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The Age of Commercialism

A different way of telling a story

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

This is a Thai film. Like a Bollywood production, Thai believes 2 hours is the proper length for a film, not 90 minutes. The characters are built and rather slowly. Thai films also like bright colors, this one goes a little easy.Mr. T is our main character. He is carefully preparing a house in an upscale community for his family to move into. He works for Empire Supplements, a multilevel marketing company. He has had a few good months and believes his boss when he tells him about the company's bright future. He has a supporting wife, a 14 year old daughter who hated leaving Bangkok, and a younger son.The story is not about the ghost, but about this particular family and how the ghost effects their life. The events are triggered when a young Burmese maid is found locked in a refrigerator with her face cut in half. We really know nothing about the ghost(s), their motive, why they are there, or how close is the nearest Indian burial. It is about the disruptive nature of the ghost on the family.The special effects are light and consists of shadows, rapidly moving figures, and now you see it, now you don't type of stuff. It appears the women gossip as much in the Buddhist temple as American women do in church. They don't hire Mexican help, but Burmese.The ending of the film, which was one I didn't see coming, doesn't give you any closure about the ghosts.PARENTAL GUIDE: No F-bombs, sex, or nudity. The "S" word was used.

And by pure horror a mean Thai horror - the master and king and ruler of them all horrors! This movie and/or story is for all you horror and suspense fans. It's also for all you drama fans and family love fans. And, last but not least: No electric special effects, no animations, only some masks.The story is pretty simple. A mid-young (over thirty) husband and father of two moves the family from Bangkok to another city in a nice suburban area called Laddaland. The area is, of course, guarded and fenced - a typical artificial "safe" place.He is the only employed member of their family with somehow steady job that allowed him this move in a first place (mortgage,wife not employed anymore).One day, brutally mutilated body of a young girl is found in one of the houses in the neighborhood, and soon after that, strange things begin to happen and the story slowly begin to unravel. But, the more we go in to the scary minutes and hours of the movie, the more is the story overflown with personal grief, money problems, job loses, anger, personal depression, lack of acknowledgment and LOVE. We start to see that it's all just one horror story, here and now, and they are the only ones that can say NO to it.And the less they resist the more they are drawn in to the world of depression, sadness and hate.All the ghost that are scaring are just the modern alternative to Zombies:"The ghosts of Capitalism!" As I said, this is a movie that uses RAW power to remind us about the current situation in the world is already exactly like in this movie, except without ghosts. If you don't call beggars and homeless Ghosts....I highly, highly recommend it! PSIt's more Drama then Horror ;)

LADDALAND is yet another example of why Asian fright films are so vastly superior to American "horror movies." In this one, things seen and unseen, as well as things heard and unheard, combine to create the kind of all-important mood that is most often missing from U.$. movies. Here, we have a heavy-handed head of household whose dysfunctional family lives in one of those gated communities where it's easy to become "walled-in." There's a cat-cam and the wandering ghost of a murdered maid and a chilling game of hide-and-seek with a kid who turns out to be dead. As mentioned, the mood is sustained throughout (this is one of the most riveting movies I've seen in a while) and the ending is at once poignant and shocking. If you're looking for a solid fright film that delivers on all levels, look no further.

Know what's scarier than figures lurking in the corner? The fact that your efforts to bring your family together become the very reasons they are slowly turning against you. While Sophon Sakdapisit doesn't do much to bring anything original to the haunted house yarn Ladda Land, he effectively ventures into each of his characters' psyche, turns them into real people with real concerns, and successfully fleshes out their fears — whether of this world or those of beyond.The title refers to a middle class subdivision in Chiang Mai, where a well-meaning man played by Saharat Sangkapreecha moves with his family to work for a drug supplement company. He has another reason for wanting to stay there — his mother-in-law hasn't forgiven him for marrying her daughter (Piyathida Woramusik) and makes his life miserable by rubbing in his faults and failures as a father to his two children. He's especially estranged to his 14-year-old daughter (Apinya Sakuljaroensuk), who grew up spoiled by her grandma. But aside from that, everything's going well with the household — that is until a brutal murder occurs at a nearby house and scary things start happening.It sounds standard but the narrative's arc from the near-perfect happiness of its characters and the world they inhabit to their slow and painful descent to paranoia and madness is near-perfectly smooth. Sakdapisit's skill in creating such trajectory is evident in how he begins the movie, with Sangkapreecha unpacking things and meticulously decorating the house, signifying his desire to start a new life for his family. It's a stark contrast to how it all ends, with bare and empty rooms except for a few objects thrown around, underpinning the tragic outcome despite the best intentions. There's convincing performances from everyone involved, too. Sangkapricha plays it with such subtlety that even when his character acts like an idiot as required of horror films (Why not call the police first instead of venturing into a murder site alone?), he never comes off as annoying. Woramusik and Sakuljaroensuk's characters are also defined more than other horror movies care to carve out secondary roles.As a horror film, Ladda Land teeters midway between the best to reach these shores and the worst of them. What's certain is that it works better when it focuses on the family rather than on the spooky things that go bump in the dark. It's wise enough to invest emotionally and ratchets up the tension so well that it even if it doesn't consistently bring in the scares, there's a constant feeling of anxiety.