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An Autumn Afternoon

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An Autumn Afternoon

Shuhei Hirayama is a widower with a 24-year-old daughter. Gradually, he comes to realize that she should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.

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Release : 1962
Rating : 8
Studio : Shochiku, 
Crew : Art Direction,  Art Direction, 
Cast : Chishū Ryū Shima Iwashita Keiji Sada Mariko Okada Teruo Yoshida
Genre : Drama

Cast List

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Reviews

CommentsXp
2018/08/30

Best movie ever!

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Arianna Moses
2018/08/30

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

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Bob
2018/08/30

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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Staci Frederick
2018/08/30

Blistering performances.

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Sergeant_Tibbs
2014/11/22

Having only seen two other films from Yasujiro Ozu - Tokyo Story and Late Spring, both of which are thoroughly impressive - it's hard to shake that An Autumn Afternoon is praised solely for being his final film. I thought that premise was familiar - it's borrowed from Late Spring at the very least, and most likely from more of Ozu's films. However, it's difficult to feel that he's necessarily exploring it in a deeper more interesting way. It's a different angle, focusing on the father's perspective, but although I like the actors the plot felt so meandering that it didn't engage me, though nor did it bore me. It feels a little too derivative. Ostensibly Ozu's films suit a black and white environment as the colour pastilles don't have the same richness his traditional cinematography provides. However, if anything, by its end it captures a striking image of loneliness. It accentuates the irony of sending offspring to marry just to result in this, as though it's a cycle of life. Perhaps Ozu's own repetitiveness evokes that cycle even more, though it hardly resonates 50 years later in the West. Still, it's a solid film worth watching. I'll see what else Ozu has in store for me.7/10

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TheLittleSongbird
2012/07/21

I have seen many visually beautiful and emotionally moving films, but not as many recently. An Autumn Afternoon is one of those primary examples. Meditative in its pacing it is, but it is never dull. How everything is made and written really makes an interesting and very rewarding experience indeed. It is incredibly well made to start off with, the camera is kept at low angles and is still, but for me this allowed me to explore and really admire the scenery and the framing which are very elegantly done. Kojan Siato's score is one of those soothing and unobtrusive scores that helps the audience to connect with An Autumn Afternoon's gentle mood. How An Autum Afternoon is written is also exceptional, as well as the gentle tone, the story has this great warmth, wisdom and humanity. As well as Ozu's meticulous as ever direction what is also great about An Autumn Afternoon is the lead performance, Chishu Ryu's performance is dignified and altogether very touching. In conclusion, not just one of the cinema's greatest swan-song but a masterpiece of a film also. 10/10 Bethany Cox

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madcardinal
2010/01/28

A sensitive film which observes a widower and his family as they navigate through their days and nights in post-WWII Japan, a place where etiquette and custom are still important and individuality counts for less than it does in the U.S.A. We witness a world where unmarried women are expected to take care of their partner-less fathers and brothers.This film features excellent use of color, especially the placement of yellows and reds."An Autumn Afternoon" grows on you as you slowly, steadily work your way into the lives of Mr. Hirayama and his family; it's as if the camera were a guest gaining the acceptance of the major characters.Will Mr. Hirayama come upon his own personal autumn afternoon - a state of philosophical clarity where he can discern things soberly and make a wise and compassionate decision?A must-see for devotees of Japanese cinema, director Ozu, and those who love quiet, gentle films.

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kmsc2c
2005/09/25

When I first saw this film it struck me as being a very unusual and odd little movie. The camera work was direct and straightforward, as if the director were composing a still life painting. With the passage of time I remembered this film not as a whole but as a series of vignettes, the sailor marching in the bar, the unrequited lovers waiting for a train on the platform, the father staring into his daughter's empty room. I have recently seen An Autumn Afternoon again, and was not disappointed. Each scene has an almost indescribable longing, an ephemeral quality that speaks to the beauty and sadness of everyday life. I love this film, it is a true work of art.

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