Watch The Legend Is Born: Ip Man For Free

While it doesn't offer any answers, it both thrills and makes you think.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Many actors from the Ip Man sequels starring Donnie Yen are cast in this Yip Man film. That is everything they have in common. Acting : the main actor is no Donnie Yen. His fighting was OK, but he was inexpressive. His face and body language were that of an inexperienced actor. The other actors did a better job and were more believable.Storyline : two useless love stories are included, but they bring nothing to the table. They don't help build up Yip Man's character at all. The child actors were probably the worst I've seen. Literally reciting line after line. Action scenes : the fighting was very unequal. Some scenes packed a punch, while others felt very unreal. For a movie on Yip Man's Wing Chun, seeing roundhouse kicks and acrobatics was very out of place. Even on the characters voiced his concerns about high kicks not being appropriate!3/10, Donnie Yen's movies were MUCH better

The only reason why I give it no less than 5 stars is because the guy who makes Yip Man is a pleasant actor, and because the movie gives some info about the early years of Yip Man. But the way the story is told, the script and direction, leave much to be desired. Besides a vastly useless and boring first 15 min, the movie keeps boring with huge parts (the 75% of it) of presumed "historical" details. It seems like if the real aim of the director was not making an entertaining movie but a sort of narrative documentary. And I could have lived with that if at least the historical details would be true. Unfortunately most of them are totally made-up. So, what's the purpose of making a boring fictive biography? But what I really could not stand was a horrible ridiculous pathetic shameful ninja scene. Yes, I know, now there is Ip Man 3 coming out and there will be Mike Tyson vs Ip Man. At least ninjas are still an oriental thing, you may think. Maybe. But the scene is really really bad. I also find Tyson vs Yip a bit too much, but at least it is Tyson, and Donnie. And that trilogy does not pretend to be 100% historical.But if you have time and want to prepare yourself to Ip Man 3 with a pseudo historical prequel, this is not a total loss of time.

With cult Hong Kong director Herman Yau at the helm, The Legend is Born predates the Ip Man films we've seen thus far, seizing the window of opportunity in exploring Ip Man's life as a teenager before he became the master we're all familiar with Donnie Yen's portrayal. While it's less flashy than the two earlier films, Yau will pique your curiosity with the shrewd casting of veterans such as Sammo Hung in a different role this time as Ip Man's master Chan Wah- shun, Yuen Biao as the next generation leader Chung Sok, and even getting Fan Siu Wong back as Ip Man's foster brother Ip Tin-chi, making him the only actor to feature in all three Ip Man films thus far. Credibility for the film is even enhanced with the presence of Ip Man's real son Ip Chun as the elderly but sprightly Leung Bik who teaches Ip Man (played by Dennis To) a thing or two about his brand of Wing Chun.That scene alone opposite To is one of the action highlights of the film. And action is something this film has no lack of, ranging from friendly and playful exchanges, to fending off petty street thugs and the Japanese – yes, again, but I suppose it's set in the era before the Sino-Japanese war that this in the narrative is somehow unavoidable. While the earlier film versions had tried to stay rooted in reality with the fight scenes, for this version there's the inevitable and obvious wirework being used from time to time, which takes you into the realm of fantasy unfortunately.But almost everyone here has a fight crafted for them, and some of the better ones include the mouth-watering duel between Sammo Hung and Yuen Biao executing Wing Chun moves while blindfolded, imparting a key philosophy about pre-emption, Fan Siu Wong's battle against Japanese exponents in the Jing Wu premises, Dennis To against Yuen Biao when the former returned from Hong Kong, and of course the brawl involving Dennis To against many ninjas, which we now associate Ip Man with (fighting against impossible odds in headcount). Various martial arts like Judo and Karate also get thrown in even if they're used fleetingly, and there's also glimpses of the variation of Wing Chun involving weapons like the 6 inch pole (well, we know the damage what Ip Man can do with a humongous one from the first film), and the staples like the wooden dummy practices and the rapid fire punches. If there's any fight scene which is a let down, it'll be the final one which was short, and the opponent never really threatening our hero at all.Dennis To, the current Hong Kong martial arts champion, probably has his close physical features resemble Donnie Yen to thank for in winning the title role of Ip Man, since audiences all over are currently associating the Master with Donnie's portrayal. Incidentally To had a role in Ip Man 2 as Sammo Hung's disciple, so how's that for having everyone associated with the earlier films, to chip in for this one? The pressure is on for To, but granted he cannot hold a candle to Donnie Yen's charisma yet, and because Ip Man the character here is in his early days, he gets whupped a bit more here as expected since he's nowhere near the grandmaster status. Credit to To for trying, though his acting is a lot more wooden, and his fighting moves executed for the film also having a raw feel than the fluidity we've come to know the Ip Man for.On the other hand, I thought this was more of a Fan Siu Wong breakthrough role, where he'd make you sit up and take notice of his gentlemanly portrayal of Ip Tin-chi. In Ip Man 1 he's the ruffian from the North, and shows that he's quite the chameleon in changing his outwardly appearance for a different character here. His character also seemed to be more fleshed out (for a reason of course), and action-wise given the opportunity to shine a lot more with the various styles utilized, as well as those which Ip Man had picked up from Leung Bik, putting them two on almost equal terms.Erica Lee's screenplay transports us back to the life and times of a young Ip Man and his life in the Wing Chun martial arts school, as well as his education in Hong Kong. Unfortunately it also meant having to put in a clunky romantic web weaved between the characters, though it didn't go beyond the surface and had plenty of "jealous fits" coming from Rose Chan's fellow martial arts student with whom Ip Tin-chi is interested in, but for her to prefer Ip Man, who in turn is in love with Huang Yi's rich girl character to probably align this to the Ip Man films.The story also contain shades from the earlier ones, such as those involving corrupted officials, arrogant foreigners who have to be put in their place, a jail term (this makes it 3 in a row that Ip Man gets thrown into one), and having enough twists in the story to include a short murder mystery, espionage, and a turn that will make Infernal Affairs proud as well.It's a prequel done by another production team, so don't expect the narrative to gel so nicely into Mandarin Films' Ip Man universe since there are elements here that obviously clashes with what we treat as canon. But what you can expect, as a martial arts action film, is plenty of rapid fire, hard hitting action, and of course more of Ip Man's character being portrayed on the big screen. You'd still feel compelled to applaud when Ip Man comes to the rescue, but soon realize that it doesn't exude the same emotional intensity, but makes up for it in its variety of fights showcasing the lesser seen Wing Chun moves.

