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On an Island with You
A young navy lieutenant is brought in as technical adviser on a song-dance-and-swim film being made by screen star Rosalind Reynolds. Having once done a number with her at a Forces show, the young lad somehow believes she should be his girl. Her boyfriend is just one of those disagreeing.
Release : | 1948 |
Rating : | 5.9 |
Studio : | Metro-Goldwyn-Mayer, |
Crew : | Director of Photography, Costume Design, |
Cast : | Esther Williams Peter Lawford Ricardo Montalban Jimmy Durante Cyd Charisse |
Genre : | Comedy Music Romance |
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Sadly Over-hyped
Highly Overrated But Still Good
A movie that not only functions as a solid scarefest but a razor-sharp satire.
It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film
Some great talent in 'On an Island With You', and while there are many pleasures one just can't shake off the feeling that it could have been much better.The main attractions of 'On an Island With You' (Technicolor, Esther Williams and her water ballet, songs, Ricardo Montalban and Cyd Charisse) don't disappoint, while the elements where there was a great uncertainty as to whether they would work (story, Peter Lawford, chemistry between him and Williams) don't work.Williams is captivating, she handles the comedy with robustness, has a fetching sensuality that makes one unable to take their eyes off her and she is as ever a superb swimming athlete. Ricardo Montalban is handsome, suave and charming, Cyd Charisse shows off incredible dancing (unsurprising, she was one of the greatest dancers in classic film) and Jimmy Durante's comic timing sparkles.In terms of memorable scenes, the standouts are Williams' "aqua spectacular" water ballet, Montalban and Charisse's smoking hot dance number and Charisse's routine on the staircase. As to be expected, 'On an Island With You' looks fabulous, beautifully photographed and designed and the Technicolor is bold, rich and exquisitely colourful. The songs are pleasant and have an infectious energy, even if they are not quite classics. Xavier Cugat and his Orchestra make a strong contribution. Richard Thorpe directs competently, and energy and charm comes through enough.However, the story is barely there and what there is is contrived and credibility is constantly strained to breaking point. There are some nice moments in the script, like with Durante, Montalban and Charisse but too many places elsewhere fall as flat as a pancake, Lawford's dialogue can be cringe-worthy sometimes here.Lawford is 'On an Island With You's' biggest problem. He looks incredibly out of place, looking hopelessly wooden and miserable, with a lot of his non-existent chemistry with Williams bringing an unintentional creepiness, that would be more at home in another (darker) film entirely and he would even most likely be just as bad then.Overall, 60% of 'On an Island With You' delights but anybody expecting to be thrilled by the romance will not just be deeply disappointed but also disturbed. 6/10 Bethany Cox
While Esther Williams never claimed to be a great actress she did well in most of her films. If she had a solid script and good costars her films were usually fun. Unfortunately in this film the script is so weak as to be laughable and Peter Lawford just did not fit the part of the wannabe Romeo. There is no chemistry between them and they just seem to be walking through their parts. Cyd Charisse, as noted by others, is the standout in her dance sequences and Ricardo Montalban is worth watching as well. The usually wonderful Jimmy Durante just rehashes some of his old routines and, while good, is not outstanding. As a final touch even the obligatory water ballet is lackluster. Of all her films this, in my opinion, is the one to miss.
Esther Williams, Peter Lawford, Ricardo Montalban, Jimmy Durante, Cyd Charisse, Xavier Cugat and his Orchestra, and-before she became the title voice in Disney's Alice in Wonderland-Kathryn Beaumont star in another frothy Joe Pasternak production from MGM called On an Island with You. Since most of the other reviewers have mentioned the plot, I'll just mention some highlights: Durante's wisecracks and musical numbers, that sexy dance scene between Charisse and Montalban, Cugat's numbers, and Beaumont's perfect English diction and later Durante impression. All this and some amusing island banter between Williams and Lawford made the entire movie enjoyable despite such a thin plot for almost two hours! Forget about characterization and just enjoy the Hawaii locations in wonderful Technicolor for fun and dancing!
As an Esther Williams fan -- read fanatic -- since I was a pre-adolescent, I have to admit that On an Island with You is one of a few of her films that misfires as entertainment.Admittedly applying contemporary values to a light 56-year-old film, I can't get around the fact that there's something disturbing about the Peter Lawford character's obsession with, stalking of, and eventual kidnapping of the Williams character. This is romantic? Lawford's wooden acting is part of the problem -- more warmth might have mitigated the creepiness of the character's behavior.I have read that Lawford disliked Williams and felt, despite his success in Good News, that he'd been forced into an uninteresting, secondary part in a movie that was clearly hers. That would explain the total absence of chemistry between them.Redeeming elements: the Charisse-Montalban dance numbers and Cugat's music.