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Tread Softly Stranger
Unable to pay his bookie, a man returns to his hometown where his embezzler brother and girlfriend plot a robbery that ends in tragedy.
Release : | 1959 |
Rating : | 6.7 |
Studio : | George Minter Productions, |
Crew : | Camera Operator, Director of Photography, |
Cast : | Diana Dors George Baker Terence Morgan Patrick Allen Jane Griffiths |
Genre : | Drama Crime |
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Very very predictable, including the post credit scene !!!
As Good As It Gets
This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
While it doesn't offer any answers, it both thrills and makes you think.
Probably the only good thing you can say about this British crime movie is that it makes excellent use of its North of England locations, (it was filmed mostly in Rotherham), and has some good, atmospheric photography by the great Douglas Slocombe. Otherwise, it's pretty terrible as femme fatale Diana Dors, (far from her finest hour), urges down-on-their-luck brothers George Baker and Terence Morgan to robbery and murder. It is atrociously scripted (by producer George Minter and Denis O'Dell from a play by Jack Popplewell), directed (by Gordon Parry) and acted (by the entire cast)and has largely been forgotten. It should have stayed that way.
TREAD SOFTLY STRANGER is a tense and immersive British film noir featuring a headlining performance from Diana Dors at her most sultry and alluring. The story is a basic love triangle compounded by money worries, which lead to robbery and murder, all set within a grim and run-down northern industrial town. The opening scenes, which show off a fabulous and elaborate rooftop location complimented by Dors and her morning exercise routines, are great and racy stuff indeed.I always feel that when a British B-movie thriller gets everything right then it's head and shoulders above rival American fare and that's the case here. This tale was originally adapted from a play but the cinematic version gets everything right and in particular the cast is a fine one.Dors obviously holds the attention with her bombshell performance, but the real star of the thing is the underrated Terence Morgan (CURSE OF THE MUMMY'S TOMB) who propped up many a B-movie with his villainous turns. He has more depth to his character than usual and does very well with it. George Baker - TV's Inspector Wexford - plays the straight role and is very nearly as good, and a young Patrick Allen rounds off the cast.
I consider that this title is the late Diana Dors best film and I have quite a few in my DVD collection.Produced in 1958 when she was at her peak she has a memorable scene when she recounts her lowly slum- like upbringing to George Baker of how she made her way "out of the gutter up onto the pavement".It reminded me of an Oscar Wilde quote by Lord Darlington from "Lady Windermere's Fan" "...some of us may be in the gutter but we are looking up at the stars".1958 was the year that the wonderful "A Night to Remember" was made and I spotted three actors from that film in "Tread Softly Stranger", namely Joseph Tomelty" (Joe Ryan) as Dr. O'Loughlin, Russell Napier (Potter) as Capt. Stanley Lord and Thomas Heathcote (Sgt. Lamb) as a 1st class smoking room steward.Diana was well supported by Terence Morgan and George Baker and I disagree with a previous reviewer, it did not have an Anglicized/American script - I checked the nationality of the two scriptwriters James George Minter/Denis O'Dell before writing this review.The film also had an authentic bleak northern industrial landscape.Remember also we have many Irish people working in our country.When George Baker burnt the stolen money and flushed the embers down the sewer and disposed of the revolver I thought the brothers may have succeeded in their robbery, but of course the censor stepped in like they did in the 1950s to ensure we citizens kept on the straight and narrow.Overall I rated it excellent and it kept my interest all through and I rated it 8/10
The script is unremarkable and the direction leaden. But it's worth watching for the setting in a genuine industrial town – not just for the factories spewing smoke (which are no doubt now "heritage centres", art galleries and yuppie flats if they haven't been levelled), but for the shabby rooming house where the brothers and Diana live. The Victorian decor and furniture is still there 50 years later. You can't tell from this film that George Baker is a good actor, and Diana isn't asked to do much more than pose around (but she looks gorgeous and I love her clothes, apart from those embarrassing shorts she makes her first appearance (just) in). But I can't help feeling this is an American script transferred to Britain. I'm sure "up north" didn't have hostess clubs in the 50s, or so many Irish people: the nightwatchman, his son Paddy and the landlady are all Irish. In fact no one has a northern accent, and Paddy's girlfriend has a ridiculously posh English accent that is probably dubbed on. The plot is the same old "We've got a suit-case full of money but it's no use to us, we'd better burn it/put it down the toilet/let it blow away in the wind."