Producer Checkley Sin had long wanted to make a movie about Ip Man, but it wasn't until he met veteran producer Raymond Wong that his plans came to fruition. Raymond brought on board undeniably the two most crucial elements that made Ip Man and Ip Man 2 such resounding successes- lead star Donnie Yen and action director Sammo Hung. With newfound interest in the subject and his newfound credibility, the real-life Wing Chun practitioner and disciple of Ip Chun (eldest son of Ip Man) has finally been able to make his own movie about Ip Man- without for that matter, Donnie or Raymond."Ip Man: The Legend is Born" takes place before the first Ip Man movie and chronicles the younger days of the Wing Chun pugilist. From a young age, Ip Man was already learning Wing Chun from Chan Wah-Shun (played by Sammo Hung), and then subsequently from Leung Bik (played by Ip Chun) when his father sent him to Hong Kong's St Stephen's College to study. Unlike the first two movies which arguably took some creative liberties with Ip Man's story, this prequel tries to be a more accurate biography of the life of the Grandmaster.I say more accurate because audiences should know that though this film takes itself very seriously, sometimes too seriously, as a biography of Ip Man, it is only a semi-biography. Those familiar with Ip Man's history will immediately know that he had no adopted brother by the name of Ip Tin- Chi (played by Louis Fan Siu-Wong) and by extension, no romantic triangle with Tin-Chi and a fellow disciple (Rose Chan). Why these characters were added into the film becomes clear only much later- but this also ultimately proves to be its undoing.For almost two-thirds of the film, director Herman Yau sets up an interesting premise about the rivalry between descendant schools of the same martial arts form. Leung Bik was in fact Chan Wah-Shun's elder fellow-disciple, and son of Wah-Shun's master Leung Jan. When Ip Man returns to Foshan after learning a modified form of Wing Chun from Leung Bik, Brother Chung Sok (Yuen Biao) who is in charge of the Wing Chun school after Wah-Shun's passing objects to Ip Man's new techniques and declares those movies unfitting to be called Wing Chun.The opposition among different schools of Wing Chun is no doubt an interesting and in fact prescient topic to explore, considering how the number of Wing Chun schools would have increased dramatically in recent years following the success of the Ip Man movies. How many of them can claim to be teaching authentic Wing Chun? Have the techniques been modified over the years? Does any form of refinements in fact dilute their essence? Despite a promising discourse on the subject between Chung Sok and Ip Man, screenwriter Erica Li abruptly casts the matter aside in favor of more dramatic tension by way of Ip Man and Ip Man 2.Ah yes, both Ip Man and its sequel advocated a strong sense of nationalistic pride for the Chinese as Ip Man fought against the Japanese in the first movie and the 'gwai-los' in the sequel. The threat of the Japanese is once again revived in this prequel- which accounts for the sudden change in tone in the last third of the film- as someone close to Ip Man turns out to be more than meets the eye. Yes, the filmmakers have tried to work in a twist at the end, but it is not only rushed, it is also unconvincing.It doesn't help that the climax is only barely more interesting than the rest of the unspectacular fight sequences in the movie. Though the film tries to showcase some rarely before seen Wing Chun techniques, these are lost amidst a bland performance by Dennis To. He may bear the physical resemblance to Donnie Yen, but Dennis lacks Donnie's screen charisma and acting prowess. Obviously imitating Donnie's understated performance as Ip Man, Dennis takes it one step too far by not injecting enough emotion especially in the fight sequences. Sure Dennis can fight, but by playing it too low-key, one never gets the sense that Ip Man is in any sort of real trouble.But really, the fault isn't with Dennis since neither director Herman Yau, screenwriter Erica Li nor of course producer Checkley Sin seem adventurous enough to move out of the shadow cast by the earlier two Ip Man movies. So the cast remains largely similar (except for swapping of roles), the theme remains largely similar and Dennis tries to portray similarly Donnie Yen's performance as Ip Man. That's a shame- given that there is much wasted potential here that could have been used to take this prequel in a bold new direction away from the earlier films. This prequel could very well have taken a leaf from its own advice from Ip Man to Chung Sok- without change, how can there be progress? Indeed, how true.