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Such a frustrating disappointment

i must have seen a different film!!

Captivating movie !

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Benito González (Javier Bardem) carries out his military service and works construction in Melilla ; he then falls in love with a beautiful Morrocco girl named Rita (Elisa Tovati) . Benito dreams to build huge constructions and big buildings . Later on , he arrives in Benidorm , where he attempts to build the tallest building called González Towers. Over several years, we see Benito to execute his wishes , but lack money no permits to carry out the construction of his tower . Through force of personality, his "Golden Balls" he puts the financing together , taking advantage of girls who love him such as Claudia (Maribel Verdu) , a fashion who tries to be a star, and Marta (Maria De Medeiros) , the US educated daughter of a wealthy man whose loan Benito needs . After that , he goes to Florida where he meets new lovers (Raquel Bianca) and disgraces .This stirring as well as erotic story is a passionate retelling and an ironical drama about rise and fall ; full of visual images and tragedy , but including strong sex scenes with loads of nudism as female as male . Second part of Bigas Luna's "Iberian Trilogy" also including Jamón, Jamón and La Teta Y La Luna . This is a moving tale about ambition , luxury , desire in which a mean young attempts to build the great phallic symbol of power , at whatever cost ; as undercapitalization , debts , shoddy building materials don't avoid to follow his impossible dream . This Spanish picture is an enjoyable tale with a thought-provoking characterizing about a few characters , tragic drama and colorful outdoors . It is an overblown tragic drama , being screen-written by the same filmmaker along with his usual screen-writer Cuca Canals . Director Bigas Luna also writes the script filmed in his usual formal and stylistic scholarship , without leaving a trace the brooding issues , in terms of dramatic and narrative excitement . The storyline relies heavily on the continued ambition of the starring , including a lot of sexual scenes , almost softcore , but it doesn't make boring , however the film is entertaining . In spite of , the movie results to be acceptable and compellingly realized . Bigas carries out a perfect imaginary , a willingness almost perfect of the elements of each shot , every sequence, every space . Good acting by trio protagonist , all of them give fine performances , such as Javier Bardem as an ambitious but unfortunate young ; a beautiful Maribel as sex-crazed Claudia , and Maria De Medeiros is marvelous and charming with her sweet and enjoyable countenance . Sensitive as well as evocative musical score by Nicola Piovani who won Academy Award for ¨Life is beautiful¨. Furthermore , a colorful and evocative cinematography by Jose Luis Alcaine who was first cinematographer to use fluorescent tube as "key" lightning and deemed to be one of the best Spanish cameraman . Alcaine frequently works with Pedro Almodóvar , Bigas Luna and Vicente Aranda , as he has photographed ¨The skin I live in¨ , The bad education¨ , ¨Volver¨ , ¨Women in the verge of a nervous breakdown¨, among others . Here he shows splendidly the impressive landscapes from Benidorm , surroundings, and Miami . The motion picture was professionally directed by Bigas Luna , following his particular style , plenty of sex , food references and Salvador Dali homages including some surrealist dream sequences . Bigas Luna was born on March 19, 1946 in Barcelona, Catalonia, Spain as Josep Joan Bigas Luna . He was a Bon Vivant who along with his wife, produced wine, ham, and organic products ; they are well shown in his films . He was a writer and director, known for ¨Jamón, Jamón¨ (1992), ¨Huevos de Oro¨ or ¨Golden eggs¨ (1993) "The Chambermaid on the Titanic" , ¨Angustia¨ or ¨Anguish¨ (1987) , ¨The tit and the moon¨ , ¨Volaverunt¨ , ¨Yo soy La Juani¨, ¨Di , Di Hollywwod¨ among others . He's also an expert on murky atmosphere such as proved in ¨Caniche¨ , ¨Tatuaje¨, ¨Bilbao¨ , ¨Anguish¨ and ¨Reborn¨. Luna discovered actors Ariadna Gil, Leonor Watling , Javier Bardem and Penélope Cruz . He sadly died recently on April 6, 2013 in Tarragona, Catalonia . This film ¨Golden Eggs¨ is stylishly photographed and smartly designed and here Bigas Luna delivers his ordinary and erotic goods with nice sense of style . The picture will appeal to Javier Bardem , Maribel Verdu fans and Bigas Luna buffs.

