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The Lady and the Highwayman

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The Lady and the Highwayman

Set in old England, Hugh Grant ("Four Weddings & a Funeral", "Notting Hill") plays a highwayman who steals from the rich and gives to the poor. But during one of his robberies, he falls in love with an aristocratic lady, Emma Samms ("Star Quest", "Delirious"). Now, he is forced to choose between his true love or his true cause. This swash-buckling romantic adventure will have you on the edge of your seat with every swing of Hugh's savage sword.

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Release : 1988
Rating : 5.5
Studio : Gainsborough Pictures,  RAI,  The Grade Company, 
Crew : Art Direction,  Production Design, 
Cast : Emma Samms Oliver Reed Claire Bloom Christopher Cazenove Hugh Grant
Genre : Drama Action Romance TV Movie

Cast List

Reviews

Scanialara
2018/08/30

You won't be disappointed!

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VividSimon
2018/08/30

Simply Perfect

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Mjeteconer
2018/08/30

Just perfect...

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Stoutor
2018/08/30

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

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johannes2000-1
2011/01/17

Let me first say, that I had a fine afternoon watching this movie: it's entertaining, fast-paced, romantic and visually beautiful, with some great settings and costumes. I agree with some of the critics that the DVD technically was rather poor: grainy and with some of the coloring a bit weird, but this wasn't that bad that it spoiled the fun.Then there was the rare joy of seeing so many great actors together: Hugh Grant, Michael York, Claire Bloom and Oliver Reed, to name a few of the most famous ones. But here I have to come up with my first reservations. While Oliver Reed delivers a fine (but rather small) performance as the odious Sir Philip Gage and Claire Bloom gives a spicy rendering of Lady Darlington, the part of Michael York as Charles II (convincing as it is) is extremely small. And Hugh Grant (at age 29 still many movies and some 5 years away from breaking through with "Four Weddings"), hadn't matured yet to such a great actor back then. Besides that, he also fell victim to a curious whim of the writer, who gave him, the undeniable hero of this tale, hardly three whole sentences to say. While the director made him act as a silly 17th century English version of Zorro (including a preposterous black mask that couldn't fool a blind bat) and let him have a hairdo that may have been meant to look like a romantic highway-mannish ruffle, but turns out as something the cat dragged in.The story is a romantic fiction within a historical context (the court of Charles II right after the Restoration) and is based on one of the zillion novels by Barbara Cartland. That's not necessarily bad, the popularity of her work at least proves that her novels are compelling enough to please countless readers and I guess one could turn this particular story into a reasonably adequate screenplay. The result however is a bit uneven, as if more than one person worked on it. Many of the dialogues are awkward and stiff (and unfortunately these involve all of Hugh Grant's). At other points however they're actually very crisp and intelligent (for example the dialogues between the king's arrogant and machiavellistic mistress Barbara Castlemain and her slimy partner-in-crime Rudolph Vyne, as well as the snide comments of auntie Darlington or the flirtatious innuendo's of the king). It's the same with the action: at times plain silly and hardly living-up to the standards of an average episode of old TV-series like Robin Hood or Ivanhoe (like the clumsy "raids" of highwayman Hugh Grant and his comrades), at other times however very thrilling and involving (like all the scenes with Lady Castlemain, Lord Rudolph or Sir Gage). While the supposed love-scenes between Hugh Grant and Lysette Anthony are rather up-tight and square (what on earth they are supposed to see in each other is beyond me, it's like little Miss Goody Two-shoes meets Simon the Stiff), every scene with Emma Samms is steaming with passion and barely restrained rage. And the grand finale, where our hero (Grant) escapes his confinement in the dead-cell to jump on the scaffold and save his beloved from the executioner, must be the most breathtakingly last-minute rescue in the history of historical movies, the axe literally fails her head and neck by an ear's length.Alas for Hugh Grant-fans: he is definitely not the star of this movie (and he actually looks as if he couldn't have cared less!). Neither is Lysette Anthony (way too virtuous and boring!). To me the biggest surprise is Emma Samms, she looks beautiful (hurray for 17th century corsets, and miss Samms DOES fit in her's stunningly!!) and her acting is top-notch! And Christopher Cazenove is equally great with his pretentious slimy fake-charms and his ruthless conniving.All in all: no Oscar-winning material here, but with all it's flaws still very entertaining. I rank it 7 out of 10 (and a 10+ for Emma Samms!)

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trpdean
2008/10/30

If you like your romance VERY traditional with damsels in distress, evil nobles, dashing villains who are REALLY ... Men, beware! This is the world of Barbara Cartland.Nevertheless, I must admit that it held my interest throughout - and I was VERY struck by: the beauty of the sets/castles/scenery/furniture - they were spectacular.and struck by the fine acting by such great stars. What a cast!!! John Mills (the great one)Oliver Reed (nominated for an Oscar in his last role - in The Gladiator, as the trainer of gladiators)Michael York (Reed and York were two of the fine Three Musketeers the previous decade), Emma Samms (star of all those Dynasty series)Christopher Cazenove (many movies including the villain of 3 Men and a Baby, etc.), Claire Bloom (the greatness of Claire Bloom since the 1950s -- starring in a Barbara Cartland!! Amazing!), and starringHugh Grant and Lysette Anthony.I know Anthony from a great Woody Allen movie and from a superb Inspector Poirot TV movie - she's so different in each that she doesn't even seem the same actress -very pretty, very fine actress).Hugh Grant - charming, self-deprecatory, bookish, Hugh Grant, the kind of man made to play in Born Yesterday as the professor - is wildly miscast. The rough highwayman contemptuous of authority, rather a tough Robin Hood character is meant to be a type like Colin Farrell or young Oliver Reed -- alternatively an Errol Flynn or Douglas Fairbanks would be fine. But Grant really did his best - generally remaining silent.The plot is what surprised me - what a good pot - straightforward, enough intrigue, good pace.This is a well put together movie - IF you want to see a true prototype of the romance circa 17th century. I'd recommend it to anyone in that mood.

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sporks7
2007/01/29

it is a love story which succeeds in it's attempt to create suspense--will true love be victorious? or will it be a tragedy? The suspense is intermingled with completely unintentional comic relief. It stars Hugh Grant before he became the bumbling fool in so many other movies. This movie is amazingly funny because of its lack of trying to be so. It was not meant to be a comedy, but the one-liners will be recited by its audiences for years after viewing. It was a truly valuable find in our campus library movie collection. Please trust me and rent this movie!!! You will never forget this experience!

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Jenni-4
1998/10/07

A great movie. This movie was filmed before anyone knew who Hugh Grant was. Great performances by Oliver Reed, Michael York, and of course the red-headed vixen, Emma Samms. Lysette Anthony was the perfect touch. A must see, but you do have to look for it. This movie is a hard one to find.

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