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Very very predictable, including the post credit scene !!!

This story has more twists and turns than a second-rate soap opera.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

While it doesn't offer any answers, it both thrills and makes you think.

A WOMAN FOR ALL MEN can best be described as a psychosexual drama in a slow-moving mould. It's essentially a love triangle between old-timer Keenan Wynn, his sinister new wife, and his son, played by '70s favourite Andrew Robinson. It soon transpires that the sexually-charged young woman has more than a few tricks up her sleeve, bedding all and sundry and eventually driving the men in her life to murder. Sadly, this plays out in a limited way, with an extremely slow-moving narrative and little in the way of interesting incident. For the first two thirds it feels like a typical skin flick, nothing more, and only really picks up towards the climax, but even then by not very much.

I'm not usually into these type of films: love triangles, jealousy etc., mainly because each film is basically the same plot but I keep watching them hoping for something different. Is this film different? Yes. Yes, this film is different. Probably because you have a Sexploitation director behind it; and yes, this film has elements of Sexploitation but it's less that and more of a Drama; one that, if it didn't have so much nudity, you could watch it with your mom, unless you have a free-spirited mother who isn't prudish. It does have its flaws. While there are some A-listers in this, the acting is wooden, at times. And while I think some of the actors improvised with their lines, it didn't help in certain scenes. There's a mystery element to the film, and I'm not talking about the supposed murder but the introduction of the characters like Sarah (the housekeeper), Cynthia (the daughter), who's just creepy and a bit incestuous, in my opinion; and though the character of Paul barely breathes in this film, even he has a bit of a mystery to him. Are the mysteries hard to figure out? No.Some of the photography is lame. Like the 'dun dun dun' moments. You know: the freeze frame at the end of certain scenes. The haziness when a scene approaches a 'dun dun dun' moment. Even the paranoia scenes become pretty lame. The 'murder' scene isn't even murder, it was clearly self-defense. Adultery isn't a crime, even with your step-mother. The ultimate problem with that scene is: it seemed to imply or outright state "It was murder!" The father attacked his son, and then tried to shoot him with a pistol. The son fell to the floor and grabbed something nearby and stabbed his father with it, killing him. Self-defense. Yet the next scene Steve tells his step-mother "We're not guilty of anything. We've killed someone who's already dead." That last part eludes to the fact that Steve's father went missing earlier and was presumed dead. Also, "we" is nonsensical. Steve killed his father (in self-defense), it wasn't planned, at least not by Steve. Adultery isn't a crime in the US, it may be immoral but not a crime. The crime they both commited was getting rid of the body and making it appear as murder to anyone who doesn't know it was self-defense. Of course Karen (the step-mother) mentions this later but Steve's an idiot and thinks he knows what he's doing. Of course, to a point: the same could be said of Karen. If one thinks I gave too much away, you're mistaken. The true villain is revealed in the beginning and one is just waiting for s/he's grand entrance. You get it in the last two minutes of the film.The film, as a whole, is cliché, subplots hurried along, main characters (like Paul and Sarah) who are prominent in the beginning and disappear entirely in the last second act, and questions unanswered yet I still enjoyed it. That's something.

Irascible and domineering millionaire Walter McCoy (a marvelously cantankerous Keenan Wynn) marries the beautiful, but shady and duplicitous Karen Petrie (expertly played to the wicked and conniving hilt by the ravishing Judith Brown). Walter's son Steve (the always excellent Andrew Robinson) automatically becomes smitten with Karen while both Walter's daughter Cynthia (adorable Patty Bodeen) and loyal housekeeper Sarah (a fine performance by Lois Hall) suspect that something is up. This provokes a tangled web of deception, infidelity, and even murder.Director Arthur Marks relates the engrossingly sordid story at a steady pace, adroitly crafts a cold and amoral film noir-type mood (Brown makes for a deliciously ruthless, seductive, and manipulative femme fatale), and delivers a generous sprinkling of tasty female nudity courtesy of the delectable Mrs. Brown. Moreover, the sound acting from the able cast keeps this picture humming: Don Porter as Walter's faithful lawyer Barney, Peter Hooten as Walter's angry other son Paul, Ginny Golden as the snippy Rodell, and Alex Rocco as the pesky Lt. Biase. The enjoyably trashy script by Robert Blees offers a few cool twists. Robert Birchall's sharp cinematography provides a pleasing polished look. The funky percolating score by Luchi Dejesus hits the groovy-throbbing spot. A nifty little drive-in flick.

"A Woman For All Men" aka "Deadly Intrigue" is a good movie. It's about two brothers: Steve (Andy Robinson) and Paul (Peter Hooten) who work for their father Walter (Keenan Wynn). When Walter brings home the beautiful Sarah (Lois Hall), everything spins out of control. Soon, blackmail, double-crosses, and murder become family traits.The performances are well-acted, and the plot has some fun twists. Alex Rocco is only in it for 10 minutes, but his presence is always welcome. The only problem with the movie is that the 2nd half drags a little.In the end: If you can locate this movie, it's definitely worth watching.For more insanity, please visit: comeuppancereviews.com