So, announces the DVD. But, this was a disappointing film. Not particularly bad but definitely not that good. Rather more crude and MTV video-like than the more subtle and masterful Jamon Jamon.None of the characters are likable, the lovely Penelope Cruz of Bigas Luna's first film replaced by vacuous supermodels (in comparison, maybe they are great actresses) and it all reads like a tawdry and cheap paperback that you'd pick up at motorway service station.Which, maybe is how Luna wanted it. Maybe he really is that repelled by the capitalist, nouveau-riche alpha male who believes his 'balls' not only rule his life but everybody else's, too. I know I am, and most people would be, too. Asked why Javier Bardem's lead character is sporting two gold Rolex's, he announces back "I have two balls, so I have two Rolex's".Artistically there is little merit to this film, but it is about overblown, over-macho stereotypes and how they think they can walk over everybody. There are nods to Dali (the nude with ants over her pubic region is an extreme example) and there are more phallic insinuations in Goldenballs than any other film I know of. From Gonzalez (Bardem) Towers, intended to be the tallest tower on the Med, in which Luna loosely stretches a fabric of some kind of story around, with his dodgy dealings and cost-cutting.Like, possibly his Tower, Gonzalez, and his potent sexual erections, does come a cropper, which is of some redemption, admittedly, but not enough to save the film. There's an early role for Benecio del Torro as the Miami-set gardener who happens to do more than service the sprinkler....What finally made me only award two stars was the poor DVD quality. It's of video standard, plain and simple.I bought Goldenballs as I wanted the three films in Luna's 'Iberian passion' trilogy, of which it is the middle. I'm seriously hoping that the final part, 'The Tit and the Moon' is an improvement.

With some films it is really hard to tell for whom they were made. Huevos de oro seems to aim at the well educated Spanish middle class. There must be many inside jokes in this movie which you will not understand if you are an outsider. This can be pretty annoying.Symbols and references to art and popular culture abound, the movie alludes to the work of Salvador Dalí, Luis Buñuel and the Surrealists in general, a certain infatuation with bidet baths seems to point to Duchamp's ready mades. What's more, the main character has also a knack for karaoke tapes with songs of Julio Iglesias. But why all this is mixed together in a rather pretty but also gratuitous way simply eludes me. I can only guess that it all serves to highlight the vital, impetuous, boorish vulgarity of the main character who the director seems to admire and despise at the same time. How all the really pretty women run after him (the main character, I mean) is slightly disconcerting.The movie has three parts. It starts in the Spanish enclave of Melilla in Africa, where Benito, the main character, does his military service, apparently in the corps of engineers. Then it moves on to the resort town of Benidorm in Spanin where Benito just wants to build the highest skyscraper of the place and become a vulgarized Howard Roark. For the last part a defeated Benito moves to Miami, Florida, presumably in order to start a „new life". But the change of places is not really explained satisfactorily. It is also somehow irritating that there is no character development and that the movie descends into a soap opera modus without being convincingly ironic. It must be said that Javier Bardem acquits himself very well playing the young stud who grows limp and deflated.I purchased this movie because I am interested in townscapes. And Benidorm is a kind of a special place, townscapewise. In this aspect Huevos de oro satisfied me only partially. In Jess Franco's She Killed In Ecstasy (1970) this specific location was used in a more rewarding way.

Benito is an ambitious man. We meet him as he is doing his military service in Melilla, a Spanish possession in Northern Africa. His dream is to erect the biggest skyscraper in Benidorm, where high rises are everywhere. Benito has deeply set obsessions, and a deep sense of smell. Rita, who is his local girlfriend, has a peculiar odor he loves. Benito's other obsession has to do with the weight of his women. Rita, who only weighs 47 kilos is an ideal sexual partner.After the army, Benito lands in Benidorm, where he wants to build his dream high rise. He is just full of air since he doesn't have money to back up his ambition. When he meets the lovely Claudia, who is a bit heavy, at 52 kilos, his luck begins to change. When he asks a bank to finance his construction, he meets resistance. After all, the wise banker sees right through the young man.The banker's daughter, Marta, who is a slender woman weighing 45 kilos, takes an interest in Benito. They eventually marry. Benito, who also convinces a money man to invest in his building, starts building his dream. Marta, who suspects Benito is having affairs behind her back, gets proof of her suspicions when she finds intimate apparel that Claudia, in a fit of anger puts in Benito's jacket. Benito, who denies his escapades, finally admits to them and brings Claudia to his bed and Marta accepts the situation and the three begin to have an open relationship.Unfortunately, Benito's luck begins to unravel. After a tragic accident where Claudia dies, his construction is paralyzed after the big investor pulls out. Benito also has a long convalescence to mend his broken body. At this time Marta, who is fed up with the way things have turned out, gets angry at Benito when he brings a prostitute, Ana, who never reveals her actual weight, as a substitute for Claudia. Benito, ends up losing it all as he and Ana settle in Miami.Bigas Luna, the director of this film is a man who is not afraid to show raw sex in his movies, as it's the case here. He is making a statement about how Benito misuses his macho magnetism in the way he treats Rita, Claudia and Marta. These women are avenged by Ana, who constantly cheats on him with the hunky gardener. So actually, Benito is reduced to a pathetic figure who doesn't have a penny and sees his world and his ambitions turn against him.Javier Bardem makes a great impression as Benito. He had already collaborated with Bigas Luna; both actor and director understand one another well, therefore the good results. Maria de Medeiros has a small part, but she makes the best out of her Marta. The gorgeous Maribel Verdu is perhaps the woman who really loved Benito. Elisa Tovati is seen as Rita; Raquel Bianca plays Ana and Benicio del Toro appears briefly as the gardener who is serving Ana."Huevos de oro" is not a film for the faint hearted, or the prude. Bigas Luna gives his audience what is expected of him.