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Excellent, Without a doubt!!

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

It’s sentimental, ridiculously long and only occasionally funny

Blistering performances.

One good scene-the suicide scene, she made it look so beautiful. You are right who ever you are when you said that the actress was a far cry from Dalida but she did give it her best and you get some sense of this beautiful lovely creature that went by too fast like a comet and died. The early Egyptian scenes were interesting and I LOVED the scene in her home town that portrayed all her neighbors and friends dancing to a small 45 player on the unpaved streets of that suburb. The long dialog scenes were a bit of a drag and I wish they would have shown her winning Miss Egypt in 1955 which is the event that propelled her to Europe and super stardom as well...but if you love Dalida as I do you will love this film. Growing up in Israel in the 60's she dominated the charts and has found a warm cosy corner in my heart Toby Ross

This TV bio is perfectly adapted to its subject: It has the intellectual gravity of a sea cucumber and the superficial good looks of the drama queen it depicts. Dalida's torments were mostly of her own making and the result of egotism, ignorance, narcissism, vanity, hormonal imbalances, greed, possessiveness, shallowness and narrowmindedness. There is no way this film can make them look interesting without resorting to dire soap opera effects, i.e. one surgical emergency after another whenever tension slacks or Dalida's career or chicken-hawk love affairs lapse into repetition. The series furthermore makes no effort to compare Dalida's output with that of her contemporary equals, e.g. Petula Clark et al., to describe her place in the variety firmament or to give a glimpse of the society she moved around in. Supporting roles are equally wasted, hollow and one-dimensional. Strictly for spectators of both sexes who wish to channel their inner drag queen...

Joyce Bunuel's bet to go with an Italian lead-actress who didn't look the least bit like Dalida and didn't speak a single word of French, was an awfully risky one! Yet, you can tell that Sabrina Ferilli did her homework and pulled it off brilliantly! 5 minutes is all it took for me to forget that she was dubbed. I immediately realized that she had spent half-a-year studying and rehearsing Dalida's every move and keen expressions! But the one thing she absolutely nailed down was displaying the sadness and agony that this woman endured her lifetime, the minute she stepped off stage.Another pleasant surprise was that Christophe Lambert finally delivered what seemed to be his finest performance to date. I was led to believe that his supporting role was the most challenging one. Richard Chanfray was the most colorful lover Dalida shared her life with and to that extent, Lambert was accurate in his rendition.My wife and I were thoroughly entertained and 3 hours went by in a breeze! If you don't know who Dalida was, do yourself a favor and find out why the earth stood still for everyone who did on May 3rd 1987!

I'm a huge (huge, really huge) fan of Dalida. I was waiting with great expectation for this movie. I saw it and couldn't find anywhere the Dalida I "know". Everything is shown in fast forward, one doesn't have time to absorb everything, because suddenly you have a subtitle saying "3 years later". The actress (probably) gave her best, but wasn't enough, even forgetting the physical unresemblance, the fact that she was dubbed doesn't help her much. Couldn't they find someone who speaks french? As Italian was not needed because even with her family or Luigi Tenco, she always spoke in french (odd, don' you think?). But pay close attention to Vittoria Scognamiglio, the french voice of Dalida - it's absolutely unbelievable. She the only thing that's worth on this movie: she managed to get the right tone, accent, color... you seem your listening to Dali's talking. The rest of the cast is average: Arnaud Giovaninetti and Charles Berling are above average. It's a shame that such a great story couldn't be told in another way: with a steady pulse, with passion and not with a soap opera undertone that discarded all possibilities of making something memorable. We'll always have her story...PartII I've seen a couple of times more these series. Although I still agree with all from the above, I have to admit that some things start to look better: Sabrina Ferilli does a remarkable effort to convey the right feelings from this tormented character. The production valus are outsatnding: sets, props and wardrobe. The choice of the songs and the original soundtrack are great. I guess I really needed to see it once more to start enjoying. I've changed my rating from 3 to 5.