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Excellent but underrated film

Am i the only one who thinks........Average?

The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Working-class British lad in 1958 leaves school and hitches a ride into the next town, where he has hopes of becoming a rock star. Extension of the "angry young man" U.K. dramas from the early 1960's, with real-life pop star and Alan Bates-lookalike David Essex in the lead, has some appeal but is full of recycled ingredients: jukebox hits, nostalgic surroundings, boys chasing "birds". The correlation between Essex and his own roaming father (who left his wife and child after returning from service) is made too obvious, and the addition of Ringo Starr in a supporting role is cute but somewhat disconcerting (one of the threads within the film is the perception in late-'50's England that true rock-'n-rollers had to be from America--this before the Beatles rose to prominence). Essex, with his low-key charm and overbite, is quite believable, but neither the script nor the direction offers anything other than a formula. It's both an updating of, and throwback to, the British dramas of Albert Finney and Tom Courtenay, but without fresh subtext it becomes flabby. Released the same year as "American Graffiti", which romanticized this generation, the movie's downbeat tone is alienating--and its anti-hero leanings are unsatisfying. ** from ****

Set in a plausibly dreary and defiantly anti-nostalgic late 50's era Britian, this grimly serious kitchen sink drama relates the turbulent up and down tale of one Jim MacLaine (superbly played by David Essex of "Rock On" fame), a discontent working class bloke who wants to be a rock star so he can successfully transcend the dismally unrewarding banality of plain old normal bourgeoisie existence and live a free, spontaneous, not attached to any heavy responsibility life. Jim drops out of school and moves out of his mother's house. He winds up going nowhere slowly, selling beach chairs on the arid shore in order to scrape by, until a shrewd smoothie busboy (Ringo Starr in a surprisingly excellent performance) takes the shy, naive Jim under his wing and teaches the heretofore sweet, guileless lad the fine art of picking up girls and gypping patrons at the local carnival of their spare change. Pretty soon Jim degenerates into a cold, heartless womanizing cad who's incapable of commitment and, as long as he refuses to settle down, just a few steps away from the fame he seeks.Loosely based on John Lennon's actual early exploits, with an outstanding golden oldies soundtrack and a rough, seedy, marvelously unglamorous and unromanticized depiction of the 50's, "That'll Be the Day" offers an engrossingly seamy and minutely detailed evocation of drab blue collar life, chiefly centering on the pertinent role rock music plays in serving as an outlet for overcoming the horrid ordinariness of said average lifestyle. Claude Whatham's astutely observant direction delivers a striking wealth of piquant incidental touches -- the ghastly shabbiness of Jim's cheap apartment, the faulty, out-of-tune speakers at a rundown dance hall, the grungy sleaziness of the fairground Jim works at, an incredibly cheerless wedding reception -- which in turn brings a splendidly gritty, lived-in conviction to Ray Connelly's meticulous, unsparingly downbeat script. Moreover, the acting is uniformly top-notch (Essex's finely underplayed characterization is especially strong), with commendable work turned in by Rosemary Leach as Jim's doting, concerned mother, James Booth as Jim's restless and unreliable absentee deadbeat dad, and Billy Fury as hotshot lounge singer extraordinaire Stormy Tempest. A sterling cinematic testament to rock music's undying allure and magical ability to create hope in an otherwise bleak and thankless world.

Probably the best portrayal of the '50s rebel culture has working-class Brit Jim MacLaine (David Essex) with a chip on his shoulder - due to his father abandoning the family - and doesn't care about school; he's into rock 'n' roll. His friend Mike (Ringo Starr) is no more responsible but gets Jim some jobs. But after everything, Jim sees fit only - and I mean ONLY - to play music.Aside from the fact that this was a really good movie, I should identify that there was a sequel called "Stardust". I've never seen that one, as it's never been released on DVD. WHY NOT?! Considering how good this one was, why can't the latter get released on DVD?!

David Essex got the lead role, through two films, in this story of a wanabee pop star who leaves his family and home life for a shot at the big time. Abandoned by his father as a child, Jim lets history repeat itself simply for his ambition - through 'That'll Be The Day', which establishes him as a musical talent with room to grow, through to the bleak 'Stardust' which focuses on the ups and downs of fame.Ray Connolly's script for TBTD is ironic and clever, and gives scope to a large number of characters you remember - Rosemary Leach and Rosalind Ayres good as Jim's mother and girlfriend, Ringo Starr much better than expected as Mike who works on the fairground and takes the impressionable and cocky Jim under his wing. Mike would develop into Jim's manager in 'Stardust', where he was played by Adam Faith.Billy Fury plays TBTD's biggest concession to a 'real pop star' as the unlikeable Stormy Tempest, while Keith Moon and Karl Howman, both in the 'Stardust' band appear briefly. Also involved in the film was the great Bonzo vocalist Viv Stanshall.'That'll Be The Day' is often cited as the better film of the two Jim MacLaine feature, but I personally prefer the overblown, stoned, egotistical character we see in the sequel. David Essex is excellent throughout the two movies, though. The soundtrack album - a huge four-sider groaning with 50s period hits and pastiches - is still well worth a listen, although precious little of it appears in this film.