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Really Surprised!

People are voting emotionally.

Film Perfection

Expected more

Lovecraft might not have been the best of writers, but he had a great influence on others and perhaps his greatest legacy was the invention of the Cthulu mythos that inspired and was inspired by such writers as Robert E. Howard, the writer of Conan the barbarian and Clark Ashton Smith, whom I prefer. His legacy was mostly the work of one August Derleth, who created the Arkham House publishing company with the intention to preserve and popularize Lovecraft's work, which he achieved as far as I can be a judge. I have read a fair amount of Lovecraft's work or tried to, as especially his longer works are a bore to read. The one that I still recall with a certain fondness is The case of Charles Dexter Ward. Whose namesake appears in the movie, just like others from other stories appear in the movie I personally think it is one of his best stories. The whisperer in the darkness I did not read, but the summary can be found on wikipedia. The movie takes liberty with the original story, probably because there isn't enough in the tale for a whole movie. Unfortunately this means that the movie has some unlovecraftian aspects, one of which is showing the monsters for a fair amount of screen time and another is showing a certain death(can't say which one because it might be considered spoiler). Two things you never see in a Lovecraft tale. But even from a movie making standpoint it would have been better if they hadn't shown both. It felt misplaced. Overall the story keeps in pace with the Lovecraftian mood although you feel that it lacks the budget. For instance, in once scene they needed a train to arrive and you can clearly see that it is a modern locomotive, even though they blurred it to hide that fact. And this made me wonder why they went through all the trouble to place the story in the thirties instead of keeping it in the modern day, like Lovecraft would have done. It seems nice that they tried, but there isn't really a reason.The movie shows a lot of talking, but it keeps the story going forward and there are some really nice shots that give a sense of weirdness that the should have used more often. One is where the camera looks down from the stair onto the professor while you hear nothing but the tic tic of a big clock. The trick that the professor uses to save the world is a neat one. How to save the world without firing a bullet. Pity is though: there is a big plot hole in the story.If you want to find it. Just have a look at the movie.. Nice effort.

As with many Lovecraft fans, I feel that his work is a creative goldmine just waiting for the right film treatment. I've seen pretty much every film even vaguely adapted from his stories, and though most are ultimately forgettable, a few—such as Dagon and Cthulhu—have been watchable. Then comes along this one...As it got going, I found myself in awe of the quality. For a low-budget film, the production, cinematography, acting, sound, and script were all top-notch. I thought to myself, "FINALLY someone has made a good Lovecraft adaptation!" Unfortunately, this amazement did not make it to the end of the film. When we are first introduced to the Mi-Go (the monsters of the story), we are teased with shadows and fleeting glimpses, which are enough to send a chill up your spine. However, in the final act of the film, they decide to go ahead and reveal the creatures in all their CGI glory... though I honestly wish they hadn't. I get that independent filmmakers can't afford the sorts of FX that studio films can, but that just makes me wonder, why put them in at all? The film was perfectly creepy without it, and as soon as I saw the cheap CGI, I was taken completely out of the film. It wasn't just one scene either, but the entire ending. I could have cried.Had this film stuck to the "less is more" techniques it began with, I would easily have given it 10/10, but sadly, the cheap CGI tainted its perfection.

I saw almost everything whats's been done in term of so called "Lovecraft Cinema". From '63 The Haun­ted Palace , through '85 Re-Animator and 2005 Call Of Cthulhu. This is by far one of the best Lovcraftian adaptations. It really holds the right spirit of both his books and early 50-ties sci-fi cinema. If you're looking for speedy CGI action - forget about this one. If you're into Edgar Allan Poe books, '31 Frankenstein or '56 Forbidden Planet and know at least who Lovecraft is you should definitely see this. Decent acting, good script filmed with the right pace and an old-school production. A perfect alternative for these days cinema. Highly recommended!

In 1928, Miskatonic University folklore professor Albert Wilmarth enjoys debunking theories of the occult, even though he is roundly trounced – on radio, no less – by Charles Fort when they have a debate on whether certain stories in Vermont that have come to light following a flood are based in fact. He has also been carrying on correspondence with an intelligent, yet fearful, farmer in Vermont, who insists that the strange beings seen in the floodwaters are real, and are all around his farm. Wilmarth is curious, especially after he finds the original manuscript of a very rare book of folklore collected in Vermont back in the 1800s, containing stories which seem to correspond to what his farmer correspondent, Henry Akeley, has described in his letters. So when he receives a strange letter from Akeley that completely up-ends the farmer's previous fears about alien creatures and that invites Wilmarth to come to the farm to discuss the wondrous things that he has learned, well, Wilmarth can't possibly turn the invitation down. But when he arrives in the hills of Vermont, the local folk he meets all seem downright hostile, and when he arrives at the farm, he finds that Akeley himself is not well. And that is just the beginning of the discoveries that await him....This film, created by a collective called the HP Lovecraft Historical Society, is clearly lovingly made – done in black and white and in the style of the early 1930s, it tells one of Lovecraft's more evocative tales and then expands upon it. (Lovecraft's story ends at about the one-hour mark of the film, which continues for another 40 minutes or so.) The atmosphere is terrific, and the style of the story-telling really permits the audience to feel themselves back in the early 1930s, even up to the various mad-scientist gadgets that evoke such classics as the lab in the original "Frankenstein" film. The monsters are more or less what one might expect to see in an early 1930s film based on an HP Lovecraft story, but that doesn't make them any less menacing or eerie. You don't need to be a Lovecraft fan to love this movie, though it wouldn't hurt; you probably don't even need to be a fan of old movies. You just have to love movies, especially ones with great atmosphere and straight-up acting and a storyline that keeps you involved every step of the way. Highly recommended!