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Purely Joyful Movie!

It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

It's a feast for the eyes. But what really makes this dramedy work is the acting.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Adieu L'ami/Farewell,Friend is a near perfect film in which a viewer is assured that there is all possibility of entertainment guaranteed.This is because apart from strong men in the form of maverick actors namely Alain Delon and Charles Bronson,there are also good performances by beautiful women such as Brigitte Fossey and Olga Georges Picot.It is true that "Adieu L'ami" respects all the conventions of heist film genre but it cannot be classified as an ordinary heist film as it is only until the end that the viewers have to guess about the actual perpetrators of a financial crime.This effect has been created by treating everybody as a suspect.As a different type of heist film, the theme of men being overshadowed by women develops slowly.This gives viewers ample time to develop their loyalties.Before directing this film, Jean Herman had already made around 15 short films.As far as screenwriter is concerned, this is Sébastien Japrisot's second film.He is best remembered for having written "L'été Meurtrier" for Jean Becker (Jacques Becker's son) which starred Isabelle Adjani and Alain Souchon.

appears to have been later reworked into John Wayne's "The Train Robbers" "Adieu l'ami" (also known as "Farewell, Friend" and "Honor Among Thieves") is a French film that stars Alain Delon and Charles Bronson. Both dubbed French language and English language versions of the film were released.The movie begins with two soldiers in the Foreign Legion coming back from North Africa (Bronson and Delon). They don't particularly like each other and Bronson is a larcenous sort. Later, Delon is approached by a woman who has a ridiculous story--she claims she needs him to break into a safe to put some bonds BACK before they are discovered missing. Why he agrees to help her, I have no idea. Once inside, he meets Bronson--who has followed Delon because he thinks Delon is going to rob the place. However, BOTH get locked in the place and can't get out or get to the safe. When they finally do get out much later, they find a dead guard and some other person stole the money. I would have ended the film here, but it goes on for about 40 more minutes--leading to a bloody shootout.All in all, a decent film but it seemed a bit rough in spots. I also didn't appreciate the macho histrionics when the pair got locked in together--their punching each other seemed pretty silly. A decent time-passer but that's all--thanks to a lackluster script.

A dynamite cast in a slow, not-so-dynamite suspense thriller. It doesn't always make sense and it doesn't quite deliver the goods you might expect, but it does have an unforgettable coins- in-a-full-cup trick, performed twice.

It is my personal opinion that "adieu l´ami" is one of the most underestimated movies of alain delon. Its psychological structure is of a highly complex density and needs to be analysed more. Especially the ambivalent role of women, sex and violence makes plenty of different interpretations possible. I propose to view "adieu l´ami" as an early outlook to the risky and multi-individualistic lifestyle and social attitude of the late ninetees. Comparing now the plot of "adieu l´ami" to the reality of western societies it must be seen as a masterpiece of impressing directive power.