his dysfunctional parents' 45th Anniversary an accident lets him go back in time to high school where he sees himself as straight and "alone" in a school where all the "normal" boys like boys and the girls like girls. The first time in school he fancied the star of the basketball team and knew he couldn't get him. Now he's there and the star is hoping to make it with him. Brad couldn't fix a car or do lots of other "straight" appearing things. Now he can and it makes him different. He doesn't like it. He comes out as straight in high school during the second visit and is attacked for it. The boy he wanted as a boyfriend turns out to be his friend and the girl he wanted as a friend turns out to be his girlfriend. Handled with humor and sincerity by a cast that handled the job well.

This review contains extreme "spoilers". Some reviewers of this film have misinterpreted the writer's vision. Ostensibly a standard gay comedy, Almost Normal would be rather forgettable, if it wasn't also a social satire, designed to illustrate what it's like to be gay in a straight world. As satire, it succeeds very well, and in some ways as brilliantly as one could hope to expect. In spots, the plot is too confusing to produce the intended impact, but I give it an A for effort.Brad is nice-looking, single, gay, on the cusp of his 40th birthday, and somewhat discontent. He ogles sports jocks when they're not looking, goes on dates with guys who are miles below his desirability level, and frequently argues with his best friend Julie, who is also his sister-in-law. At a party for his parents' 45th wedding anniversary, things have just about hit the boiling point. A reunion with his best high school buddy reminds him that his friend stopped talking to him when he came out. His mother still dreams that he'll find some nice girl, and as he remarks to Julie, sometimes he just wishes that he was "normal". Not that he dislikes being gay, but he is weary of being different from the heterosexuals that surrounded him. As a gay man, I found it easy to identify with this sentiment.Events at the party annoy him so much that he gets drunk, even though he recently gave up alcohol. Seeking some fun, he slips out of the party and drives to a local gay cruising area, where he crashes his car into a tree. As we suspect (and our suspicions are confirmed much later in the film) much of the remainder of the film is a dream sequence that plays in his mind while he lies unconscious in a hospital. And what a dream! Brad dreams that when he wakes the next morning, something unexplainable has happened. He has traveled back in time to the 1970's, and is now an 18 year old high school student. But that's not all. He has gotten his wish to be "normal" because everyone in the world is gay! Except, of course, those outcasts who are emotionally and physically attracted to members of the opposite sex. Known pejoratively as "breeders" and "hole-punchers", heterosexuals in Brad's dream world are routinely ostracized, scorned and even "straight bashed". They are preached against, misunderstood, and subjected to extreme ignorance and isolation. Pardon my gloating, but as a gay man, I found this a most delicious and righteous turn-about on reality.It was also highly satisfying to see a world where gay people are totally free, and stand proudly with their chosen partners before the entire world. In Brad's dream, there is no such thing as homophobia, and for a wonderful moment I allowed myself to be caught up in this glorious if absurd fantasy. Conversely, I can only imagine what it must be like for a straight person to absorb the basic premise of Brad's dream world – heterosexuals may find it strange, disjointing and probably fear-inducing. Homosexual propaganda? Yes! And highly effective.A myriad of plot problems are resolved with witty or sometimes silly explanations. In his dream, Brad's parents have same-sex partners, but his father and mother begat him through a custom known as "birth partners" where best friends of opposite sexes have children solely to reproduce, although romance and sexual desire between the sexes is taboo and "disgusting".Here's where Brad's dream gets dicey and somewhat confusing. Enter his sister-in-law, Julie. Although Brad has found his soul-mate, a basketball jock he had a crush on in High School in his "real" life, Brad slowly begins to realize that he is sexually attracted to Julie, and she to him. For a while, I was a bit uncomfortable with this plot twist, until I realized that the writer was cleverly engineering a take on the real-life terror, isolation, rejection and ultimate acceptance that virtually all gay people experience when they discover the truth of their own sexuality. Brad and Julie go to an underground "straight" bar, witness a violent "straight bashing" and ultimately attend their high school dance, where they demand acceptance. Many reviewers were confused by the dance scene. When Brad and Julie are denied permission to dance together ("We have to tolerate your kind, but we don't have to put up with your disgusting behavior") many of the on-looking gay couples (including some of the faculty) begin to dance with opposite sex partners, in a show of solidarity and tolerance. Some reviewers of this film thought that this signaled a reversal of Brad's fantasy dream, and that "everybody starts turning straight". Some even saw it as an argument that sexual orientation is a choice, but that's not what I got out of it – I saw it as a simple show of support for a persecuted minority.The "gay reversal argument" has been used before, but not quite so effectively. In "Torch Song Trilogy", Harvey Fierstein begins an impassioned speech to his mother by saying, "Ma, imagine what it would be like if everyone around you was gay; every book, every magazine…" and Anne Bancroft, replies, "You're talking crazy!" Almost Normal expands this argument to its conclusion. Of course, no heterosexual can ever truly understand what it's like to be gay in a straight world. But in the end, I found much of this movie powerfully persuasive, and I wanted to round up all my straight friends and family and make them watch it. The final scenes reverted to standard gay comedy, but there was a nice romantic twist at the end I didn't see coming. That part I'll leave for you to discover, for I do recommend that you see it and decide for yourself. I left with a smile on my face and my head full of thought, and that's never a bad thing.