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La Lectrice
Constance is a young lady who likes to read – and who likes to dream while reading - to imagine, to create images. This is what she does for «La Lectrice», a novel which tells the adventures of Marie, a young lady who likes reading so much that she decides to make a profession of it. Selected texts, Provence in wintertime, different neighbourhoods. Deviations from fiction, secret itinaries. An imaginary space penetrates the space of the town, whose streets Marie stries along, while Constance devours novel. The unknown lies behind each word.
Release : | 1988 |
Rating : | 7 |
Studio : | AAA Production, Eléfilm, Ciné 5, |
Crew : | Director of Photography, Director, |
Cast : | Miou-Miou Patrick Chesnais Pierre Dux Régis Royer Brigitte Catillon |
Genre : | Drama Comedy |
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You won't be disappointed!
Touches You
Good movie but grossly overrated
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
A woman in bed starts to read a story to her husband about a woman who visits people and reads to them... Confused? You needn't be. Despite some unusual links between reality and fantasy, this is easy to follow and engaging.It's inventive without being in love with itself. The staging is fantastic without feeling contrived. It's made with the kind of lightness of touch you need for this kind of film and isn't the kind of thing I've seen coming out of America for some time.This isn't your usual comedy or romance. It is very French. I don't mean this as an insult. There is fantastic set design, some lovely comic moments and a lilting feel to the music.Probably not for everybody but if you like a subtle, gently funny, literate and unconventional film then watch this.
This is a slightly bizarre film, a bit like a pretentious European soft porno movie from the 1970ies, minus the sleaze. I have seen it before in a dubbed version, back when it first came out, and didn't get it -- the movie relies heavily on the original dialogue. This time I saw the French version, and, although I still can't say that I managed to penetrate into the story's every nook and cranny, I can testify that the dialogue is quite witty, the wit is farcical, and Miou-Miou is adequately sensual. And that's more than you can say for most movies these days. It won't make it into my personal list of desert island films, but I'm genuinely glad to have given it another go.
This low budget French movie is not bad. However, it is highly recommended for a very specific public only, especially those involved in and fans of literature. Marie (Miou-Miou) is in bed with her mate reading a book. There, she fantasizes being the character Constance, a woman who offers her services in reading books for peculiar costumers. The story is so flat, the soundtrack is monotonous and even the genre of this movie is difficult to be defined. Is it a romance, a drama, a comedy, art-movie? I respect the viewers who enjoyed it, but for common public this movie is boring. Better off reading the novel. My vote is five.Title (Brazil): "Uma Leitora Bem Particular" ("A Reader Very Private")
The Gallic pseudo-sophistication runs pretty thick through this wafer-thin comedy, featuring Miou-Miou as a woman who decides to make a profession out of reading aloud to people. What transpires, of course, is that her sensuality and life-affirming giddiness enter into and transform the texts for her clients. It all has a certain well-measured charm, even if the whimsical wordplay gets overbearing quite often, and ultimately it loses this charm when it is decided that the character Marie is maintaining her dignity when refusing to read aloud pornographic material by de Sade for a geriatric judge and his friends, while finding no moral objection in allowing herself to be seduced by another client. At this point, the movie, which had been discreet in its treatment of sexuality, suddenly whacks the viewer in the face with closeups of the actress's naked crotch, and the whole exercise starts appearing more conspicuously misogynist: ultimately one gets the sense that neither the character nor the actress is in on the joke. This is not aided by the gratingly winsome yet flaccid performance by Miou-Miou, who does not thrive in this kind of role - there is really nothing to play here. There is really nothing to watch, either.