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Tales of Ordinary Madness
Poet/lecturer Charles Serking awakens from his alcoholic haze long enough to take a bus back to L.A. and plunge into an orgy of drink and sexual depravity.
Release : | 1981 |
Rating : | 6.7 |
Studio : | 23 Giugno, |
Crew : | Production Design, Set Decoration, |
Cast : | Ben Gazzara Ornella Muti Susan Tyrrell Tanya Lopert Roy Brocksmith |
Genre : | Drama |
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The Worst Film Ever
Absolutely the worst movie.
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
The film's masterful storytelling did its job. The message was clear. No need to overdo.
Tales of Ordinary Madness is the first film to be based on a book by Charles Bukowski and focuses on the story of one man as he descends into a life of loose women and alcohol. I have not read the book that this is based on so I don't know how it compares to the source material; but as a movie, it's very good and I was surprised to find that the writer himself did not approve of the film. The plot is fairly straight forward in the way that it focuses on just a single character; but the film changes often and this odyssey is a long way from a commercial movie and thus is not for all tastes. Our central character is Charles Serking; a writer who also happens to be an alcoholic. He goes out looking for booze and women and finds both inside a seedy Hollywood. The story really starts when Charles meets a prostitute with a penchant for cutting herself named Cass. He brings her home to meet his ex-wife and have sex; but it's not long before he begins on a downward spiral of depression and turns to the drink for comfort.This film presents a completely downtrodden view of the world and director Marco Ferreri completely succeeds in creating a dirty and sleazy atmosphere for everything to take place in. There's plenty of full frontal nudity and sex in the film and it's all portrayed as being very dirty and thus is not erotic at all. The style of the film is excellently matched by a stunning performance from Ben Gazzara in the lead role. The actor fits into this role amazingly well and always convinces as the central character. The film doesn't hold back when it comes to showing things such as nudity either, although it's all done in such a 'matter of fact' way that sometimes the film is not even shocking. The female lead is taken by the stunning Ornella Muti, who is a real beauty and convinces alongside Gazzara. The film feels too smart to not have a point, and while the substance comes from the central character and his plight; there's not really a defining point to the film. Overall, Tales of Ordinary Madness is a film that is well worth seeking for the cult fanatic and I can recommend it.
Not the easiest of films to watch but a really decent attempt at portraying Bukowski on film and containing some great scenes and very fine performances.Ben Gazzara, who probably is too good looking but nevertheless most convincing in the lead role is excellent, Ornella Muti is simply wonderful (and probably too good looking as well!) and at her peak of beauty here. Just wish she wouldn't do those things with safety pins!Susan Tyrrel also impresses in key sequences, but it's the whole thing that works so well.With such a difficult subject matter,Ferreri has done a tremendous job.
This movie is just plain bad.Badly acted, ridiculous dubbing and filled with fat chicks (save Cass).No wonder Bukowski hated this, the guy who plays him is a joke. He looks like a twelve year old boy with a beard and the voice box of Chuck Siegert. The Most Beautiful Woman In Town is one of my favorite short stories. This movie uses that but in the same way a third grader uses Batman as the basis for his afternoon playtime.Oh, and it's really very boring. Nothing like Buk's work. It reminds me more of "La Au Tu Rene'Svees" or one of those terrible french movies where all the characters do is bone each other.
A stark picture from Marco Ferreri; "Tales Of Ordinary Madness" is the perfect vehicle for the multi-talented Gazzara who plays the part of a tortured poet/writer immersed in talent and alcoholic dependence. He seduces a number of beautiful women and falls in love with one; the divine Cass.The path to happiness is not straightforward however and the second half of the film sees a descent into bleakness. Uncomfortable viewing but essential nonetheless.7/10