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Nothing Personal

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Nothing Personal

Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland behind. She goes to Ireland, where she chooses to lead a solitary, wandering existence, striding through the austere landscapes of Connemara. During her travels, she discovers a house that is home to a hermit, Martin.

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Release : 2010
Rating : 7
Studio : Fastnet Films,  Rinkel Film,  Family Affair Films, 
Crew : Art Direction,  Director of Photography, 
Cast : Lotte Verbeek Stephen Rea Paul Ronan Wimie Wilhelm
Genre : Drama

Cast List

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Reviews

Perry Kate
2021/05/13

Very very predictable, including the post credit scene !!!

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Actuakers
2018/08/30

One of my all time favorites.

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Chirphymium
2018/08/30

It's entirely possible that sending the audience out feeling lousy was intentional

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Gutsycurene
2018/08/30

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

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SnoopyStyle
2016/09/03

A woman (Lotte Verbeek) has suffered some sort of loss. She's playing with her ring. Strangers are grabbing her belongings left outside her apartment. She goes hitching into the Irish countryside. She stops at a farm where Martin (Stephen Rea) offers food for work. They collect seaweed from the coast to fertilize the land. She refuses to give him any personal information including her name. They find solace in each other's damaged lives.These two damaged characters are played by compelling big-time actors. It's a quiet movie filmed by first-time Polish-Dutch director Urszula Antoniak. It's all about the quiet which sometimes generates powerful moments. Mostly, it's just quiet. It's an interesting debut.

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bjarias
2016/01/25

With additional dialogue the entire complexion of the film would have changed. And as a matter of fact, from a couple of critic reviews, I had gone in thinking there was to be much less than there actually was. The natural sounds become much more noticeable and meaningful, and are a plus for enjoyment. Rea is one of today's great actors, and one of the few very recognizable names that when you see him on screen, he takes over his character and you then see less of 'him.' Verbeek was 27 at the time, having just graduated from theater-school a year earlier. She is remarkable and I'll seriously look forward to seeing her once again... same for the writer-director. It's a small, simple little little film, but you'll find yourself think about it long after viewing it... and it will never age.

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Armand
2012/12/31

precise, minimalist, strange. almost a form of poem. maybe a visual haiku, story of a trip, a meeting and solitude. a circle. impressive images. memories from Bergman. and dust taste. a portrait. or only testimony. a search and its terminus point. a parable. or only fragments from a house and a garden. the mixing of algae remains for me the central image. a gesture like a prey. or only need to save essence of search. because, the actors , in this case, are shadows of places. and sign of subtle desire to be part of them. sure, after film end, a lot of hypothesis bloom. but it remains only the taste of honey and ash. and a white package. like last gift.

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Miakmynov
2010/06/23

Belying its' title, 'Nothing Personal' is clearly a very personal film. Set on the west coast of Ireland, this two-hander explores the decision to leave virtually everything behind and offers a study of loneliness and reconnection through a gradual re-building of trust. With strong performances from both leads, I was increasingly absorbed as their characters unfolded, and the film is at its' best in the gentle humour and the slowly developing relationship between them; there are some lovely touches and moments, like stopping the wind blowing through the grass.Unfortunately this undoubted emotional engagement seems to have come at the expense of narrative coherence. Whilst I don't expect everything handed to me on a plate, it felt quite an uphill struggle trying to follow the Director's clues about what was actually happening. I couldn't quite work out if the chronology was chopped up or not, and I felt the main device of leaving history unspoken between the pair was unnecessarily allowed to overwhelm plot lucidity at times, leaving me with too many unanswered questions for it to be a consistently rewarding experience; I look forward to reading the future IMDb message board musings of more perceptive viewers. I suspect the film will be compared to Ondine – similar location and 'strong, mysterious, beautiful foreigner' theme –and whilst undoubtedly more cerebral and emotionally resonant, it's a shame that its' increasing tendency to veer into a somewhat perplexing swamp rather lets it down.If you have a penchant for 'hands swirling round in seaweed' close-ups, then this is certainly the film for you – otherwise, despite its' spirit and intrigue, the level of confusion means that for me, it won't stay in the memory for too long.

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