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The Last Time I Committed Suicide
Neal Cassady is living the beat life during the 1940s, working at The Tire Yard and and philandering around town. However, he has visions of a happy life with kids and a white picket fence. When his girlfried, Joan, tries to kill herself he gets scared and runs away. But when Joan reappears will he take the chance at that happiness, or will he turn his back on it?
Release : | 1997 |
Rating : | 5.5 |
Studio : | Tapestry Films, The Kushner-Locke Company, Vision Films, |
Crew : | Art Direction, Assistant Art Director, |
Cast : | Thomas Jane Keanu Reeves Adrien Brody John Doe Claire Forlani |
Genre : | Drama |
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I like the storyline of this show,it attract me so much
That was an excellent one.
A different way of telling a story
The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
One of the most surprising things in "The Last Time I Committed Suicide" is the whole part about Neal Cassady's thoughts about living the "ideal" American life (a nuclear family and a house surrounded by a white picket fence). Cassady was one of the major people in the Beat generation, which rejected the "Leave It to Beaver" image of life. If in fact Cassady thought about having this kind of life, then it goes to show his own conflicts, even beyond the main plot in this movie.But I digress. I think that the movie did a good job looking at Neal Cassady (Thomas Jane). He and Jack Kerouac remain two of the most important figures of the 20th century. Also starring Keanu Reeves, Marg Helgenberger and Gretchen Mol...and just take a look at that one scene of her! (you know which one I mean)
The best thing about this movie is the opening scene, where Neal Cassady is doing more daydreaming and dancing then he is working on his writing. The beginning of the movie screams to Cassady's life, and shows the audience a Marlon Brando type character that had strong ties with folks like, Allen Ginsberg and Jake Kerouac. Cassady, a forgotten literary figure with more passion for creativity then progress in writing, would later become the character to drive the bus in Ken Kesey's, The Electric Kool-Aid Acid Test. It is important to note, that while Cassady had only one decent literary publication, his zealous outlook on life was borrowed by some of the "great literary beat writers" in America.The Actor Keanu Reeves, who I have never been a huge fan of, does an excellent job of shedding light on Cassady's constant dissonance about leaving the life of a beat writer, for the life of a 9-5 working man with a stable house, beautiful wife, and loving family.The movie overall, is about this dissonance, is about the passion that Cassady had for both the creative life and the more stable environment of the family life. Sadly, Cassady was unable to find balance between the two.Do not expect, watching this movie that it will touch your life with a "wow-effect" forever. It is not some type of magical-beat-generation-movie that you can philosophize about for hours, it is just a pretty good movie.What you can keep with you forever, however, is the soundtrack to this movie, The Last Time I Committed Suicide. With scores of music from folks like, Miles Davis, Dizzy Gillespie, Thelonious Monk, Tyler Bates, Ella Fitzgerald and Charles Mingus, this soundtrack is sure visit any jazz lovers CD player often.
This film is a perfect evocation of Neal Cassady, Jack Kerouac, Allen Ginsberg and the times that they lived in. It is the way they and other members of the Beat Generation lived. The script by Stephen Kay is based on a letter that Neal Cassady wrote to Allen Ginsberg about an adventure he had with a girl called Cherry Mary. Thomas Jane gives an outstanding performance as Neal, and Gretchen Mol is a scene-stealer as Cherry Mary. The cast is rounded out with strong supporting turns by Claire Forlani, Keanu Reeves (surprise, surprise!), and Adrien Brody. The direction, soundtrack, costumes, and cinematography all conspire to put you back in time. Stephen Kay is an assured director with just the right touch.
Like many movies nostalgic for a care-free past, this film maintains the notion that reckless abandon and a laissez-faire approach to living life is a viable option, a view that is expressed far too infrequently in today's society. Here we have the classic early Brando protagonist with a twist--he's really a philosopher under that white t-shirt with the sleeve rolled up. The film remains true to the letters that it is based on, and exemplifies the exuberant and excited writings of Neal Cassady. And though Reeves does remain somewhat annoying throughout the film, his role is a minor one that does not distract from an otherwise engaging film.