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La Parisienne
The spoiled daughter of the French Ambassador tricks one of his aides into marrying her.
Release : | 1957 |
Rating : | 6.2 |
Studio : | Filmsonor, Cinétel, Rizzoli Film, |
Crew : | Assistant Art Director, Assistant Art Director, |
Cast : | Brigitte Bardot Charles Boyer Henri Vidal Noël Roquevert Madeleine Lebeau |
Genre : | Comedy |
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Thanks for the memories!
It's no definitive masterpiece but it's damn close.
I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
This movie feels like it was made purely to piss off people who want good shows
Rule #1 for any romantic comedy is that you have to like the characters. And, in this way, "La Parisienne" is certainly no great rom-com. It's characters are, to put it bluntly, annoying. Michel (Henri Vadal) is a pig who has just married the most beautiful woman on the planet--yet keeps mistresses. Brigitte (Brigitte Bardot) is a stalker who KNOWS Michel is a pig but tricks him into marrying her--and then spends the rest of the film after marrying him treating him like dirt. This is supposed to be funny and romantic? So what do you have apart from two annoying characters? Well, a nice cameo by Charles Boyer, Bardot is GORGEOUS and there are lots of nice bits of scenery in the south of France. But together, these still aren't enough of a reason to watch this film.
Vadim changed Brigitte's image and way of life from that of the young society beauty he had married to that of a rebellious and challenging teenager of the 1950s "Une Parisienne" succeeded in launching her ravishing figure as the teenage goddess, the casual sexuality, the provocative gaiety in confrontation with men Charles Boyer as Prince Charles was the perfect, ideal choice of those magically romantic moments His deep and vibrant voice spoke a promise of new adventures in love His deep, wondering eyes bespoke a worldly knowledge untarnished by cynicism He had the boudoir grace of Valentino without the hysteria or the sometime effeminacy of the great lover Under Michel Boisrond's direction, Boyer was an old-style romantic without the grand manner
I have to agree with all the previous commenter's--this is simply the best of all frothy comedies, with Bardot as sexy as Marilyn Monroe ever was, and definitely with a prettier face (maybe there's less mystique, but look how Marilyn paid for that.) I don't think I've ever seen such a succulent-looking female on screen, so perfect that even a gay man like me got excited by it--and not just for purely aesthetic reasons (if the idiot evangelicals really want to do their 'convert-a-queer' number, they are really going to need to up their standards, as no church mice need apply here...)Her breasts, the rest of her figure, her adorable voice, the hilarious way she shakes as she walks across a room...only to arrive in front of a man, breasts literally pointed as if in exquisite confrontation...I think Boyer is one of the greatest leading men in all of film history. No one played opposite more great female stars than did he: Garbo, Dietrich, K. Hepburn, Colbert, and here Bardot, among many others. And he was also in 'Fanny' with Leslie Caron, and had small parts in 'How to Steal a Million' with A. Hepburn, as well as being in the Deneuve movie 'The April Fools' (although not opposite her.) The only thing I could disagree with in remarks is that even the loud, obnoxious music over the opening credits is appropriate--I mean, Bardot is not meant to be subtle on top of everything else, and her essential loudness (I don't mean her voice) is part of her irresistible and, one might even say, exemplary charm.Vidal is thoroughly handsome, even if pouty Brigitte says toward the beginning 'I don't know why I am in love with you, you're not even handsome.' Dear, dear Bardot! Truly one of the wonders of the 20th century, not to mention the joy that she is still with us, when so many of the truly characterful are passing away so fast, in all her eccentric glory.
Bridgette Bardot, looking as sexy as ever, plays a spoiled but innocent daughter of a French Ambassador. She cons one of her father's top aides (womanizer MICHEL) into marrying her and it turns out to be the best thing for both of them. Michel is soon flirting with his old girlfriends and in order to teach him a lesson, Bridgette flirts heavily with a married PRINCE CHARLES. Michel is surprised by his jealousy. A cat-and-mouse game ensues between Brigdette and Michel ("I'll have an affair"..."No you won't"...) And finally Michel realizes she just might and vows to give up all the other ladies in his life. Bridgette and Michel settle comfortably into their happily-ever-after while Prince Charles jets home to England.It's an admittedly light piece but it's incredibly charming. While some may fault it as a product of it's time, I found that completely enjoyable. Worthy of a rental.